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Sculpture Collections in Early Modern Spain (Hardcover, New Ed)
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Sculpture Collections in Early Modern Spain (Hardcover, New Ed)
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In the past decade, there has been a surge of Anglophone
scholarship regarding Spain in the sixteenth and seventeenth
centuries, which has led to a reframing of the discourses around
Spanish culture of this period. Despite this new interest-in which
painting, in particular, has been singled out for treatment-a
comprehensive study of sculpture collections and the status of
sculpture in Spain has yet to be produced. Sculpture Collections in
Early Modern Spain is the first book to assess the phenomenon of
sculpture collecting and in doing so, it alters the previously held
notion that Spanish society placed little value in this art form.
Di Dio and Coppel reveal that, due to the problems and expense of
their transport from Italy, sculptures were in fact status symbols
in the culture. Thus they were an important component of the
collections formed by the royal family, cultivated noble
collectors, humanists, and artists who had pretensions of high
status. This book is especially useful to specialists for its
discussion of the typologies of collections and objects, and of the
mechanics of state gifts, transport, and collection display in this
period. An appendix presents extensive archival documentation, most
of which has never before been published. The authors have
uncovered hundreds of new documents about sculpture in Spain; and
new documentary evidence allows them to propose several new
identifications and attributions. Firmly grounded in extensive
archival research, Sculpture Collections in Early Modern Spain
redefines the socio-political and art historical importance of
sculpture in early modern Spain. Most importantly, it entirely
transforms our knowledge regarding the presence of sculpture in a
wide range of Spanish collections of the period, which until now
has been erroneously characterized as close to non-existent.
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