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Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles > String instruments
Violin Star is a three-book series offering beginner violinists a
refreshing and inspirational choice of pieces to help build
confidence and musical skills. The repertoire is imaginatively
tailored to develop specific techniques through an exciting range
of musical styles. This Student's book contains the solo violin
parts, along with colourful illustrations, activities and a
playalong CD. The Accompaniment book, available separately,
includes piano and violin accompaniments for every piece. Key
features of the series include: an approachable progression from
beginner level to Grade 2; playalong CDs with each Student's book,
which contain specially created instrumental arrangements to convey
style and mood; and original compositions and arrangements by
Edward Huws Jones.
A monumental accomplishment from the age of Enlightenment, the
string quartets of Joseph Haydn hold a central place not only in
the composer's oeuvre, but also in our modern conception of form,
style, and expression in the instrumental music of his day. Here,
renowned music historians Floyd and Margaret Grave present a fresh
perspective on a comprehensive survey of the works. This thorough
and unique analysis offers new insights into the creation of the
quartets, the wealth of musical customs and conventions on which
they draw, the scope of their innovations, and their significance
as reflections of Haydn's artistic personality. Each set of
quartets is characterized in terms of its particular mix of
structural conventions and novelties, stylistic allusions, and its
special points of connection with other opus groups in the series.
Throughout the book, the authors draw attention to the boundless
supply of compositional strategies by which Haydn appears to be
continually rethinking, reevaluating, and refining the quartet's
potentials. They also lucidly describe Haydn's famous penchant for
wit, humor, and compositional artifice, illuminating the unexpected
connections he draws between seemingly unrelated ideas, his irony,
and his lightning bolts of surprise and thwarted expectation.
Approaching the quartets from a variety of vantage points, the
authors correct many prevailing assumptions about convention,
innovation, and developing compositional technique in the music of
Haydn and his contemporaries.
Going beyond traditional modes of study, The String Quartets of
Joseph Haydn blends historical analysis and factual information
with critical appraisal in a way that will engage all
Haydnenthusiasts.
The harp is both the oldest and the newest of instruments. It
has existed in some form in nearly all cultures since man has made
music. The contemporary concert instrument has been known since the
mid-19th century. This work is a compendium of the biographies of
many notable harpists of the modern era. The biographies make clear
how these performers shaped the contrasts in style and technique of
harp playing that have developed over the past 150 years, as
cultural, social, and psychological forces influenced individual
performance. In addition to the biographical information, the A-Z
entries include critical reviews, discographies, and selected
bibliographies where possible. New material from the former Soviet
states is included.
A one-stop resource to the essentials of owning and playing the
guitar If you've just bought a guitar, or you've had one for a
while, you probably know it takes some time and effort to learn how
to play the popular instrument. There's so much to know about
owning, maintaining, and playing a guitar. Where do you even begin?
In Guitar All-in-One For Dummies, a team of expert guitarists and
music teachers shows you the essentials you need to know about
owning and playing a guitar. From picking your first notes to
exploring music theory and composition, maintaining your gear, and
diving into the specifics of genres like blues and rock, this book
is a comprehensive and practical goldmine of indispensable info.
Created for the budding guitarist who wants all their lessons and
advice in one place, the book will show you how to: Maintain, tune,
and string your guitar, as well as decipher music notation and
guitar tablature Understand guitar theory, sounds and techniques to
help you learn new songs and add your style to classic tunes
Practice several popular genres of guitar music, including blues,
rock, and classical Access accompanying online video and audio
instructional resources that demonstrate the lessons you find in
the book Perfect for guitar players at any skill level, Guitar
All-in-One For Dummies is a must-have resource for anyone who wants
to get the most out of their own guitar and make great music.
The first detailed contextual study of chamber music in Beethoven's
Vienna, at a time when the string quartet reigned supreme among the
different chamber genres This book is the first detailed contextual
study of string quartets in Beethoven's Vienna, at a time when that
genre reigned supreme among the different chamber genres. Focusing
on a key transition period in the early nineteenth century, which
bore witness to fundamental shifts in the 'private' sphere of
music-making, it explores the 'cultivation' of string quartets by
composers, critics, listeners, performers, publishers and patrons.
The book highlights these parties' interactions, ideas and ideals,
which were central to defining the unique cultures of chamber music
arising at this time. We gain fresh insights into publishing and
marketing, performance venues and practices, review culture,
listening theories and practices, and composition in early
nineteenth-century Vienna. Until now, the unique theatricality of
chamber music, and the 'social' nature of its discourse, has been
poorly appreciated. Cultivating String Quartets in Beethoven's
Vienna addresses this misconception and enriches our understanding
of this crucial period of change, in which concert life began and
previously 'private' music was moved out onto the stage. NANCY
NOVEMBER is Associate Professor in Musicology at the University of
Auckland.
Classical Guitarists fills a void in the special world of the
classical guitar. Although this realm is inhabited by world-class
musicians, much of what they think and feel has never been captured
in print. The interviewees, including Julian Bream, John Williams,
Sharon Isbin, Eliot Fisk, David Starobin and David Tanenbaum are a
select group at the peak of their prowess who speak openly and
thoughtfully about their opportunities, accomplishments, and
lessons learned. Each has made important contributions from
establishing significant academic programs to broadening the
audience for the classical guitar. The author shares his reviews of
their most important recordings and New York City concerts during
the 1990s, as well as discographies of their recordings. There are
also interviews with Harold Shaw, the most prominent artist manager
in the history of the classical guitar and several of today's most
important composers for the guitar, including Pulitzer Prize
winners George Crumb and Aaron Jay Kernis. An introductory chapter
provides an historical perspective on classical guitar and a
postscript explains how to create a basic repertoire of recordings.
Provides convenient access to a body of solo, recital, concerto,
and chamber music literature that will enrich the repertoire of the
violinist. Includes a biographies section which briefly summarizes
the life and work of women composers from the Baroque to 20th
century American and International. The music section identifies
and describes compositions in 12 genre categories. The discography
organizes recorded works by composer and by title. Reference and
Research Book News This bibliography enhances the repertoire of the
violinist by providing convenient access to a new solo recital,
concerto, and chamber music literature: the music of women
composers. While other source books exist in which some of this
information could be found, it is often incomplete or in such
abundance that selection is difficult. This well-organized
bibliography will not only simplify the process of obtaining such
information, but it represents a valuable contribution to the
relatively new study of the musical compositions of women. Violin
Music by Women Composers is divided into three main sections:
Biographies, Music, and Discography. Preceding these is a general
alphabetical index to all the composers included in the work, with
reference to information on them contained in the three main
sections following. The Biographies section is divided among five
eras beginning with Baroque and concluding with Twentieth Century
International. The second section of the book, Music, is organized
in twelve genre categories in which composers are entered
alphabetically along with the titles of their compositions.
Wherever possible, information is provided on date of composition,
publisher and/or source, and duration; often with additional
comments included. Library sources are given for manuscripts and
for published music that is out of print; otherwise, a current
publisher is listed. The Discography section organizes recorded
works alphabetically by composer, then alphabetically by title.
This section also includes a directory of recording companies. The
volume concludes with a bibliography and references. Violin Music
by Women Composers is a unique, up-to-date, and thoughtfully
organized resource. Exploring its contents will certainly inform
and add to the repertoire of violinists and their presenters.
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