"Palmetto Braiding and Weaving" is the definitive book for creating a variety of crafts from palm fronds, straw, rush, and grass. In this well-illustrated volume, artists and authors Viva Cooke and Julia Sampley explore thoroughly one of the most fascinating traditions of the southern United States: palmetto basketry. This tradition of crafts made from palm leaves has been passed on through generations. "Palmetto Braiding and Weaving" includes techniques and patterns for braiding and weaving-from simple to complex-for a variety of creations. In addition to baskets, "Palmetto Braiding and Weaving" explains how to make hats, handbags, trimmings, mats, fans, belts, and more.

"Palmetto Braiding and Weaving" explores a wide array of uses of this native plant. Cooke and Sampley give full instructions for basketry, including samples of popular braids that have been developed and passed on by word-of-mouth, from generation to generation. Instructions are clear and accurate, and samples and fi nished pieces are shown with drawings and photographs of the authors' creations. The combination of drawings, photographs and thorough instructions makefor the perfect how-to resource for palmetto basketry, and are adaptable to the use of other fibers including straw, rush, and grass.

Narrow bands of woven tape were important to Americans in the eighteenth and early nineteenth centuries, before the days of elastic and zippers. This book documents the fascinating American history of handwoven tape and offers patterns and instructions to enable today's weavers to make it. Many Early American households had a tape loom for making the tape needed by the family, and this book offers a discussion of the people who wove tape, the patterns woven, and the types of looms used, along with over 280 color images. The book also gives step-by-step instructions for setting up a tape loom with warp threads, and explains how to weave your own tape. You can weave tape for similar practical uses as our forebears, or to create one-of-a-kind gifts and decorations like key chains, holiday garlands, or lanyards.

Discover how to make incredible woven yarn mandalas in a mindful, meditative way. This is a practical book of instructions for woven mandalas, starting with very simple four sided mandalas through to more complex designs, with an emphasis on how they can be a tool to aid wellbeing. Yarn mandalas are a wonderful way to create bright and beautiful woven wall art in a mindful, meditative way. The use of pattern and colour can help to reduce stress and aid wellbeing at the same time as developing your creativity. Author Inga Savage, explains how to start your mandala journey with a simple four sided version, as well as how to choose the right materials including dowels, yarn and other hardware. There are step-by-step instructions for 17 wonderfully colourful yarn mandalas, ranging from some very simple, basic versions using just two dowels, right up to more complicated 12 sided mandalas (using six dowels). All of the key techniques are accompanied with step-by-step instructions and photography so you can see how to prepare the dowels, marking them up and how to join them as well as what the best yarn to use is and how to ensure that your mandalas have the correct tension which allows the pattern and colour to shine. This skill-building approach to weaving mandalas will help you to develop your skills by practising the techniques on simple mandalas and building up to the more complex designs. The instructions include step-by-step tutorials for all the key patterns used in yarn mandalas including the daggers design, the square design, and how to add embroidery, tassels and other elements into the mandalas as your skills develop. The intricate layers and patterns of mandalas have been used to aid meditation and mindfulness for centuries and this collection explores how makers can tap into these benefits while creating beautiful woven mandala art, with the practise of intention, colour therapy and visualisation during the making process. This collection explores these ideas in the form of a practical guide to making woven yarn mandalas in a meaningful way to allow you to express your creativity via this mindful, relaxing craft. Inga highlights some 'Mindful Moments' throughout the book where she draws on her experience in order to encourage you to get the most from the creative process and to be present in the moment while you are working with the mandalas. All you need to get started is yarn and some dowels and before you know it you will be creating beautiful woven wall art to adorn your home.

Learn to weave your own stories and make personalised woven wall art with this guide to tapestry weaving. A collection of wonderful woven hangings for you to build your tapestry weaving skills. Learn all the techniques you'll need to create your own woven tapestries with a unique, personalised element. Author, Kristin Carter, explains all the skills required to make heirloom woven wall art with a very personal theme and how to recreate images of people, pets and places to create your own 'paintings with thread'. Learn all the basic techniques for tapestry weaving including a quick and easy way to make your own loom using an old photo frame, how to choose the right yarn, working with a template and how to start off a weave. Kristin then explores all the tapestry weaving techniques you will need to make your own stunning wall hangings. All of these techniques are accompanied by step-by-step photography so the instructions are super clear and suitable for absolute beginners. Learn how to do rya loops, weft facing weaving, soumak, pile weaving, diamond twill, overweaving, boubles, and an inverted rya fringe. There are 17 incredible projects for you to experiment and try out your new skills. Each of these can be adapted in order to create your own personalised wall hangings so you can make special heirloom woven art for friends and family. Kristin explains how to set up the loom, gives guidance for yarn amounts and what other tools and equipment are needed for each project. All of the projects are suitable for a an A3 sized loom so you only need one size to try out all of the variations. There are projects for abstract patterns, gradient weaving, blending compatible yarns, pet and people portraits with special techniques for recreating the texture of fur and hair, how to play with transparency in a weaving and creating texture using different yarns. Other techniques covered include cartooning (how to make a cartoon template from photographs); creating templates from your own sketches, how to create a marble effect and advice about colour theory and weaving.

This collection of hand towel patterns is just the reference you need! With 43 designs in a variety of weave structures, from easy to advanced patterns, for both 4- and 8-shaft looms, there are plenty of patterns to explore and learn from while you make practical towels.

Weaving: Structure and Substance looks at weave design from several different perspectives, showing how resources, ideas and practical experience can come together in a creative process of designing through making. Emphasizing the potential of woven textiles throughout, Ann Richards follows the success of her sister title Weaving Textiles that Shape Themselves and explores the tactile properties that emerge from the interaction of material and structure. The book is organized into four parts that look at the natural world as inspiration, the design resources of material and weave structure, the fabric qualities as starting points for design, and the practical issues of designing through making. With over 280 lavish photos, this book will be an invaluable resource for textile designers and enthusiasts looking for inspiration and practical advice.

Willow weaving is an exciting and rewarding craft for anyone who wants to reconnect with the natural world. This essential book gives all the information and tuition needed to get started and includes projects on sculpture, basketry and folk-art decorations. Thirteen projects are set out in clear and detailed stages, ranging from practical baskets to planters, lifelike scultpures and wreaths. Advice is given on adapting recipes and designing your own baskets.

Weaving Textiles That Shape Themselves sounds like a contradiction in terms, but this book sets out to show how textiles can do precisely that: shape themselves. Weaving with high-twist yarns and contrasting materials can create fabrics with lively textures and elastic properties. Although these fabrics are flat on the loom, they are transformed by washing - water releases the energy of the different yarns and the fabrics 'organize themselves' into crinkled or pleated textures.

Weaving involves straight, parallel, and gridlike lines, but as Norma Smayda shows, ondule-weaving with curving warp threads-offers new directions. This is the first book on ondule textiles, and includes clear information on every aspect, from instructions to design tips to a comprehensive history of the fan reed, the tool that makes ondule possible. Smayda shares the details of her own learning experiences with numerous ondule warps in a variety of fibers. More than 180 color photos also feature stunningly beautiful work by five other contemporary and two twentieth-century weavers, plus intriguing historic Japanese textiles. Also included are sections on weft ondule, designing a fan or hybrid reed, and the thought processes behind twenty-one of the featured projects, including drafts. This reference will serve as foundation and inspiration for your ondule weaving.

For the first time in English, a complete book about Norwegian pick-up bandweaving from its fascinating history to beautiful bands you can make yourself, with more than 100 pattern charts from bands in museum collections. Part 1 tells the story of how these bands were used in the rural communities of 18th and 19th century Norway, as stocking bands, swaddling bands, sending bands, and more. Part 2 looks closely at twenty bands brought to America by Norwegian immigrants, and what they tell us about traditional patterns, colors, and materials. Part 3 has clear and concise instructions for weaving pick-up on simple, traditional band heddles, and these instructions can also be adapted to other kinds of looms. Meticulously researched, easy-to-read, and profusely illustrated, this book is destined to become a classic in the field. It will interest not only weavers but anyone who appreciates textile arts, folk costumes, and Norwegian culture."

Discover how to master and enjoy the lace-like, intricate, often mysterious-seeming leno weave with this comprehensive guide. For new weavers and advanced-level weavers alike, the book combines historical information about leno with the best practical instructions and "secret" tips resulting from the author's years of research and sampling. Leno weaves, also called gauze weaves, are very sheer, yet at the same time very durable because they are made with four warp threads that are twisted around each other. Here, colorful photos of leno fabrics and step-by-step instructions, along with seven beautiful projects, help weavers learn leno pick up and many other techniques and structures like bead leno and Tarascan lace. This is a one-of-a-kind resource for anyone who wants to learn to create this versatile weaving structure or further refine their leno skills.

Every good knitting project begins with great yarn. In the quest for one-of-a-kind fibres, many knitters and weavers have discovered the deep satisfaction of spinning one's own. An art in itself, spinning requires an array of basic technical skills and decisions to produce a particular style of yarn. While knitters have long had stitch dictionaries to guide their hands, no similar resource has existed for spinners. Until now. The Spinner's Book of Yarn Designs is a step-by-step guide to creating 70 distinctive yarns, from classics such as mohair boucle to novelty features like supercoils. Lush, full-colour photographs illustrate the process of turning fleece into yarn, reveal the architecture of each yarn, and demonstrate exactly how to manipulate and combine the fibres to achieve the desired result. Images of knitted and woven pieces reveal how the spun yarn looks in a variety of projects.

Learn to make the decorative braids used in the sling-making traditions of Peru and Bolivia; this detailed guide, including 400+ step-by-step photos plus hundreds of diagrams, teaches the technique and over 100 designs for weavers, craftspeople, jewelry designers, basket weavers, and others interested in using braids for embellishment. In-depth instructions are given, along with clear diagrams; recommended braiding yarns for slings and kumihimo; detailed set-up instructions; and many fascinating contemporary applications. This book introduces a new piece of equipment, the core frame, and gives instructions for making it from wood and dowels. When the core frame is used with a braiding stand and bobbins, a wide variety of core-carrying braids become accessible to kumihimo braiders. Most of the braids, from 4 to 40 strands, can be made on the included 32-slot braiding card designed specifically for Andean braiding, and 50 patterns can be made on the stand without a frame.

This comprehensive, full-color guide features dozens of images of slings from various cultures, both ancient and contemporary. Slings had great significance in many cultures, particularly in the Andes, and were often used as both prehistoric weapons and herding tools. The book shows novice and experienced braiders how to make 50 designs, from 8 to 32 strands, on a braiding card or with a braiding stand and bobbins. Learn step by step how to make an authentic Andean-style sling with braided cords and a tapestry-woven cradle. A range of techniques useful for beginning, ending, and embellishing slings are included, and can enhance a wide variety of other items, like jewelry, garments, and accessories. This book is a key resource for historians, ethnologists, textile artists, weapons experts, and others to learn the practical skills for understanding sling braids' structure. Includes braiding card and plans to make core stand.

This is a large size 'bible' of 600 different weaves of loom. It is organised by type, from basic 4-shaft structures to block drafts and double weaves, providing a wide range of herringbone, twill, zigzag and diamond designs. Each weave is rated according to degree of expertise required, and features a recipe of materials, a clearly photographed swatch showing the intricacies of each design and an easy-to-follow colour chart indicating the threading sequence and order of work. There are also basic explanations of basic weave structures and information on choosing and using looms and shuttles. There is also advice on working with colour, selecting and dyeing yarn, finishing techniques and suggested applications for the finished yarn.

With more than 120 beautiful color photos, this guide introduces how the simple art of weaving can help each of us-whether we are weavers or not-to build our inner life. The goal is to recognize, receive, and live in harmony with your own deepest truths. Using a system of seven "keyforms" that span cultures, ranging from an amulet to a mask to a belt of power, the growth process is explored in depth. Instructions for seven symbolic keyform projects help beginners to use tapestry weaving techniques, and help seasoned weavers to find new dimensions in their work. To put it in weaving terms, the inner life is like the vertical warp on a loom. The weft of our daily activities weaves through our inner values and beliefs with each moment. The Weaving a Life process has been used successfully by weavers and spinners, psychotherapists, nurses, hospice workers, educators, artists, and youth leaders, as well as by countless individuals who seek a deeper vision for their lives.

Sometimes referred to as a Navajo folk art, these representations of recognizable objects occasionally have been designed into Navajo weavings at least since the middle of the nineteenth century. Unlike the geometric designs of more traditional Navajo rugs, these delightful pictorial images include scenes from everyday life, animals, landscapes, spelled-out words and designs of ceremonial significance. The pictorial weaving are shown through hundreds of color photographs with new as well as older examples. Here are familiar and imaginary animals, birds, people, religious designs and multiple weavings of fantastic detail. They convey, through dynamic color schemes and bold designs, images important to the Navajo weavers: the light and happy reflections of their scenic lands. The pictorial rugs are arranged chronologically within design groups to demonstrate the evolution of styles. Whenever known, the weavers are identified by name and region. It is their creativity that breathes life into these pictorial images and conveys the lively spirit of their lives.

This collection of nineteenth- and early twentieth-century weaving drafts from the Southern Highlands region of Appalachia includes 112 overshot drafts and drawdowns, and 31 drafts and drawdowns for the all-white summertime cotton bedspreads called counterpanes. Color photos of the original samples are shown side by side with valuable modern translations of the drafts, which enable today's weavers to make them. A vibrant example of our weaving heritage, these drafts were originally gathered in the nine states of the Southern Highlands region between 1892 and 1918 by the legendary Frances L. Goodrich. Handwoven counterpanes and coverlets were important possessions, and often were the only items of beauty in the women's otherwise impoverished living conditions. These are drafts Goodrich carefully collected but did not include in her classic Brown Book. Dozens of vintage photographs of Goodrich, the communities she served, and the women who invented the drafts help bring this part of our American craft heritage to life.