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Books > Social sciences > Politics & government > Political ideologies > Socialism & left-of-centre democratic ideologies
First published in 1980. This book covers areas of policy interest viewed from a social democratic perspective and each chapter takes a specific issue which would have been of concern to Labour in the 1980s, including some of the more controversial areas. The study reviews various problem areas and suggests policies which are realistic and applicable in the conditions of the 1980s. This title will be of interests to scholars and students of history and politics.
Russian democracy in the post-totalitarian era is intimately bound up with the fate of its representative institutions. In Russia's Road to Democracy, Victor Sergeyev and Nikolai Biryukov assess why the Congress of People's Deputies, and the other newly elected institutions founded under perestroika, not only failed to prevent, but also seemed to speed up and provoke, the disintegration of the Soviet Union. By studying the early history of the Congress, the book seeks insights on the prospects for democracy in Russia.Following an inquiry into the roots of Soviet political culture and the implications for future representative institutions, the book then examines the genesis of the Congress of People's Deputies and attempts a hermeneutical reconstruction of the deputies' models of social reality, as expressed in the texts of their parliamentary debates. The authors argue that the adoption of the concept of sobornost - a belief in society's organic unity - as the basic model for this institution proved utterly inadequate to the challenges the country faced. Including substantial new source material which is being made available in English for the first time, Russia's Road to Democracy presents an in-depth analysis with conclusions that contradict the hitherto prevailing theoretical assumptions.
Choice Outstanding Academic Title 2002 "Frost has created a usable past capable of enriching our
understanding of the difficulties of democracy and the tough
realities of American politics." "The finest study to date on the ill-fated Economic research and
Action Projecta].An outstanding work." "Frost contributes to a more nuanced understanding of the era
and pushes past stereotypes of the sixties." "Frost has provided a coherent examination of the role of
American women during the poor people's movement of the
1960s...there are many different things for scholars to admire
about this book." "I highly recommend this very accessible book...[it] includes
rich archival and oral historical detail that should appeal to
historians of the 1960s. For those of us interested in a more
complex and intersectional analysis of the 1960s, this book is a
welcome addition to the historical record." .,."A solid contribution to the literature on the history of
community organizing and radical resistance, one that can also add
to contemporary debates about rebuilding public life and reviving
democratic dissent and practice in America." Community organizing became an integral part of the activist repertoire of the New Left in the 1960s. Students for a Democratic Society, the organization that came to be seen as synonymous with the white New Left, began community organizing in 1963, hoping to build an interracial movement of the poor through which to demand social and political change. SDS sought nothing less thanto abolish poverty and extend democratic participation in America. Over the next five years, organizers established a strong presence in numerous low-income, racially diverse urban neighborhoods in Chicago, Cleveland, Newark, and Boston, as well as other cities. Rejecting the strategies of the old left and labor movement and inspired by the Civil Rights Movement, activists sought to combine a number of single issues into a broader, more powerful coalition. Organizers never limited themselves to today's simple dichotomies of race vs. class or of identity politics vs. economic inequality. They actively synthesized emerging identity politics with class and coalition politics and with a drive for a more participatory welfare state, treating these diverse political approaches as inextricably intertwined. While common wisdom holds that the New Left rejected all state involvement as cooptative at best, Jennifer Frost traces the ways in which New Left and community activists did in fact put forward a prescriptive, even visionary, alternative to the welfare state. After Students for a Democratic Society and its community organizing unit, the Economic Research and Action Project, disbanded, New Left and community participants went on to apply their strategies and goals to the welfare rights, women's liberation, and the antiwar movements. In her study of activism before the age of identity politics, Frost has given us the first full-fledged history of what was arguably the most innovative community organizing campaign in post-war American history.
For decades Stalinist literature, film, and art was almost exclusively deemed political propaganda imposed from on high, devoid of any aesthetic significance. In this book, Evgeny Dobrenko suggests an entirely new view: socialism did not produce Socialist Realism to "prettify reality"; rather, Socialist Realism itself produced socialism by elevating socialism to reality status, giving it material form. Without art, socialism could not have materialized. Bringing together the Soviet historical experience and Stalin-era art-novels, films, poems, songs, painting, photography, architecture, and advertising-Dobrenko examines Stalinism's representational strategies and demonstrates how real socialism was begotten of Socialist Realism. Socialist Realism, he concludes, was Stalinism's most effective sociopolitical institution.
Decades of Western Cold War propaganda were designed to depict socialism as inimical to genuine aesthetic acheivement. Now, in the wake of the Cold War, it is becoming possible to reassess the past and present cultural productions of artists with socialist inclinations. The essays in this volume begin such a reassessment, finding that socialist cultural production in the 20th century, both as the official culture of the socialist East and as an oppositional culture in the capitalist West, has been rich and varied. The volume focuses on socialist culture in the industrialized world, primarily Eastern Europe and the West. An introductory essay overviews socialist cultural productions of the 20th century, while the chapters that follow address a wide range of topics. These include Soviet socialist realist fiction and film musicals, the socialist drama of Bertolt Brecht, and British and American leftist fiction. The volume demonstrates that propagandistic Cold War depictions of socialism as a threat to artistic expression were inaccurate and misleading.
During the Cold War, the West typically represented socialism as a threat to genuine aesthetic achievement. Nonetheless, socialist cultures have produced a rich and varied body of creative works, and socialism continues to be a living force in China and in many regions of the Third World. The essays in this volume begin to reassess the legacy of socialist cultural production in such areas of the world, which were outside the specific scope of influence of either the United States or the Soviet Union during the Cold War era. The contributors give special attention to the strong anticolonial legacy of socialism and the important role played by socialism in subsequent attempts to build viable postcolonial cultural identities. Included are chapters on creative works from China, Africa, and the Caribbean, as well as the works of multicultural artists from the United States who stand in relation to Third World cultures. The essays show that global socialist cultural production was rich and varied during the twentieth century and continues to be so, despite the tribulations experienced by socialism itself. While some of the chapters address theoretical concerns central to all socialist cultures, the volume focuses primarily on socialist cultures in those parts of the globe that were never fully inside either the Soviet or the American bloc.
As global economic and population growth continues to skyrocket, increasingly strained resources have made one thing clear: the desperate need for an alternative to capitalism. In Democratic Eco-Socialism as a Real Utopia, Hans Baer outlines the urgent need to reevaluate historical definitions of socialism, commit to social equality and justice, and prioritize environmental sustainability. Democatic eco-socialism, as he terms it, is a system capable of mobilizing people around the world, albeit in different ways, to prevent on-going human socio-economic and environmental degradation, and anthropogenic climate change.
The Labour Church was an organisation fundamental to the British socialist movement during the formative years of the Independent Labour Party (ILP) and Labour Party between 1891 and 1914. It was founded by the Unitarian Minister John Trevor in Manchester in 1891 and grew rapidly thereafter. Its political credentials were on display at the inaugural conference of the ILP in 1893, and the Labour Church proved a formative influence on many pioneers of British socialism. This book provides an analysis of the Labour Church, its religious doctrine, its socio-political function and its role in the cultural development of the early socialist arm of the labour movement. It includes a detailed examination of the Victorian morality and spirituality upon which the life of the Labour Church was built. Jacqui Turner challenges previously held assumptions that the Labour Church was irreligious and merely a political tool. She provides a new cultural picture of a diverse and inclusive organisation, committed to individualism and an individual relationship with God. As such, this book brings together two major controversies of late-Victorian Britain: the emergence of independent working-class politics and the decline of traditional religion in a work which will be essential reading for all those interested in the history of the labour movement.
This book presents a systematic challenge to the widely-held view that Marxism is unable to deal adequately with environmental issues. Jonathan Hughes responds to criticisms of Marx's theory of history from environmental theorists, and offers an interpretation and reconstruction of key Marxian concepts, designed to show that the theory need not have harmful ecological consequences. He argues that the communist principle "to each according to his needs" must rest on a conception of needs that may be satisfied by a modest and ecologically-feasible expansion of productive output.
This book is a meticulous argument for the contemporary value of Marx's democratic theory as an interpretive key for the postmodernism debates. Landry uses the works of Derrida, Foucault, and Lyotard to represent the poststructuralist camp and the writings of Habermas to represent the rationalist camp. Viable social critique, argues Landry, mediates between pure social constructivist and pure realist metaphysics. Postmodernism, although critical of Marx, aided the broader project of critical social theory, particularly Marx's critique of social-material contexts of oppression. Indeed, significant positive affiliations among Marx, Habermas, and the poststructuralists are found in their commitment to criticizing ideological aspects of bourgeois Enlightenment rationality and modernity. Landry employs a fruitful tension strategy as seeking rapprochement among the modern and postmodern positions on hotly debated contemporary issues such as subjectivity, criticism, and the nature of reason. Marxism continues to provide critical tools for articulating productive conflict within the postmodernism debates, advancing of strategies of critique beyond identity politics toward a more self-reflective ideological discussion of the multiple axes of power and oppression in political struggles over democracy. In this unique study, complex philosophical issues are described lucidly and their relevance for today is established compellingly.
In an age when innovative scholarly work is at an all-time high, the academy itself is being rocked by structural change. Funding is plummeting. Tenure increasingly seems a prospect for only the elite few. Ph.D.'s are going begging for even adjunct work. Into this tumult steps Cary Nelson, with a no- holds-barred account of recent developments in higher education. Eloquent and witty, Manifesto of a Tenured Radical urges academics to apply the theoretical advances of the last twenty years to an analysis of their own practices and standards of behavior. In the process, Nelson offers a devastating critique of current inequities and a detailed proposal for change in the form of A Twelve-Step Program for Academia.
Using the cheap desktop publishing techniques of 'zine culture, and supplementing them with an extensive presence on the World Wide Web, the Bad Subjects Production Team has produced one of the only successful political 'zines in the US, as well as one of the first--and longest-running--on-line publications in the world. Bad Subjects offers a critique of the post-1960s left in the United States, and attempts to reclaim a utopian vision for a political movement which has become fragmented and cynical about the possibility of social transformation. Indeed, Bad Subjects itself is simultaneously a valuable resource and an inspiration, a record of what politically-engaged cultural criticism can achieve, and an example of a progressive political community making use of new technologies. Offering a way out of vulgar multiculturalism--based on separatism and the idea of "authenticity"--into a critical identity politics founded on coalitions, hybridity, and class consciousness, Bad Subjectsspeaks to readers both in and outside of the academy. Taking their cue from the feminist slogan, "the personal is political," and from Marxist injunctions to study "everyday life," Bad Subjects covers everything from popular culture and high technology to economic restructuring and political organizing, from Raymond Williams to The Dead Kennedys. In the terrain of cultural criticism, Bad Subjects is an off-road vehicle roaring away from the beaten path.
Donald Busky provides an in-depth, well referenced, and up to date examination of the history of social democratic parties and governments worldwide from the 19th century onward. After reviewing the history of democratic socialism and its rivals as well as defining the various movements, Dr. Busky examines the history and current state of social democratic parties beginning with Europe and Great Britain, and then moving to the United States and Canada, Latin America and the Caribbean, Africa, Asia, and the Middle East. The volume concludes with a survey bibliography of key studies on the topic. This global survey will be of particular interest to scholars, students, and other researchers involved with comparative politics and political ideologies.
In the first dialogue of its kind after the abandonment of communism in Eastern Europe, philosophers from Russia, Hungary, Canada, and the United States engage in a timely and searching exchange of views. In a critical examination of MarxisM's theory and practice, they ask: What in it was true and relevant to human progress? What are its successes, limitations, and failures? How can it be improved? This volume brings together scholars from Russia, Hungary, Canada, and the United States to analyze and discuss the past, present, and future status of Marxist philosophy. Their contributions take on special significance in light of the changes in the economies and governments of the Soviet Union and Eastern Europe, and the displacement of Marxism as the official state philosophy. The essays examine questions fundamental to Marxist philosophy: the hegemonic and post-hegemonic role of Marxism in social movements; the creative presence of Marxism in the history of philosophy and thought; its successes and the causes of its failures in theory and practice; the pathways of correction; the need to broaden Marxism by making use of Western concepts; and many other critical questions that must be raised to understand the ongoing development of Marxist thought. Essential reading for all scholars and researchers concerned with the place of Marxism in history and thought.
Winner of the Pierlot Prize in Contemporary History This political biography of Emile Vandervelde traces the path of European socialism at the turn of the century. Vandervelde defined democratic socialism as a compromise between orthodox and revisionist Marxism. As President of the Second International, he brought French, British, and German socialists together as comrades in a common revolutionary struggle.This history of the struggles of two generations of socialists to define and practise what Vandervelde called 'revolutionary reformism' draws attention to the Marxist origins of democratic socialism and will appeal to anyone interested in politics, comparative history or labour movements.
This is the first work in English to deal comprehensively with Italian anarchism from the beginning of the century to the rise of fascism. It reconstructs the development of anarchist and syndicalist ideas and programmes and charts their relations with Gramsci and the Turin- based Ordine Nuovo group. The book places these developments within the general context of little known links connecting Italian anarchists and syndicalists to sympathizers in Britain, France, Germany and Russia. The analysis of 'libertarian' politics in Italy is accompanied by a detailed and fascinating reconstruction of the social base of Italian anarchism that challenges the assumptions of much of the political sociology of the European Left.Developing a hitherto unexplored but important aspect of Gramsci's political ideas and strategies, this book contributes to our understanding of one of the central Marxist thinkers and activists of the twentieth century and to one of the critical moments in the history of the European Left. In bringing new life and understanding to an important chapter in contemporary Italian history, this book is likely to become a standard text on this pivotal thinker.' Levy has written a major and important study [...] likely to become a standard reference text.'John Davis, University of Connecticut
This book investigates the relation between left-wing populism and feminist politics by analysing three specific aspects. First, whether left-wing populist parties promote gender equality policies, against charges of a general inconsistency between both political projects; Second, how do these parties form their policy-making coalitions in the field of gender equality; Third, how much impact on policy do women's movements have when left-wing populists are in power. The book is focused on the case of Bolivia during the first twelve years of Evo Morales's presidency. The empirical analysis is based on the qualitative content analysis of documents and semi-structured interviews with women's movements' activists, policy-makers and experts in women's movements. The central issue of the book is present throughout the volume, but each empirical chapter can be also read as a semi-autonomous analysis of a specific aspect of the relation between left-wing populism and feminist politics, which increases the interest of the book for different audiences including experts in gender and politics and feminist activists, specialists in Latin American politics, indigenous politics and social movements.
This edited volume explores the cultural life of capitalism during socialist and post-socialist times within the geopolitical context of the former Yugoslavia. Through a variety of cutting edge essays at the intersections of critical cultural studies, material culture, visual culture, neo-Marxist theories and situated critiques of neoliberalism, the volume rethinks the relationship between capitalism and socialism. Rather than treating capitalism and socialism as mutually exclusive systems of political, social and economic order, the volume puts forth the idea that in the context of the former Yugoslavia, they are marked by a mutually intertwined existence not only on the economic level, but also on the level of cultural production and consumption. It argues that culture-although very often treated as secondary in the analyses of either socialism, capitalism or their relationship-has an important role in defining, negotiating, and resisting the social, political and economic values of both systems.
This highly topical book presents a new theory on the characteristics of entrepreneurial knowledge. It explores the recent shift among professional economists and scholars in their evaluation of the debate of socialism. Socialism, Economic Calculation and Entrepreneurship presents an application of Israel M. Kirzner's theory of entrepreneurship to the theory of the impossibility of socialism. It discusses the influence of the fall of socialism, with particular reference to the evolution of economic thought.
This book is the first comprehensive examination of the close relationship that obtained between leading groups of British socialists and American progressives in the first three decades of the twentieth century. Employing new methods of conceptual and institutional analysis, and drawing on extensive original archival research, the book examines the efforts of leading political theorists to transform the initially distinctive theories of the British and American lefts into a single unified ideology. In so doing it challenges traditional narratives emphasising the exceptional development the American and British lefts, and argues instead that the central theoretical and practical commitments of both movements were constantly shaped and reshaped by international ideological exchange.
The American Left has produced a rich and varied cultural tradition that was largely suppressed during the Cold War but whose influence on the larger society has always been significant. Much of this tradition found its expression in film and despite the suppression of overtly leftist content in most Hollywood films, there is still a substantial amount of leftist material in American movies. Booker's study gives the attention to the films of the American Left that they have long deserved by examining the full range of their history. Such well known directors as Charlie Chaplin, Orson Welles, William Wellman, Fritz Lang, John Huston, Stanley Kubrick, Oliver Stone, and John Sayles often showed leftist inclinations in their work. Other films associated with the American Left have been produced in a number of modes and subgenres, including war films, historical films, detective films, and science fiction. Some of these directors have offered overt criticisms of capitalism in films dealing with labor and business. This reference book thoroughly explores leftist elements in American films. The book begins with a brief historical survey of the development of this important cultural phenomenon. It then provides detailed entries for more than 260 films associated with the American Left. The entries are arranged chronologically, so that the reader may trace the cinematic representation of the American Left across time. The entries include not only plot summaries, but also critical examinations of the political content and implications of the films. Included are discussions of such classic works as "Citizen Kane" and "The Grapes of Wrath, " along with considerations of more recent films, such as "Apocalypse Now, Taxi Driver, " and "Men with Guns." Two appendixes and index provide alphabetical access to the entries. The individual entries provide brief bibliographical citations, while the volume closes with a bibliography.
This book describes Mussolini's little-known radical ideology, including his activities in Switzerland, relationship with revolutionary syndicalism, and radical journalism. It provides an in-depth treatment of the young Benito Mussolini as a revolutionary Socialist and describes the political maneuverings that took a major European Socialist party by storm before the First World War. It explains the process of how he came to dominate Italian Socialism until the crisis caused by Italy's intervention in World War I. It illuminates Mussolini's leadership qualities and his rise to leader of the Italian Socialist Party.
Sexual Politics explores the complex relationship between sexuality
and socialist politics in Britain between the 1880s and the present
day. Looking at birth control, abortion law reform, and gay rights,
this is a timely examination of the relationship between the
personal and the political over the last century and a half.
Stephen Brooke tells the stories of individuals such as Edward
Carpenter, Dora Russell, Sheila Rowbotham, Ken Livingstone, Peter
Tatchell, and Tony Blair, and organizations like the Workers' Birth
Control Group, the Abortion Law Reform Association, the National
Abortion Campaign, and the Labour Campaign for Lesbian and Gay
Rights. Sexual radicalism, first and second wave feminism, and gay
liberation all feature in the book's portrait of the progress of
sexual politics from the late nineteenth century to the early
twenty-first century.
This collection of original essays offers a defense of socialism in the face of its recent collapse. The volume provides both an overview and a critical inquiry into the essential aspects of the crisis and fall of socialism. It also, however, assesses the prospects of the renewal of the socialist project by addressing long-neglected issues in socialist thinking and writing. Recent developments in Russia, Cuba, and China, combined with theoretical expositions of the crisis and fall of socialism, are used to assess some of the strengths and weaknesses of socialist regimes. Critical essays on specific issues---such as the environment, feminism, law, and Marxist theory---point the way, the authors hope, toward a renewal and re-energizing of socialism. This volume will be of interest to scholars and students of socialism, Marxism, comparative politics, and political theory. |
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