A heavily illustrated classic on the evolution of the handloom. The handloom-often no more than a bundle of sticks and a few lengths of cordage-has been known to almost all cultures for thousands of years. Eric Broudy places the wide variety of handlooms in their historical context. What influenced their development? How did they travel from one geographic area to another? Were they invented independently by different cultures? How have modern cultures improved on ancient weaving skills and methods? Broudy shows how virtually every culture has woven on handlooms. He highlights the incredible technical achievement of early cultures that created magnificent textiles with the crudest of tools and demonstrates that modern technology has done nothing to surpass their skill or inventiveness.

Add Shadow Weave to your repertoire with Susan Kesler-Simpson's easy-to-follow instructions. Susan's approach is to first break down the structure of Shadow Weave so that any level weaver can understand how alternating light and dark threads in both warp and weft can present a dominant motif outlined with an identical shadow. She walks you through how the structure builds and weaves, and once you comprehend how the weave structure works, you will be able to weave any of the 25 project patterns in the book. You will also have the knowledge to transform other drafts to Shadow Weave, or to design your own Shadow Weave pattern.

An encyclopedia of beaded bracelet patterns for your small loom. Weaving beaded bracelets on a small bead loom is easy, and with the 500 patterns in this book you can make all kinds of creative designs! From bold graphic prints to animals and flowers to retro or southwestern designs, there are plenty of patterns to suit your style. Each pattern shows how many and what color beads are needed and the placement of every bead so it's easy to complete any bracelet you choose. Make them to keep and to give away. Switch up the bead colors--so many options will keep you coming back for more!

The unusual structure of shadow weave creates works that shimmer and glow with multifaceted dark-and-light color. How and why did the legendary weavers Mary Meigs Atwater and Marian Powell develop it? And how, exactly, does it work? Even better, how do you write shadow weave drafts of your own design? This guide provides the answers, with a focus on Marian Powell's method of weave drafting. With master weaver Rebecca Winter, learn the history of the intricacies of shadow weave and understand the weave structure and how it functions as a color-and-weave effect. The book takes up where the much-respected (and hard to find) 1976 classic by Marian Powell, 1000 (+) Patterns in 4, 6, and 8 Harness Shadow Weaves, leaves off, offering the translation and explanation that today's handweavers have been waiting for. It includes valuable resources that bring history and today's weavers together: the drafting system developed by Mary Meigs Atwater, the drafting system developed by Marian Powell, and how the the Powell method functions within block theory. Expand your weaving with included drafts-the five original drafts developed in 1942 by Mary Meigs Atwater, as well as 10 original drafts developed by the author. Handweavers of all levels, on eight or fewer shafts, can be confident this book will provide everything they need to know to advance their skills toward a clear understanding of shadow weave. Get ready to create your shadow weave gems.

What better way to welcome that precious, tiny new person than with a luxurious, handwoven blanket! These beautiful, colourful designs will appeal to today's contemporary moms, as well as lovers of traditional weaves. More than 30 snuggly cosy projects for baby. Plain weaves and fancy weaves, for everyday or special occasions. How to choose the best materials. Projects for both 4 harness and 8 harness looms.

An alt twist on traditional wall hangings! Get crafty with DIY Woven Art! These 14 fabulous fiber art projects--from colorful pillows and rugs to dramatic wall hangings--will add a pop to any room in your house. No loom? No worries. Rachel Denbow shows you how to fabricate 3 simple, portable looms. DIY Woven Art also includes tips on customizing your designs and choosing the right fibers and embellishments for each project--basically, everything you need to know to create these gorgeous projects from start to finish. Happy weaving!

The craft of fingerweaving is becoming a lost art. This great "how-to" book contains comprehensive instructions and wonderful color photos that show all there is to know about fingerweaving. Traditional Indian patterns, weaving techniques and materials, beginner to advanced weaving projects, historical photos, and more.

Create twenty practical and stunning basketry projects for your home and garden. Author Sylvie Begot uses coloured cane to bring this enduring, traditional craft right up to date. She uses simple techniques that are clearly explained through step-by-step photographs and instructions. Anyone can create one of these basketry projects - no special skills are required, and the baskets can be made at home.

Weaving the shape, not just shaping the cloth! Now, for the first time, handweavers have the tools and techniques to allow them to weave the 3-D shapes they want, on their own looms. Three new techniques are at the core of this exploration: weaving expanded areas, weaving dense areas, and weaving with infinite tensioning. By showing the benefits of challenging every aspect of the weaving process and breaking some of the old rules, Eyring helps handweavers free their skills to design the shapes they want to create, and then weave them. Start by understanding the terms invented to explain the processes, and the instructions for building the innovative weaving tools that make 3-D weaving possible. Instructions for using the new techniques offer clear details, options, and tips for making challenges work for you. With a minimum of new tools to build or loom modifications to make, three fast and easy projects allow you to try the techniques on a four- or eight- shaft loom-and to make an actual project rather than just a sample. Finally, a photo gallery of spectacular expert-level creations serves as a resource to inspire your next designs. If you dream in 3-D, why not learn to weave in 3-D?

Walter Turpening has been designing and perfecting seating for crafters and artistic creators (particularly weavers, knitters, handspinners, and musicians) for 20-plus years. His signature cotton-cord, curved, woven seats on fine woodworked frames are sought after by crafters, and he operates on an average two-year waiting list. He has also been teaching his techniques for many years, and this book is a compilation of his design journal and instructions for his methods, including the wooden furniture designs and weaving designs, plus his methods for measuring the recipient and their intended end use of the furniture for perfect ergonomic comfort. At 73 years young, it is Walt's desire to share his treasury of knowledge for the benefit of woodworkers and crafters.

Potholder looms can make so much more than potholders! You can weave on these popular looms using the traditional loops or with nearly any yarn to make a variety of patterns, including Plain Weave, Twill, and Checkerboard. You can also weave shapes other than squares, such as rectangles and triangles. This variety of options means you can weave just the modules you need to make projects from wall hangings to place mats, runners, baskets, and more. Noreen teaches and explains each step of the techniques and projects in full detail, with photos, so even if you have never woven before, you'll easily be able to accomplish any project in this book. Tapestry weaving is also fun on the potholder loom, and Noreen shows you how with detailed instructions for setting up your loom and working tapestry techniques. Start with the Tapestry Sampler and then try your hand at personalized wall dolls, colourful wall hangings, and decorative art pieces. All you need to know for successful weaving on your potholder loom is in this comprehensive book!

For over one thousand years, velvet textiles were woven by hand with great ingenuity and artistry. This book recounts a transcontinental story of their development into one of the most beautiful, luxurious, and economically important products of the medieval and Renaissance periods, in constant demand at courts throughout Europe and Asia. Velvet expert Landry offers a consistent theory of the origin and spread of this weaving technique and the technological innovations that accompanied it. She draws from her lengthy personal expertise as a practicing weaver and scholar, examining, analyzing, and engaging in the techniques and technologies in order to excavate the intrinsic ideas and knowledge embedded in the craft of velvet weaving. The instructions feature techniques and equipment accessible to ordinary handweavers and introduce ways to attain complex results without complex equipment. This will be a valuable resource for weavers, textile scholars, and curators for years to come.

Inspire and unleash a passion for hand-crafted color! "Unapologetic" is how Felicia Lo always describes her obsession with color and craft. In Dyeing to Spin and Knit, Felicia, founder and creative director of SweetGeorgia Yarns and highly sought after teacher and lecturer, provides clear and accessible guidance for creating gorgeous hand-dyed yarns and spinning fibers and an understanding of how dyeing affects knitted yarn and handspun yarn. Fiber artists will learn the fundamentals of how color works, how to combine and coordinate colors, and how to control the results when dyeing wool and silk yarns and fibers. Spinners will learn how to subdue intense and bright colorways or prevent muddiness in handspun. Knitters will gain the knowledge to avoid or maximize the effects of pooling. And finally, this book will include 10 patterns that use hand-dyed and handspun yarns and fibers to their most exciting advantage in knitting projects. Complete with detailed photographs from Felicia's own dyeing studio, Dyeing to Spin and Knit offers a master class in preparing hand-dyed yarns and fibers. Ignite your love of color--unapologetically!

'A beautifully informative new book with only one flaw: its title is much too modest! It not only offers, in patient words and detailed pictures, a primer on ancient inca spinning and textile-making, it also spins a tale of ancient heritage and living craft. The book's generous sharing of textile knowledge deeply enriches your own textile practice on many levels.' Anne Pollard Rowe, Research Associate of Indigenous American Textiles at The Textile Museum, Washington, D.C. Ten years after the publication of her seminal book Weaving in the Peruvian Highlands, Nilda Callanaupa Alvarez has gathered artisans of all ages to share their knowledge, lore, and deep skills, highlighting many of the techniques used by spinners, weavers, and knitters of the Andes. Concise step-by-step instructions and rich photography give readers the how-to of several textile secrets of the Peruvian highlands. Poignant and detailed descriptions of Andean cultural traditions frame each section, providing context and rare insight into what textile work means as a living heritage of the Quechua people. Callanaupa Alvarez pays special recognition to the Young Weavers Groups who are proudly carrying forward the textile traditions of their ancestors with ingenuity and innovation.

This accessible and inspiring introduction to drop-spindle spinning is ideal for fibre artists, knitters, crocheters, felters and weavers. Vanessa Kroening explains how to clean and prepare fleece for spinning, giving valuable tips to beginners and more experienced spinners alike. There are sections on choosing a fleece, carding, blending colours, making rolags (rolls of fibre), batts (flat carded fibres) and a step-by-step explanation of how to use a drop spindle - a great way to spin your own yarn without needing to invest in an expensive spinning wheel. Vanessa also shows you to how to ply and dye your yarn and how to add beads, sequins and other decorative elements for a modern and wonderfully artistic finish.

Almost all fabrics, whether woven or knitted, are produced from spun thread. However, this thread or yarn, produced by the spinning operation, either by a hand spinner using the simplest drop spindle or spinning wheel, or spun on the latest automated spinning frame, is rarely in a form suitable to be used immediately for producing a fabric. A broad range of tasks must be undertaken before the actual fabric production is reached. "Yarn Preparation" is concerned with the preparation of yarns which have been spun from staple fibres, and describes the post-spinning processes prior to fabric manufacture, such as yarn doubling, winding and spinning. Covers the operations to consider when producing a fabric by even the most basic of techniques. The information on basic processes, machinery and equipment should assist those people involved in the production of fabrics by showing ways to improve the quality to the end product. Includes a list of suppliers, sources of further information and a reading list. This is a valuable book which fills the need for a practical manual specifically about yarn preparation. Much has been published about the main textile areas of yarn manufacture and fabric production (both weaving and knitting), because yarn preparation tends to be a series of link operations, there have been very few books specifically directed to this area of processing. The "Small-Scale Textiles" series aims to present basic information about all aspects of small-scale textile manufacture from raw rmaterials to finished products, and will be of use to fieldworkers, development agencies, and those starting small-scale manufacture or attempting to improve or extend manufacture.

Featuring the same adorable family of mice as in The Weaver's Surprise, Tom Knisely spins this tale of their adventures turning fleece to yarn. In this story, the weaver shears his sheep, dyes the wool, and then starts to spin and weave the yarn into a blanket. But that wool looks so soft and inviting to the little mice-surely their friend won't mind if they take a little for their beds? What will happen when the weaver runs out of wool for his blanket? Can his mouse friends replenish his supply in time?