The Erotic Object: Sexuality in Sculpture From Prehistory to the
Present
The power and eroticism of sculpture, form, volume and space are
sensitively explored in this wide-ranging study, which takes in the
history of sculpture from prehistoric times to contemporary
art.
Featuring discussions of many famous sculptors, including:
Michelangelo Buonarroti, Antonio Canova, Auguste Rodin, Eric Gill,
Andy Goldsworthy, Jasper Johns, Constantin Brancusi, Pablo Picasso,
Barbara Hepworth and Gianlorenzo Bernini.
Many contemporary artists are studied too, including
installation and performance artists (Catherine Elwes, Karen
Finley, Ana Mendieta, Carolee Schneemann), and women sculptors such
as Alice Aycock, Mary Miss, Rebecca Horn, Nancy Graves, Eva Hesse,
Kathe Kollwitz and Judy Chicago.
Regardless of what sculpture depicts, it can be seen as erotic.
The surfaces, materials and forms are sensuous: wood, stone,
marble, granite, clay, bronze. Touching is pleasure. It is a
pleasure that is, perhaps, pre-institutional, pre-industrial and
pre-political.
Touching cuts through socialand cultural constructs, such asart,
ideology, education and war, and goes back to aprimeval form of
being. At same time, touching is a sense of the both personal and
societal. John Keats said, 'touch hasa memory'. Sculpture activates
this fundamental relation with things. Sculpture renews contact
with the simple but utterly crucial experiences such as touch,
sight, and smell.
Fully illustrated, with many rare and fascinating illustrations,
including prints, paintings and buildings as well as sculptures and
statues.
This book has been revised and updated. ISBN 9781861714092. 296
pages. www.crmoon.com
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