(Guitar Reference). Until the launch of the Flying V and Explorer in 1958, electric guitars were supposed to look like...guitars. Suddenly, Gibson turned conventional design upside down, almost literally, by using straight lines and angular body shapes, changing the way electrics could look and, in the process, creating a set of rare future collectables. Flying V, Explorer, Firebird tells the story of those first peculiar instruments and goes on to describe Gibson's second attempt at nonstandard designs with the Firebird of the early '60s. The book shows how most of these were a commercial failure at first and goes on to detail the influence of the designs on guitar-makers such as Hamer, Jackson, Dean, Ibanez, and BC Rich, all of whom embraced Gibson's original weird-is-good design ethic. In parallel with the story of the makers is an absorbing account of the players who discovered these odd-shaped instruments, including Zakk Wylde (Black Label Society), Edge (U2), and Rick Nielsen (Cheap Trick). Interviews with players and makers illuminate the story of this fascinating assortment of electric guitar innovations, alongside specially commissioned images of every key model and brand and an enviable collection of guitar memorabilia, plus a gallery of leading guitarists photographed in action with their instruments. If it's weird and has strings, it's in Flying V, Explorer, Firebird .

Suitable for any keyboard owner, this book demonstrates the use of the keys and their musical notation; proper hand, wrist and finger positioning; as well as basic scales, chords, and songs. Includes a "How-To" CD.

(Guitar Solo). 15 jazzy solo guitar arrangements of Davis classics, including: All Blues * All of You * Blue in Green * Bye Bye Blackbird * Four * Freddie Freeloader * I Could Write a Book * Milestones * Nardis * Nefertiti * Seven Steps to Heaven * So What * Solar * There Is No Greater Love * When I Fall in Love. The CD includes full demos of each piece by Jamie Findlay.

For many beginning-to-intermediate level guitarists, guitar tunings are a mystery. Everyone begins with "standard" tuning and knows its basic strengths - and limitations. But, once a guitarist gets beyond basic skills, the desire to play in different styles and achieve individual sounds leads inevitably to exploring alternate tunings. Guitar Tunings: AComprehensive Guide is the first book to offer practical advice for how to use the most common special tunings for the greatest creative and musical effect. Illustrated throughout with examples in standard notation and guitar tablature, the author introduces different musical styles through the use of appropriate tunings. Including downloadable resources, this book gives clear and concise instruction for the guitarist who has mastered basic skills but wants to go beyond them. It will appeal to guitar students of all ages, and can be used for individual self-instruction or in one-on-one or group teaching situations. In short, Guitar Tunings: A Comprehensive Guide offers a comprehensive approach for all guitarists to enhance their playing skills and creative music making. Also includes 75 musical examples.

(Piano/Vocal/Guitar Artist Songbook). 27 songs from this Grammy-winning platinum-selling singer/songwriter superstar, including: All Night Long (All Night) * Ballerina Girl * Dancing on the Ceiling * Do It to Me * Easy * Endless Love * Hello * Lady * My Love * Penny Lover * Running with the Night * Three Times a Lady * Truly * We Are the World * and more.

Titles: Sonata in C Major, Op. 40, No. 1 (Allegro, Rondo grazioso) (J.B. Br?val) * Adagio and Allegro from the Sonata in E minor, Op. 1, No. 2 (B. Marcello) * Minuets from the Suite in G Major, BWV 1007 (J.S. Bach) * Tonalization * Chanson Triste, Op. 40, No. 2 for Piano (P. I. Tchaikovsky).
This title is available in SmartMusic.

The Italian violinist and composer Giovanni Battista Viotti (1755-1824) is considered today to have been one of the most significant forces in the history of violin playing. In 1792 he met Margaret and William Chinnery, a wealthy English couple with strong connections in the world of arts and letters. From that point onwards Viotti's life became inextricably bound up with theirs; he moved into their home and became a second father to their children, forming a remarkably successful menage A trois. Henceforth, all Viotti's career decisions were taken with this family's welfare in mind. The Chinnery Family Papers feature over 100 Viotti letters and other documents. Drawing extensively on these papers, this book investigates the new light that they cast on Viotti's life and career, as well as the context in which he lived and worked. Fresh insights are given into the reception of Viotti's concertos in London and the solo performances he gave while in England, together with new information on his role as a music teacher in the Chinnery household, and his relationship with Mme de StaA"l and the Philharmonic Society.

Johann Peter Salomon, the celebrated violinist and impresario, made his debut in England in March 1781. History has credited Salomon with bringing Haydn to London, yet as Ian Woodfield reveals in this monograph, Salomon's introduction of the composer to the London musical scene owed as much to luck as to skilful planning. Haydn's engagement in London proved to be a much-needed uplift to Salomon's career which, as Woodfield illustrates, had been on the wane for a number of years. In addition to its reassessment of Salomon's uneven career in London during the 1780s, this book throws light on the general relationship between public and private spheres of professional music-making at the time, and on the relationship between the social and professional attributes required of musicians if they were to be successful. Nowhere are these tensions better illustrated than in the letters and journals of the Burney family, especially those of Susan Burney, which are drawn on in the book to provide a vivid picture of the fiercely competitive musical world of eighteenth-century London.

The second half of the eighteenth century witnessed a flourishing of the string quartet, often represented as a smooth and logical progression from first violin-dominated homophony to a more equal conversation between the four voices. Yet this progression was neither as smooth nor as linear as previously thought, as Mara Parker illustrates in her examination of the string quartet during this period. Looking at a wide variety of string quartets by composers such as Pleyel, Distler and Filtz, in addition to Haydn and Mozart, the book proposes a new way of describing the relationships between the four instruments in different works. Broadly speaking, these relationships follow one of four patterns: the 'lecture', the 'polite conversation', the 'debate', and the 'conversation'. In focusing on these musical discourses, it becomes apparent that each work is the product of its composer's stylistic choices, location, intended performers and intended audience. Instead of evolving in a strict and universal sequence, the string quartet in the latter half of the eighteenth century was a complex genre with composers mixing and matching musical discourses as circumstances and their own creative impulses required.

Featuring in-depth lessons and 40 great jazz classics, the Hal Leonard Jazz Guitar Method is your complete guide to learning jazz guitar. This book uses real jazz songs to teach you the basics of accompanying and improvising jazz guitar in the style of Wes Montgomery, Joe Pass, Tal Farlow, Charlie Christian, Jim Hall and many others. Lesson topics include: chords and progressions; scales and licks; comping and soloing styles; chord-melody; intros and endings; technique; equipment and sound; and more! Songs include: Satin Doll * Take the "A" Train * Billie's Bounce * Impressions * Bluesette * My One and Only Love * Desafinado * Autumn Leaves * Watch What Happens * Misty * Song for My Father * and more. The CD contains 99 tracks for demonstration and play-along. "Highly Recommended." - Just Jazz Guitar "Filled with well-written examples ... bask in the glory of having a lot of great material at your fingertips." - Downbeat

This comprehensive collection for all guitarists includes 100 songs in genres from jazz standards, to pop/rock favorites, Motown masterpieces and movie music, to traditional tunes, country numbers and classical pieces. Notation styles include: note-for-note transcriptions (Blue on Black * Give Me One Reason * Sweet Child O' Mine * Wild Thing); Easy Guitar with Notes and TAB (Building a Mystery * Circle of Life * Day Tripper * Fur Elise * Misty * Torn * Walk This Way); Easy Guitar (Boot Scootin' Boogie * I Shot the Sheriff * My Favorite Things * Unchained Melody); Chord Melody Guitar (Alman * Bourree * Estudio); Fingerstyle Guitar (Amazing Grace * Greensleeves * My Heart Will Go On); and Guitar Riffs (Angie * Brown Eyed Girl * Here Comes the Sun * Layla * My Girl); and more! Essential for every player!

Contents: The Adieu * Agitation * Boat-Song * The Brook * Confidence * Consolation (Still, Still With Thee) * Contemplation * Delirium * The Departure * Duet, Op. 38, No. 6 * Elegy * The Evening Star * Faith * The Fleecy Clouds * The Flight * Folk-Song * Funeral March * Homeless * Hope * Hunting Song * The Joyous Peasant * Lost Happiness * Lost Illusions * Lullaby * May Breezes * Meditation * Morning Song * On the Seashore * Passion * The Poet's Harp * Regrets * Restlessness * Retrospection * The Return * Reverie * Sadness of Soul * The Shepherd's Complaint * The Sighing Wind * Song of the Pilgrim * Song of the Traveller * Spinning-Song * Spring Song * Sweet Remembrance * Tarantella * Unrest * Venetian Boat Song No. 1 * Venetian Boat-Song #2 * Venetian Boat-Song #3 * The Wanderer.

EChord MasterE is a chord dictionary with a difference. Rather than just show chord shapes a which are all there in the Chord Matrix a a large portion of the book explains how to use chords with information about the theory behind them and attempts to answer the questions guitarists often have about chord shapes. Also it presents usable groups of chords for beginners in relation to a variety of song styles.THThis new revised edition emphasises the practical and is even more useful to beginners with expanded exercises and more audio. The multimedia component has roughly doubled the number of tracks and is 30 minutes longer. Some audio examples have a backing track arranged to stress melodic and rhythmic elements so that when the reader puts the chords alongside the effect is marked sometimes allowing for re-harmonizing the same music with a different chord progression or a chord progression played in more than one area of the guitar. The notation of the chord progressions is partly redesigned making it easier to read. This will also make this part of the book more attractive to the casual browser.THMore chord types have been added to EChord MasterE's Matrix (dictionary) section with new material about balanced chords (which remove ineffective or unnecessary doublings of notes) and about effective chord voicing. The section about chords from famous songs is expanded with more examples of unusual chords including ones that players are often curious about a one of the most famous examples is the first chord of A Hard Day's Night.

Cello Time Joggers is a landmark book in the popular Cello Time series, which is enjoyed by students and teachers all over the world. It contains Kathy and David Blackwell's trademark attractive and engaging compositions that appeal to learners of all ages. This book contains cello accompaniments for the tunes in Cello Time Joggers. These fun, characterful duet parts are suitable for a teacher or more advanced student, and will enhance lessons by providing an alternative accompaniment option for these popular pieces.

Solo Time for Violin is a three-volume series of concert pieces for the intermediate to more advanced violinist. Featuring arrangements and original pieces by the authors of the award-winning Fiddle Time series, these graded collections provide sophisticated repertoire from the Baroque to the modern age and introduce styles and techniques for the developing performer.

Play-along with the best-known selections from the first five movies in the Harry Potter series String books include a play-along CD with a backing and performance track for each title as well as a pull-out piano part. Titles include: Hedwig's Theme * Harry's Wondrous World * Nimbus 2000 * Fawkes The Phoenix * Double Trouble * A Window to the Past * Hogwarts' March * Hogwarts' Hymn * Professor Umbridge * Fireworks (Grade 2-3) This title is available in SmartMusic.

Solo Time for Violin is a three-volume series of concert pieces for the intermediate to more advanced violinist. Featuring arrangements and original pieces by the authors of the award-winning Fiddle Time series, these graded collections provide sophisticated repertoire from the Baroque to the modern age and introduce styles and techniques for the developing performer.

Solo Time for Violin is a three-volume series of concert pieces for the intermediate to more advanced violinist. Featuring arrangements and original pieces by the authors of the award-winning Fiddle Time series, these graded collections provide sophisticated repertoire from the Baroque to the modern age and introduce styles and techniques for the developing performer.