The milestone 100th issue of Camera Obscura recognizes the work and
legacy of Belgian filmmaker Chantal Akerman (1950–2015). Arguably
the most important figure in feminist film culture, Akerman is
central to Camera Obscura's own legacy, and her film Jeanne
Dielman, 23 quai du Commerce, 1080 Bruxelles was covered in one of
the first issues of the journal. The contributors to this special
issue return to Akerman's work, illuminating her films, writings,
and installations through new criticism and discussion. The issue
includes a rich collection of newly published photographs,
scholarly essays by leading Akerman scholars, a filmography and
installation list, and rare interviews with Akerman's close
collaborators. Contributors. Claire Atherton, Janet Bergstrom,
Kelley Conway, Sandy Flitterman-Lewis, Ute Holl, Heike Klippel, Eva
Kuhn, Matias Lavin, Alisa Lebow, Brenda Longfellow, Babette
Mangolte, Ivone Margulies, Michael Mazière, Eva Meyer, Sandra
Percival, Jane Stein, Cécile Tourneur, Maureen Turim, Sonia
Wieder-Atherton, Patricia White
General
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