Johann Peter Salomon, the celebrated violinist and impresario, made his debut in England in March 1781. History has credited Salomon with bringing Haydn to London, yet as Ian Woodfield reveals in this monograph, Salomon's introduction of the composer to the London musical scene owed as much to luck as to skilful planning. Haydn's engagement in London proved to be a much-needed uplift to Salomon's career which, as Woodfield illustrates, had been on the wane for a number of years. In addition to its reassessment of Salomon's uneven career in London during the 1780s, this book throws light on the general relationship between public and private spheres of professional music-making at the time, and on the relationship between the social and professional attributes required of musicians if they were to be successful. Nowhere are these tensions better illustrated than in the letters and journals of the Burney family, especially those of Susan Burney, which are drawn on in the book to provide a vivid picture of the fiercely competitive musical world of eighteenth-century London.

(Book). By age 16, Pat Martino was already working as a member of R&B star Lloyd Price's touring musical revue. By age 18, Martino moved to Harlem, where he quickly earned a reputation as a hard-bopping six-stringer with formidable chops through a series of apprenticeships with the likes of honking tenor saxophonist Willis "Gaitor Tail" Jackson and Hammond B-3 organ master Jack McDuff. Martino made his auspicious debut as a leader at age 22 with 1967's El Hombre on Prestige and followed with a string of potent recordings for the label that further established him as one of the most distinctive guitar voices on the jazz scene. Then, at the peak of his powers, the bottom fell out. In 1980, he underwent surgery as the result of a nearly fatal brain aneurysm. The surgery left him without any memory of the guitar or his musical career. From that point, Martino undertook the long process of recovery, eventually learning how to play the guitar again; but more important, learning to transcend the instrument itself and live his life completely in the moment. More than just the remarkable story of one of the most original and profoundly influential guitarists in jazz history, this extraordinarily revealing autobiography is also a survival manual, of sorts, in overcoming incredible adversity and learning to live in the here and now.

(Faber Piano Adventures ). The 2nd Edition Primer Theory Book provides important reinforcement and creative application of basic theory concepts. Students will enjoy note-naming with StoryRhymes, exploring improvisation, and engage with eye-training and ear-training activities all within a fun-filled context tied thematically to the Primer Lesson Book pieces.

The second half of the eighteenth century witnessed a flourishing of the string quartet, often represented as a smooth and logical progression from first violin-dominated homophony to a more equal conversation between the four voices. Yet this progression was neither as smooth nor as linear as previously thought, as Mara Parker illustrates in her examination of the string quartet during this period. Looking at a wide variety of string quartets by composers such as Pleyel, Distler and Filtz, in addition to Haydn and Mozart, the book proposes a new way of describing the relationships between the four instruments in different works. Broadly speaking, these relationships follow one of four patterns: the 'lecture', the 'polite conversation', the 'debate', and the 'conversation'. In focusing on these musical discourses, it becomes apparent that each work is the product of its composer's stylistic choices, location, intended performers and intended audience. Instead of evolving in a strict and universal sequence, the string quartet in the latter half of the eighteenth century was a complex genre with composers mixing and matching musical discourses as circumstances and their own creative impulses required.

This comprehensive collection for all guitarists includes 100 songs in genres from jazz standards, to pop/rock favorites, Motown masterpieces and movie music, to traditional tunes, country numbers and classical pieces. Notation styles include: note-for-note transcriptions (Blue on Black * Give Me One Reason * Sweet Child O' Mine * Wild Thing); Easy Guitar with Notes and TAB (Building a Mystery * Circle of Life * Day Tripper * Fur Elise * Misty * Torn * Walk This Way); Easy Guitar (Boot Scootin' Boogie * I Shot the Sheriff * My Favorite Things * Unchained Melody); Chord Melody Guitar (Alman * Bourree * Estudio); Fingerstyle Guitar (Amazing Grace * Greensleeves * My Heart Will Go On); and Guitar Riffs (Angie * Brown Eyed Girl * Here Comes the Sun * Layla * My Girl); and more! Essential for every player!

Solo Time for Violin is a three-volume series of concert pieces for the intermediate to more advanced violinist. Featuring arrangements and original pieces by the authors of the award-winning Fiddle Time series, these graded collections provide sophisticated repertoire from the Baroque to the modern age and introduce styles and techniques for the developing performer.

Solo Time for Violin is a three-volume series of concert pieces for the intermediate to more advanced violinist. Featuring arrangements and original pieces by the authors of the award-winning Fiddle Time series, these graded collections provide sophisticated repertoire from the Baroque to the modern age and introduce styles and techniques for the developing performer.

Solo Time for Violin is a three-volume series of concert pieces for the intermediate to more advanced violinist. Featuring arrangements and original pieces by the authors of the award-winning Fiddle Time series, these graded collections provide sophisticated repertoire from the Baroque to the modern age and introduce styles and techniques for the developing performer.

In this book, Jody Fisher, author of the best-selling Complete Jazz Guitar Method, helps guitarists with their most common problems. Jazz Skills clarifies everything from understanding altered chords to spelling out changes in solos and developing a better technique. A great supplement for any serious guitarist's studies, this easy-to-use book will fill the gaps for even the most experienced player.

(Ukulele). 15 solo ukulele arrangements in standard notes and tab of J.S. Bach works: Arioso * Be Thou with Me * Bourree * Chorale in C Major, BWV 514 * Jesu, Joy of Man's Desiring * Little Prelude No. 2 in C Major * Minuet in G * Minuet 1, BWV 813 * Musette in D Major * Prelude (Cello Suite No. 1) * Prelude in C Major * Quia Respexit * Sheep May Safely Graze * Sleepers, Awake (Wachet Auf) * Violin Partita No. 1, BWV 1002 "Tempo Di Bourree."

Stringtastic Book 1: Viola teaches through playing in an engaging exploration of musical styles. Part of the fully integrated Stringtastic series in which violin, viola, cello and double bass can all learn and play together in any combination. Learn as you play through the world of Stringtastic, with 57 imaginative pieces that have been specifically designed to establish a secure playing technique and build confidence one step at a time. Following on from Stringtastic Beginners, this book takes the student from playing the notes of the D major scale to Grade 1 (Early Elementary). Featuring equal-level duets for all instruments, the pieces are ideal for individual and group tuition as well as flexible ensemble and classroom settings. Every piece is supported by an exciting backing track plus a piano-only track for practice, all available to download. The Stringtastic Book 1: Teacher's Accompaniment book provides the complete piano score which works with any combination of the instrumental parts.

Nearly the entire Robert Schumann piano catalog is now available in Centennial Library Editions. In basic order of difficulty, these volumes include: Album for the Young (LB1993), Selected Works (LB1996), Sonatas (LB1997), Selected Masterpieces 1 & 2 (LB1994/1995), Virtuoso Music (LB1998).

A complete resource book for teachers of beginner strings (violin, viola, cello), giving a wealth of creative ideas on aspects of technique and general musicianship. Around 50 activities - songs, games, warm ups, and pieces - are presented with teacher's notes and all relevant musical material. Practical and accessible, the material is designed to be used very flexibly, and is suitable for group and individual lessons, junior string groups, and whole class lessons including Wider Opportunities.
An accompanying CD has performances and backing tracks for all the activities. It also includes a wealth of supplementary pdf pages for unlimited free printing, including pupils' parts in treble, alto, and bass clefs and flash-cards for teaching reading skills. The book also links with the new Starters books for violin, viola, and cello, with some of the pieces printed there.
With an emphasis throughout on learning through enjoyment, this is a must-have book for all teachers of young string players.

(Berklee Guide). Learn the essential tools and skills for playing jazz guitar. This practical guidebook will help you master the theory, technique, and conceptual framework for how to play jazz: comping chords, soloing, and playing with expression, facility, and good hand health. The accompanying recording provides demonstrations of key technical concepts with play-along tracks to help you develop phrasing and location concepts on the fingerboard. It also provides examples to train your ear with call-and-response exercises similar to what you might be asked to perform at an audition or jury. A unique section on audition preparation for colleges and professional music programs, with an extended interview with Berklee College of Music's director of admissions, will help you advance in your career.