This book explores how funk emerged in the mid-1960s at the very apex of the civil rights movement and shows how this music mirrored the broader changes taking place within the African-American community at a crucial political time and continues to this day to underpin remix culture. It traces the extent of the Brown legacy, musically, culturally and otherwise articulating decisive links between Brown's work and the DJ culture that embraced it so emphatically that Brown is now considered to be the most widely sampled African-American recording artist in history; indeed, we seem to have reached a point where many of Brown's refrains - the screams, the horn stabs, the "funky drummer" breakbeats - have been sampled so often as to have seemingly become part of the public domain. Traversing the past forty years of popular music, the book explores how the ubiquitous presence of Brown's groove, the affective and transformative capacities of a grunt or a well-timed "Good God" or punctuating scream take over where language fails and compel even the most sedate listener to take to the floor.

In The Meaning of Soul, Emily J. Lordi proposes a new understanding of this famously elusive concept. In the 1960s, Lordi argues, soul came to signify a cultural belief in black resilience, which was enacted through musical practices-inventive cover versions, falsetto vocals, ad-libs, and false endings. Through these soul techniques, artists such as Aretha Franklin, Donny Hathaway, Nina Simone, Marvin Gaye, Isaac Hayes, and Minnie Riperton performed virtuosic survivorship and thus helped to galvanize black communities in an era of peril and promise. Their soul legacies were later reanimated by such stars as Prince, Solange Knowles, and Flying Lotus. Breaking with prior understandings of soul as a vague masculinist political formation tethered to the Black Power movement, Lordi offers a vision of soul that foregrounds the intricacies of musical craft, the complex personal and social meanings of the music, the dynamic movement of soul across time, and the leading role played by black women in this musical-intellectual tradition.

A riveting cautionary tale about the ecstasy and dangers of loving Marvin Gaye, a performer passionately pursued by all-and a searing memoir of drugs, sex, and old school R&B from the wife of legendary soul icon Marvin Gaye. After her seventeenth birthday in 1973, Janis Hunter met Marvin Gaye-the soulful prince of Motown with the seductive liquid voice whose chart-topping, socially conscious album What's Going On made him a superstar two years earlier. Despite a seventeen-year-age difference and Marvin's marriage to the sister of Berry Gordy, Motown's founder, the enchanted teenager and the emotionally volatile singer began a scorching relationship. One moment Jan was a high school student; the next she was accompanying Marvin to parties, navigating the intriguing world of 1970s-'80s celebrity; hanging with Don Cornelius on the set of Soul Train, and helping to discover new talent like Frankie Beverly. But the burdens of fame, the chaos of dysfunctional families, and the irresistible temptations of drugs complicated their love. Primarily silent since Marvin's tragic death in 1984, Jan at last opens up, sharing the moving, fervently charged story of one of music history's most fabled marriages. Unsparing in its honesty and insight, illustrated with sixteen pages of black-and-white photos, After the Dance reveals what it's like to be in love with a creative genius who transformed popular culture and whose artistry continues to be celebrated today.

2022 Winner of the Award for Excellence in Historical Recorded Sound Research - Association of Recorded Sound Collections ARSC It has long been acknowledged that Berry Gordy Jr and his Motown Empire put Detroit on the International musical map but it was the creative genius of Brian Holland, Lamont Dozier and Eddie Holland who would take the sound into uncharted territory. In this book Howard Priestley explores in depth the story of the three friends, their meteoric rise to fame and their fall from the heights. How they helped to put Detroit Soul on the map and the series of events that saw the collapse of not only the recognised sound of Detroit but Soul in general as the 70s gave way to a more collective sound away from the diversity of Memphis, Philadelphia, Chicago, Miami and, of course, Detroit. Priestley writes in both an entertaining and analytical way that reminds us just how many songs the trio have composed that have become an important and enduring part of the soundtrack to so many of our lives.

In 2007, Ruben Molina published the first-ever history of Mexican-American soul and R&Bmusic in his book, Chicano Soul: Recordings and History of an American Culture. Ten yearslater, Chicano Soul remains an important and oft-referenced study of this vital but oftenoverlooked chapter of the greater American musical experience. Chicano soul music of the1950s and 1960s still reverberates today, both within Chicano communities and throughoutmany musical genres. Molina tells the story of the roots of Chicano soul, its evolution, and itsenduring cultural infl uence. "Brown-eyed soul" music draws on 1950s era jazz, blues, jump blues, rock 'n' roll, Latinjazz, and traditional Mexican music such as ranchera, norteno, and conjunto music. With its rareand gorgeous photos, record scans, concert bills, and impressive discography (to say nothingof its rich oral histories/interviews), it is one of those rare works that speaks to both generaland academic audiences.

To fans of sassy and savvy urban music, the name Rick James will forever be associated with the mainstream emergence of funk--that bottom-heavy blend of rock and soul that sparked a multiracial musical revolution in the 1970s and 1980s and has since influenced everything from rap to raves, punk to progressive rock. Along with the fame, the Grammy Award, and superstardom came drug abuse and even felony convictions, all of which are chronicled in this gripping, posthumous tell-all of the funk revolution.

In Do You Remember? Celebrating Fifty Years of Earth, Wind & Fire, Trenton Bailey traces the humble beginning of Maurice White, his development as a musician, and his formation of Earth, Wind & Fire, a band that became a global phenomenon during the 1970s. By the early 1980s, the music industry was changing, and White had grown weary after working constantly for more than a decade. He decided to put the band on hiatus for more than three years. The band made a comeback in 1987, but White's health crisis soon forced them to tour without him. During the twenty-first century, the band has received numerous accolades and lifetime achievement and hall of fame awards. The band remains relevant today, collaborating with younger artists and maintaining their classic sound. Earth, Wind & Fire stood apart from other soul bands with their philosophical lyrics and extravagant visual art, much of which is studied in the book, including album covers, concerts, and music videos. The lyrics of hit songs are examined alongside an analysis of the band's chart success. Earth, Wind & Fire has produced twenty-one studio albums and several compilation albums. Each album is analyzed for content and quality. Earth, Wind & Fire is also known for using ancient Egyptian symbols, and Bailey thoroughly details those symbols and Maurice White's fascination with Egyptology. After enduring many personnel changes, Earth, Wind & Fire continues to perform around the world and captivate diverse audiences.

Although in 2000 he became the first sideman inducted into the Rock & Roll Hall of Fame, "King Curtis" Ousley never lived to accept his award. Tragically, he was murdered outside his New York City home in 1971. At that moment, thirty-seven-year-old King Curtis was widely regarded as the greatest R & B saxophone player of all time. He also may have been the most prolific, having recorded with well over two hundred artists during an eighteen-year span. Soul Serenade is the definitive biography of one of the most influential musicians of the 50s, 60s, and early 70s. Timothy R. Hoover chronicles King Curtis's meteoric rise from a humble Texas farm to the recording studios of Memphis, Muscle Shoals, and New York City as well as to some of the world's greatest music stages, including the Apollo Theatre, Fillmore West, and Montreux Jazz Festival. Curtis's "chicken-scratch" solos on the Coasters' Yakety Yak changed the role of the saxophone in rock & roll forever. His band opened for the Beatles at their famous Shea Stadium concert in 1965. He also backed his "little sister" and close friend Aretha Franklin on nearly all of her tours and Atlantic Records productions from 1967 until his death. Soul Serenade is the result of more than twenty years of interviews and research. It is the most comprehensive exploration of Curtis's complex personality: his contagious sense of humor and endearing southern elegance as well as his love for gambling and his sometimes aggressive temperament. Hoover explores Curtis's vibrant relationships and music-making with the likes of Buddy Holly, Sam Cooke, Isaac Hayes, Jimi Hendrix, Aretha Franklin, Otis Redding, Sam Moore, Donny Hathaway, and Duane Allman, among many others.

Gerald Early, an award-winning music, sports, and popular-culture scholar, brings us a concise study of Motown Records, one of the most famous and successful black-owned businesses in American history, and, arguably, the most significant of all American independent record labels.
Early tells the story of the historical and cultural conditions that made this record company possible, including the dramatic shifts in American popular music, changes in race relations and racial attitudes, and the rise of a black urban population. Early concentrates in particular on the 1960s and 70s, when Motown had its biggest impact on American musical tastes and styles. In addition, he provides an up-to-date bibliography of the major books that have been written about Motown Records specifically, and black American music generally. With new appendices featuring interviews with four of the major creators of the Motown Sound: Berry Gordy, Stevie Wonder, Diana Ross, and Marvin Gaye.
Gerald Early is Merle Kling Professor of Modern Letters in the Department of Arts and Sciences at Washington University. His book, "The Culture of Bruising: Essays on Prizefighting, Literature, and Modern American Culture, won the 1994 National Book Critics Circle Award for criticism.

Foreword by Steve Harvey and afterword by David Foster The Grammy-winning founder of the legendary pop/R&B/soul/funk/disco group tells his story and charts the rise of his legendary band in this sincere memoir that captures the heart and soul of an artist whose groundbreaking sound continues to influence music today. With its dynamic horns, contrasting vocals, and vivid stage shows, Earth, Wind & Fire was one of the most popular acts of the late twentieth century-the band "that changed the sound of black pop" (Rolling Stone)-and its music continues to inspire modern artists including Usher, Jay-Z, Cee-Lo Green, and Outkast. At last, the band's founder, Maurice White, shares the story of his success. Now in his seventies, White reflects on the great blessings music has brought to his life and the struggles he's endured: his mother leaving him behind in Memphis when he was four; learning to play the drums with Booker T. Jones; moving to Chicago at eighteen and later Los Angeles after leaving the Ramsey Lewis Trio; forming EWF, only to have the original group fall apart; working with Barbra Streisand and Neil Diamond; his diagnosis of Parkinson's; and his final public performance with the group at the 2006 Grammy Awards. Through it all, White credits his faith for his amazing success and guidance in overcoming his many challenges. Keep Your Head to the Sky is an intimate, moving, and beautiful memoir from a man whose creativity and determination carried him to great success, and whose faith enabled him to savor every moment.

In this remarkable book, Douglas Wolk recreates the evening of October 24th 1962, at Harlem's Apollo Theatre, an evening at the epicentre of Cold War tensions. An evening when James Brown took the stage to be faced by 1500 screaming fans - fans who thought they might well be dead within a week. Wolk reconstructs, in great detail, what took place (and was recorded) inside the Apollo that night: one of the tightest, most legendary performances ever put down on tape. 33 1/3 is a series of short books about critically acclaimed and much-loved albums of the last 40 years. Focusing on one album rather than an artist's entire output, the books dispense with the standard biographical background that fans know already, and cut to the heart of the music on each album. The authors provide fresh, original perspectives, often through their access to and relationships with the key figures involved in the recording of these albums. By turns obsessive, passionate, creative, and informed, the books in this series demonstrate many different ways of writing about music. (A task that can be, as Elvis Costello famously observed, as tricky as dancing about architecture.) What binds this series together, and what brings it to life, is that all of the authors - musicians, scholars, and writers - are deeply in love with the album they have chosen. Previous titles in this now well-established series have beaten sales expectations and received excellent review coverage - the third batch is sure to continue this success. More titles follow in the spring of 2005.

The late Grammy-winning founder of the legendary pop/R&B/soul/funk/disco group tells his story and charts the rise of his legendary band in this sincere memoir that captures the heart and soul of an artist whose groundbreaking sound continues to influence music today. With an introduction by Steve Harvey and a foreword by David Foster. "To the readers of this book you need to know that EW&F is simply the greatest living group in my lifetime. No one put together lyrics to a melody like they did; no one put harmony to sound and rhythm like they did; no one added horns in the way that they did and no one, but no one messed with our minds about love and life like they did...EARTH because they grow on you; WIND because it moves you in one loving direction and FIRE because they consume your heart in a single flame of love."-Steve Harvey With its dynamic horns, contrasting vocals, and vivid stage shows, Earth, Wind & Fire was one of the most popular acts of the late twentieth century-the band "that changed the sound of black pop" (Rolling Stone)-and its music continues to inspire modern artists including Usher, Jay-Z, Cee-Lo Green, and Outkast. At last, the band's founder, Maurice White, shares the story of his success. White reflects on the great blessings music has brought to his life and the struggles he's endured: his mother leaving him behind in Memphis when he was four; learning to play the drums with Booker T. Jones; moving to Chicago at eighteen and later Los Angeles after leaving the Ramsey Lewis Trio; forming EWF, only to have the original group fall apart; working with Barbra Streisand and Neil Diamond; his diagnosis of Parkinson's; and his final public performance with the group at the 2006 Grammy Awards. Through it all, White credits his faith for his amazing success and guidance in overcoming his many challenges. My Life with Earth Wind, and Fire is an intimate, moving, and beautiful memoir from a man whose creativity and determination carried him to great success, and whose faith enabled him to savor every moment.

This comprehensive guide is a must-have for the legions of fans of the beloved and perennially popular music known as soul and rhythm & blues. The latest in the definitive All Music Guide series, the All Music Guide to Soul offers entertaining and informative reviews that lead readers to the best recordings by their favorite artists and help them find new music to explore. Informative biographies, essays, and "music maps" trace R&B's growth from its roots in blues and gospel and its flowering in Memphis and Motown, to its many branches today. Complete discographies note bootlegs, important out-of-print albums, and import-only releases.