Rambling Prose is a collection of essays by Steven G. Kellman, culled from his lifetime of work on comparative literature, criticism, and film studies. Filled with wordplay and surprising insight, the collection demonstrates his range as an essayist and invites us to explore the human experience through refined literary analysis. Kellman explores such topics as animal rights, silence, mortality, eroticism, film, and language with his unique critical perspective and offers complex investigations of eternal human quandaries that raise more questions than they answer. Witty and insightful, Rambling Prose is a book for anyone who loves language and believes in the power, both positive and negative, of words to change the world.

ANDY GOLDSWORTHY: TOUCHING NATURE

A new and revised edition of our best-selling book on Andy Goldsworthy. A completely rewritten exploration of the sculptor, updated to include recent works such as Night Path (2002) and Chalk Stones (2003) in Sussex, Three Cairns (2002) on the American East and West coasts, Stone Houses (2004) and Garden of Stones (2003) in Gotham, Passage (2005) in London, and Slate Domes (2005) in Washington, DC.

Known as a 'land', 'earth', 'nature' or 'environmental' artist, Andy Goldsworthy works with(in) nature. He uses natural materials in natural shapes and forms often set in natural contexts (but also in cities, towns, parks, sculpture parks, and many spaces created or adapted by people). FROM THE INTRODUCTION

In the 1990s, Andy Goldsworthy's art began to rise in popularity: the glossy coffee table book Stone became a bestseller (bear in mind it was then priced at $55). In 1994 Goldsworthy took over some West End galleries with a large one-man show. In 1995 he was part of an intriguing group show at the British Museum (Time Machine), creating sculptures, along with Richard Deacon, Peter Randall-Page and others, in amongst the monumental statuary of the famous Egyptian Hall. Also in 1995, Goldsworthy designed a set of Royal Mail stamps (and again in 2003). Digne in France became an increasingly important Goldsworthy location, with shows in 1995, 1997 and 2000). Prestigious commissions occurred in the US from the mid-1990s onwards. For instance: the giant Wall at Storm King Art Center in 1998; the Three Cairns on the East and West Coasts and Iowa in 2001-02; the 'stone houses' at the Metropolitan Museum in Gotham in 2004; the monument to the Holocaust (also in New York) in 2003; and the slate domes in Washington, DC in 2005. Goldsworthy continues to work in countries such as Japan, Australia, Holland, Canada, North America and France (with France and the US becoming primary centres of Goldsworthy activity), but his home ground of Dumfriesshire in Scotland remains (at) the heart of his work.

AUTHOR BIOGRAPHY

William Malpas has written books on Richard Long and land art, as well as three books on Andy Goldsworthy, including Andy Goldsworthy In America. Malpas's books on Richard Long and Andy Goldsworthy are the only full-length studies of these artists available.

Fully illustrated, with a revised text. Bibliography and notes. 312pp. ISBN 9781861714404. www.crmoon.com

Bonalumi is one of the figures who has made the most significant marks on the Italian artistic scene starting from the 1960s. He took part in the cultural debate that developed in those years, contributing decisively, together with Enrico Baj, Piero Manzoni and Enrico Castellani, to the transcending of informal language in the name of a new objectification of the artwork. Starting from 1959, Agostino Bonalumi began to create shaped works using convex canvas obtained through the use of wooden or steel elements positioned behind the canvas itself. This is a stylistic characteristic that was to remain unchanged over the years and that would lead to the artist testing his skills in both the sculptural and the environmental/architectural fields. Through a special selection of works of small dimensions, created by the artist during the entire course of his career, one can look back to his conceptual and project path, from the convex canvases to his sculptural production. The sophisticated results of the artist's research are achieved here also thanks to a more intimate dimension, in which he employs his own methodological approach. The works presented here are neither preparatory models nor sketches of works of larger dimensions: rather, they have come about from the same practice and sometimes share the conformation of the larger works. The small format works were often realised following the larger ones, as if the reduced dimensions enabled the artist to better delineate the project idea lying at the basis of the latter. Text in English and Italian.

Thomas Hirschhorn is a leading installation artist whose work is owned and exhibited by modern art museums throughout Europe and the United States. Known for his compelling, often site-specific and activated environments which tackle issues of critical theory, global politics, and consumerism, his work initially engages the viewer through sheer superabundance. Combining found images and texts, bound up in handcrafted constructions of cardboard, foil, and packing tape, they correlate to the intellectual scavenging and sensory overload that characterize our own grapplings with the excess of information in daily life. Christina Braun is the first to compile and systematically analyze the extensive source material on this artist's theoretical principles. Now translated into English, her study sheds light on the complicated yet constitutive relations between Hirschhorn's work and theory, providing a major contribution to the study of contemporary art.

African Black Soap is one of nature's best kept secrets and now you can learn how to make your own. This amazing soap contains more health and skin benefits than most of the products on the market today. Made from plantain skins and cocoa-pod powder, It is a natural source of vitamin A, E and iron When African black soap is in its raw form and used as part of your daily beauty regime, you will soon discover that... African black soap can protect your skin from free radical damage (aging, wrinkles, and facial lines) as it contains antioxidants Because it contains ashes, African lack soap makes a wonderful exfoliant. It will help remove dry dead skin and will soften and rejuvenate rough skin. If inflammation and skin irritations are an issue for you, African black soap will sooth irritated skin, helping to relieve dry patches, rashes and red areas. People who have used African black soap to help with acne have noticed it clears skin, erases blackheads and even helps with psoriasis and eczema. It will help to firms and tones your skin and improve your skin texture. You will notice a more supple and glowing skin. African black will help to alleviate brown spots and discolorations. African black soap has antibacterial and anti-fungal properties which will help with deep skin cleansing. African black soap is not just for the ladies. Many men use it for shaving as it contains Shea butter content, which helps protect the skin. It is considered a support program for African countries. Since they hardly do any export to the world and this product is a major boost up in economic and traditional values of those member countries. It is extremely beneficial in controlling oily skin when Shea butter is added. Shea butter acts as a supreme agent in controlling oily skin. Users have often mentioned that after applying this soap, their skin develops a healthy glow. It has no harsh chemicals in the ingredients which results in your skin being gentle soft and clear. And don't forget the "feel good" factor. Your skin will feel delicious after having a shower or bath with it. It helps in prevent premature facial lines as it contains vitamins A and E. Vitamin A and E help to moisturize the skin and make it feel fresh. The ingredients also help in moisturizing dry scalps and avoid itchiness. Using African black soap as a hair product also results in managing dandruff problems. African black soap has also been seen to cure ring worm, measles, skin rashes and body odors. Get this book today so you can make your own African black soap & liquid African black soap and and you will soon start to notice just how wonderful your skin can feel.

Ausgehend von Konzepten der psychoanalytischen Selbstpsychologie, psychologischen Phanomenologie und kunstwissenschaftlichen Ikonologie skizziert der Autor am Beispiel ausgewahlter kunstlerischer Werke von Camille Claudel, Albrecht Durer, Dante Gabriel Rossetti und Kurt Schwitters einen tiefenpsychologisch orientierten Zugang zur bildenden Kunst. Gleichzeitig verweist der Autor auf die Bedeutung der sozialen Funktion von Kunst und ihre Anwendung im Rahmen rezeptiver kunsttherapeutischer Verfahren.

This book analyzes the fundamental aspects of graphically depicting a wide variety of jewelry. The relationships of volume, balance between full and empty, treatment of metal surfaces, warm and cool materials and the relationship between the support and the stone are explained in depth along with ways to illuminate jewelry, treatment of light and chiaroscuro play to add depth. The book begins with simple geometric structures and moves on to explore more complex forms through a range of distortions and multiplications. The goal is not to show finished pieces of jewelry but to provide the tools that will enable readers to acquire a work method that allows them to represent their ideas effectively. From orthogonal and axonometric projections to techniques (watercolor, tempera, ink, mixed technique) and different possible supports, readers will find a source of inspiration for developing their own designs. Rings, tiaras, precious stones, bracelets and chains) are graphically represented in this book as if they were real, along with effects such as depth, gloss and transparency.

This book has a compilation of 14 easy to follow, tried and tested Olive oil soap recipes. Each has been used for skin conditions such as Eczema (Manuka honey & Oats, Goats Milk), Psoriasis (Bentonite Clay & Tee tree), Arthritis (Frankencense & Myrrh) and Rheumatism (Seaweed) to name a few. See the difference of olive oil soaps compared to most commercial soaps You'll never use anything else ... Enjoy... Robert Barnes

A radical, lively departure from received notions about art of the Romantic period For many, the term "neoclassicism" has come to imply discipline, order, restraint, and a certain myopia. Leaving the term behind, this book radically challenges enduring assumptions about the art produced from the late 18th century to the early Victorian period, casting new light on appropriations of the classical body by British artists. It is the first to foreground the intersections of gender, race, and class in discussions of British visual classicism, laying bare artists' alternately politicizing and emphatically sensual engagements with Greco-Roman art. Rather than rely exclusively on subsequent scholarship, the book takes up the poet John Keats (1795-1821) as a theoretical framework. Eschewing the "Golden Age" narrative, which sees J. M. W. Turner (1775-1851) as the pinnacle of the period's artistic achievement, the book examines overlooked artists, such as Henry Howard (1769-1847) and John Graham Lough (1798-1876). The result is a fresh account of underappreciated works of British painting and sculpture.

The activities of Rogier van der Weyden (1399/1400-1464) were much wider in scope than the well-known painted oeuvre that has been the subject of so many publications. This book, with its focus on stone sculpture in Brussels at the time that Rogier was established there, an area of art history that to date has been little explored, offers a fresh and fascinating look at the context in which Brussels's famous city painter operated. Bart Fransen leads you through a network of stoneworkers and craftsmen, from the stone quarry to the sculptor's workshop, to discover a number of remarkable but unknown or misjudged sculptures now in churches, an abbey, a beguinage, a museum's reserve collection and a castle chapel. With the various case studies in mind he goes on to examine Rogier van der Weyden's direct involvement in sculptural projects, turning to the evidence revealed by archival documents, drawings and sculpture itself. The result is a highly readable and plentifully illustrated book that re-establishes the close relationship between the various art forms that existed in the fifteenth century.

Renowned American textile artist and sculptor Gyoengy Laky (b. 1944) was once described as a 'wood whisperer'. Her highly individual, puzzle-like assemblages of timber and textiles helped to significantly propel the growth of the contemporary fiber-arts movement. Laky's art traverses an extraordinary personal story: Born amid the bombings of World War II, she escaped from post-war, Soviet-dominated Hungary; was sponsored by a family in Ohio, went to grade school in Oklahoma, and went on to study at the University of California, Berkeley. She followed this by founding the Fiberworks Center for Textile Arts in the 1970s and fostering innovations as a professor at the University of California, Davis. This book provides insight into her studio practice, activism, and teaching philosophy, which champions sustainable art and design, original thinking, and the value of the unexpected.

From casting to sculpture Cast materials become solid, yet they originate as fluid materials that can take on any imaginable form. This simple yet radical paradigm allows for the exploration of volumetric formations through process-oriented casting and experimentation with alternative ways of manufacturing, presenting, and shaping casting molds. Working with hardening bodies fundamentally challenges the notion of formal rigidity; conventional formwork models are reconsidered, and a new aesthetic emerges. Fluid Bodies presents a variety of objects created using alternative casting methods. The book documents experimental artistic research and showcases innovative and surprising sculptures in concrete and plaster. Alternative ways of manufacturing, presenting, and shaping casting molds Concrete and plaster sculptures, parametric designs, and the further development of conventional formwork models and casting processes With numerous large-format photographs

This innovative book includes 25+ recipes for shampoo bars, hair rinses, and hair masques. It contains many black and white photos, step-by-step instructions, and a chapter on natural additives. You get fragrance and essential oils information, and the creative labeling and packaging ideas chapter includes several photos. There is lots of information for both melt and pour and rebatch/hand-milled soap bases and how to craft fine bases into wonderful shampoo bars for all hair types. "How to Make Handmade Shampoo Bars: The Budget Edition" is written and photographed by the author of "The Joy of Melt and Pour Soap Crafting."

How to Make Solid and Liquid Castile Soap teaches you how to make homemade bars of pure olive oil soap using the cold process method as well as liquid castile soap. This book also teaches you how to make castile soap for normal, sensitive, mature and dry skin types as well as to help manage cellulite, eczema, psoriasis, ringworms, menopausal symptoms, pre-menstrual tension, painful periods, arthritis, stress, sadness, mental exhaustion and insomnia.

Learn everything you need to know about making Cold Process soap from scratch. Essential Soap Making covers everything from A - Z: * History of soap making * Safety precautions * Ingredients used in soap making * 5 basic soap formulas to start your soaping journey * Additives and scents to make your soap truly unique * Troubleshooting problems that may arise * Glossary of soap making terms * Resource directory Written by two experienced soap makers and filled with more than 30 color photos (including close-up pictures of the trace process) and detailed instructions, this book walks you step-by-step through the soap making process. Handy reference charts teach the properties and benefits of soap making oils, essential oils and herbs commonly used in natural soap making. Essential Soap Making also includes detailed steps on how to start a soap making business.

Canadian-made W.J. Hughes "Corn Flower" is a distinctive floral design cut on glass stem and tableware. Produced from 1914 to 1988, Corn Flower was a popular gift item, widely collected and used by at least three generations of Canadian families. Corn Flower: Creatively Canadian contains a history of the Hughes family in Ontario, the life and work of Jack Hughes and the detailed business history of the Company from its inception in the basement of the family home to becoming a popular Canadian corporation.

Collectors from across North America will be fascinated by the profusion of splendid photographs, both black & white and colour, of the Corn Flower lines of glassware, many from the original company catalogues. Within the text are clues to the identification of authentic Corn Flower and the differentiation of blanks.

This publication presents 300 recently realized collages by Czech artist Eva Kotatkova (born 1982). This new body of work is presented as having been compiled from an imaginary schoolbook from the 1980s, when the artist was growing up in Prague, under the totalitarian regime of that decade. The images--which often feature drawn embellishments by Kotatkova--largely consist of children playing games or interacting with various other collaged components, such as anatomical parts, or being manipulated as puppets. Kotatkova thus dramatizes relationships between people, ideas and objects in elaborate psycho-physical dramas redolent of the writings of Franz Kafka or Miroslav Holub. Interspersed among the collages are installation photographs and related documentation. Kotatkova studied at the San Francisco Art Institute, and was acclaimed in "The Guardian" (UK) as a highlight of the 2013 Venice Biennale ("The Encyclopedic Palace").

A new collection of renowned artist Nikki McClure's stunning papercuts, with a contemporary, community-minded messageGather, Navigate, Welcome, Fortify, Surrender, Save, Listen, Make Mistakes. These are some of the messages renowned artist Nikki McClure affirms in this gorgeous monograph of her papercuts. Organized by season, McClure's work reminds us of the important things such as the change of seasons, slowing down the world for a moment so we can actually experience it, and looking up at the stars to dream. In a follow-up to her gorgeous monograph Collect Raindrops, You Are Not Too Late is a collection of McClure's original papercuts that have appeared in her beloved yearly calendars. All cut from a single piece of black paper with an X-Acto knife, McClure's artwork features compelling images of everyday life, often accompanied by a powerful verb that inspires the viewer to action.

The volume offers a historical-critical study on the entire career of Marco Tirelli (Rome,1956). His production - surprising and enigmatic - includes works on paper, works on canvas or wood, sculptures, installations, whose subjects always appear poised between recognisability and abstraction: the figures and scenes represented are made up of a densification of microscopic particles of colours that from a distance seem well defined, but which, when viewed from a short distance, break down. A subtle, intellectual painting, therefore, the result of an introspective investigation carried out with dedication. The same tension between illusion and reality, between light and shadow, also characterises the sculptures and installations, as documented in these pages. The volume includes a historical-critical essay by Antonella Soldaini, a conversation with the artist, a biographical note and a documentary summary. Text in English and Italian.

German artist Martin Bruno Schmid (b. 1970) works at the intersection of art and architecture; his tools are drills, saws, and sandpaper, his process includes hammering, shredding, and cutting. Material is extracted, and rarely applied. Schmid addresses the very subject of construction itself with his minimalistic and exceptionally radical interventions in public spaces. In doing so he pushes the frontiers of what is feasible and makes visible what we take for granted. His interventions are a celebration of all the technologies of civilisation that enable us to spend our lives protected and safe, but they are also a test of our certitude. This latest monograph on his work provides a comprehensive insight into Schmid's widely varied oeuvre and opens a gateway to the Stuttgart artist's creative world. Text in English and German.