This volume is an anthology of current groundbreaking research on
social practice art. Contributing scholars provide a variety of
assessments of recent projects as well as earlier precedents,
define approaches to art production, and provide crucial political
context. The topics and art projects covered, many of which the
authors have experienced firsthand, represent the work of
innovative artists whose creative practice is utilized to engage
audience members as active participants in effecting social and
political change. Chapters are divided into four parts that cover
history, specific examples, global perspectives, and critical
analysis.
General
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