The last quarter of the twentieth-century saw a renewed interest in the hammered dulcimer in the United States at the grassroots level as well as from elements of the Folk Revival. This book offers the reader a discussion of the medieval origins of the dulcimer and its subsequent spread under many different names to other parts of the world. Drawing on articles the author has written in English as well as articles by specialists in their own languages, Gifford explains the history and evolution of the instrument. Special attention is paid to the North American tradition from the early 18th-century to the 1970s revival. Drawing from local histories, news clippings, photographs, and interviews, the book examines the playing of the dulcimer and its associated social meanings.

Tatjana Goldberg reveals the extent to which gender and socially constructed identity influenced female violinists' 'separate but unequal' status in a great male-dominated virtuoso lineage by focussing on the few that stood out: the American Maud Powell (1867-1920), Australian-born Alma Moodie (1898-1943), and the British Marie Hall (1884-1956). Despite breaking down traditional gender-based patriarchal social and cultural norms, becoming celebrated soloists, and greatly contributing towards violin works and the early recording industry (Powell and Hall), they received little historical recognition. Goldberg provides a more complete picture of their artistic achievements and the impact they had on audiences.

First published in 1999, this biography from David Tunley draws on newly researched documentary evidence to chart Campoli's early success and his later struggle for recognition as a serious artist. Campoli's early success and his later struggle for recognition as a serious artist. Campoli's career emerges as one particularly shaped and directed by the great economic and social forces of the first half of the century, and the story here is as much that of his times, as of his life. Described by Szigeti as 'one of the last great individualists among violinists', Alfredo Campoli was a household name in the field of British light music prior to the Second World War. Having made his debut at the Wigmore Hall in 1923 Campoli toured with Melba and Butt, then turned to light music during the Depression. He became one of Decca's early recording artists and broadcast frequently for the BBC with his light music ensembles and pursued a long, successful career as a distinguished international performer.

(Vocal Piano). Vocal/piano arrangements based on Esperanza's own lead sheets of all 12 tracks from the 2008 release from this jazz prodigy. Songs include: Cuerpo Y Alma (Body and Soul) * Espera * Fall In * I Adore You * I Know You Know * If That's True * Love in Time * Mela * Ponta De Areia * Precious * Samba Em Preludio * She Got to You.

(Berklee Guide). This book by Berklee bass prof Anthony Vitti will help you make your bass lines more creative, unique and memorable. Tap into the groove and evolve your bass lines by using fills. This book brings you beyond the basics and helps you incorporate figures into your lines that are natural to the groove, and applicable to many styles. The play-along recordings let you hear the fills in context, then practice them with a rhythm section.

“A hot-rod joy ride through mid-20th-century American history” (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar’s amplified sound—Leo Fender and Les Paul—and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock ’n’ roll—and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new” (The Washington Post).

This work contains over 130 acoustic classics from the great songs from the biggest names in pop! They are arranged for guitar in the same key as the original recordings, with complete lyrics, chord names and a handy box reference sheet.

The Hal Leonard Guitar Method is designed for anyone just learning to play acoustic or electric guitar. It is based on years of teaching guitar students of all ages, and reflects some of the best teaching ideas from around the world.

This super-convenient Complete Edition features the new and improved method books 1, 2 and 3 spiral-bound together. This edition includes online access to 164 full-band tracks for demonstration or play-along. The audio is accessed online using the unique code inside each book and can be streamed or downloaded.

The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

(Guitar Recorded Versions). 14 of this blues/rock axe master's transcriptions, from his Thin Lizzy days as well as his solo career. Songs: Bad for You Baby * Cold Day in Hell * Empty Rooms * The Loner * Midnight Blues * Oh Pretty Woman * Out in the Fields * Over the Hills and Far Away * Parisienne Walkways * Since I Met You Baby * Still Got the Blues * Texas Strut * Victims of the Future * Walking by Myself.

This book includes biographical information on Carlos Prieto, his contributions to music, as well as a detailed catalog of 72 pieces commissioned and/or dedicated to him. A graduate of MIT and a former director of Fundidora, the biggest steel company in Mexico, Carlos Prieto decided at the age of 38 to abandon his career as a business man and become a full time professional cellist. Since then he has premiered over 90 pieces, most of them commissioned and/or dedicated to him by Latin-American composers. These commissions and dedications represent about 50 percent of the music written for the cello by Latin-American composers. This is the first time a study has been conducted on this body of music.

A companion to John Ganapes original "Blues you can use" published in 1995.

Barcelonian Gaspar Cassado (1897-1966) was one of the greatest cello virtuosi of the twentieth century and a notable composer and arranger, leaving a vast and heterogeneous legacy. In this book, Gabrielle Kaufman provides the first full-length scholarly work dedicated to Cassado, containing the results of seven years of research into his life and legacy, after following the cellist's steps through Spain, France, Italy and Japan. The study presents in-depth descriptions of the three main parts of Cassado's creative output: composition, transcription and performance, especially focusing on Cassado's plural and multi-facetted creativity, which is examined from both cultural and historical perspectives. Cassado's role within the evolution of twentieth-century cello performance is thoroughly examined, including a discussion regarding the musical and technical aspects of performing Cassado's works, aimed directly at performers. The study presents the first attempt at a comprehensive catalogue of Cassado's works, both original and transcribed, as well as his recordings, using a number of new archival sources and testimonies. In addition, the composer's significance within Spanish twentieth-century music is treated in detail through a number of case studies, sustained by examples from recovered score manuscripts. Illuminated by extraordinary source material Gaspar Cassado: Cellist, Composer and Transcriber expands and deepens our knowledge of this complex figure, and will be of crucial importance to students and scholars in the fields of Performance Practice and Spanish Music, as well as to professional cellists and advanced cello students.

Building an Award-Winning Guitar Program is a practical guide to assist secondary and post-secondary music educators with the tasks involved in establishing a successful music program. With the rising interest in guitar, Mariachi, rock band, handbells, bluegrass, music technology, and so on, more and more music educators are being asked to teach innovative music classes. Author Bill Swick has crafted this book to help these educators build such innovative music programs from the ground floor, based on his years of experience as a music educator specialized in guitar. The book will assist music educators with classroom management, scheduling, structure, organization, fund raising, festivals, travel, and other subjects related to teaching guitar in the classroom, but its principles are broadly relevant to any and all music educators hoping to create a unique program that stands out within their school district and state, attracting students, parents, educators and administrators alike.

This revised edition of Enjoy Playing Guitar: Tutor Book 1 is the ultimate resource for all beginner guitarists. It introduces the basics of classical guitar playing and musical concepts through an approach that is clear, progressive, and carefully paced. It includes tailored solos, duets, and trios in a range of styles, and it develops musicianship through activities in improvisation, playing by ear, and the art of accompanying. To consolidate learning, there are helpful reminders and quizzes covering musical knowledge, plus a CD with over 70 play-along tracks. Encouraging self-directed learning outside as well as during lessons, this is the perfect book for today's aspiring player.

Dip into this stockingful of easy Christmas music for cello! Unwrap a traditional carol, dance to the 'Skaters' Waltz' and a 'Christmas Calypso', and pull a cracker full of solos and duets. With words to sing along, chords for guitar or keyboard, and a fantastic play-along CD, Cello Time Christmas is the perfect gift for any young cellist.

The Two pieces for violin and piano, 'Canzonetta' and 'Scherzetto', were written in the late 1940s. The melody of the first is from a 13th-century troubadour song. This edition is based on the score published in the Walton Edition Chamber Music volume.

Cello Time Joggers is a landmark book in the popular Cello Time series, which is enjoyed by students and teachers all over the world. It contains Kathy and David Blackwell's trademark attractive and engaging compositions that appeal to learners of all ages. This book contains cello accompaniments for the tunes in Cello Time Joggers. These fun, characterful duet parts are suitable for a teacher or more advanced student, and will enhance lessons by providing an alternative accompaniment option for these popular pieces.

for cello Cello Time Joggers is a landmark book in the popular Cello Time series, which is enjoyed by students and teachers all over the world. It contains Kathy and David Blackwell's trademark attractive and engaging compositions that appeal to learners of all ages. Lively original pieces, traditional tunes, and easy duets take the learner from open strings to all fingers down in finger pattern 0-1-34. Appealing and exciting play-along tracks, with live band, are available on major streaming platforms or to download from a companion website. Stylish piano and cello accompaniments are also available in separate books.

"Acoustic Guitar Styles" introduces the most popular traditional styles for the acoustic guitar. The step-by-step approach, using a small repertoire of well-known songs, enables the student to explore various styles that can be adapted to play personal favorites. Although a basic knowledge of the guitar is assumed, even the beginner will benefit from this progressive approach.

Fiddle Time Joggers is a landmark book in the popular Fiddle Time series, which is enjoyed by students and teachers all over the world. It contains Kathy and David Blackwell's trademark attractive and engaging compositions that appeal to learners of all ages. This book contains piano accompaniments for Fiddle Time Joggers. Characterful and easy to play, these piano parts provide stylish accompaniments to all of the pieces in the pupil book. Essential for teachers and musical parents, this book will help motivate all young violinists as they learn to play.

(Faber Piano Adventures ). Correlated with the 12 units of the Lesson Book, this book provides valuable reinforcement of theory, concepts through writing, sightreding, and ear training activities

The Chord Factory is for all levels and styles of chord explorers, from professional-level guitarists in need of harmonic stimulation and to fill in some "gray areas," to the early-level guitarist just embarking on that fascinating and fun aspect of exploring chords and harmony. This added chord vocabulary and understanding will strengthen all areas of your musical world as a performer and composer.

One of the most extensive studies of the tremolo technique.