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Books > Social sciences > Education > Teaching of specific groups > Teaching of those with special educational needs > Teaching of physically disabled persons
Our intention in writing this book is to provide three distinct but
closely related groups with insight into the factors required to
help a blind child attain his/her maximum level of cognitive
abilities. The first group consists of parents who face the day to
day reality of helping their blind child deal with the challenges
imposed by the lack of sight. The second group consists of
beginning and future professionals who will find themselves deeply
involved with providing social, psychological, and educational
support of these parents. The third group includes friends, family,
and others who are not and will not be on the front lines of
working with blind children, but who are interested in
understanding the issues for their own reasons. There are many
articles and books available that discuss the various aspects of
the development of both sighted and blind children from almost
every possible perspective related to the factors that impact the
learning and developmental processes of children. Unfortunately,
the vast majority of these have been written by professionals to
professionals, using the jargon of the author's chosen field of
study. As a result, people who are not part of the "in groups"
often find these publications hard to understand, boring, or both.
In this book, we do not aim to provide any new insights to
established professionals or other individuals who are
knowledgeable in this area. Rather, our purpose is to translate the
knowledge provided by these professionals into ideas and concepts
that can be readily understood and applied by parents, teachers,
and other caregivers of blind children. Throughout the book, we
will be dealing with highly specialized concepts and theories of
education, psychology, and human development. We have done our best
to translate the professional and academic jargon into what most
people would call "simple English. Throughout the text, we have
provided our definitions of key terms as we have come to understand
and apply those terms. We recognize that others may have different
interpretations for the same terms, and we do not dispute that
their definitions serve their particular purposes.
When Deb Willows was diagnosed with cerebral palsy 50 years ago,
her parents were advised to "put her in an institution and get on
with your lives." Experts believed parents were incapable of
raising disabled children. But God had other plans. Deb's parents
challenged her to see her severe limitations as opportunities, to
dream big dreams and to work hard to accomplish them. Overcoming
many challenges, Deb has blazed the trail for other disabled
people, representing Canada around the world as a Paralympian and
the first disabled boccia ball referee. Her story is one of hope
and inspiration for everyone who has a dream they want to achieve
but with obstacles to overcome. Deb Willows has truly lived beyond
her circumstances and demonstrates that with God's help we can all
accomplish great things Deb represented Canada numerous times on
the world stage in swimming, slalom, wheelchair soccer and boccia.
At her first international boccia event (New York, 1984), she won a
bronze medal in the women's CP1 category. She competed at the 1988
Paralympic Games and set a Canadian and world record in the 50m
backstroke at the 1986 Paralympic Games. In 1990, Debbie broke this
record at Assen, and then demonstrated slalom for the Queen of
Holland.
Meet Marty, a very special seven -year old boy who is just like
any other boy, except that he has Cerebral Palsy and is in a
wheelchair. Unfortunately, some people just ignore Marty because
they cannot see anything beyond his wheel chair and do not take the
time to realize how special he really is,
Marty loves to create art, likes animals and enjoys going to the
beach; he even won a very special Gold Medal because of his
determination. Meet Marty and you will never forget how big of a
heart he has and how special he really is
For several decades, the University of Calgary, Canada, housed an
otherwise community-based service for people with dual diagnoses:
developmental delay, plus a behavioural disorder. The mandate of
"The Behaviour Support Team" was to support clients who were
transitioning from institutions into community living. The Team was
for many years considered the agency of last resort. Virtually all
people who were receiving service were diagnosed with a mental
health disorder, along with a second disabling condition; for
example, visual impairment, brain injury, genetic skin disorders,
deafness (not always considered a disability) and many others,
coupled with an intellectual challenge. As practitioners, we were
expected to offer support groups along with individual counselling
as well as outreach support. Drama groups were a hit, and this book
tells the evolutionary story of the ultimate development of a
theatre company, mandated to tell the stories, and to provide the
thrilling opportunity for its "actors" to experience the spotlight
This book, complete with scripts, takes a political stance, which
is not always easy for some readers to accept. Herein lays some of
its appeal as the narrative, at times, challenges the
rehabilitation and theatre communities. This fact, coupled with the
reality that the artistic director has a disability of her own,
makes for an interesting, if not edgy, yet educational read. The
book provides theoretic considerations, which are often
contradictory, but virtually always controversial where mental
health is concerned. Theoretic considerations are contrasted and
compared to feminism, shamanism (depicted by turtle on the book
cover; more specifically trickster, depicted by coyote), and trends
in rehabilitation within a Canadian context. The final draft of the
book goes on to include some American context provided by my
theatre colleague Leslie Fanelli, who began similar work within the
disability theatre movement on the other side of the continent,
decades before we had the pleasure of meeting. The reader will also
find practical application and instruction for the development of
three levels of theatre experience for acting enthusiasts. In
essence the stories gleaned from the chapters and accompanying
scripts, speak of our inherent right to creative expression, one
which is often denied those who are differently able.
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Bald Is Beautiful Too
(Paperback)
Monica Martin; Illustrated by Eric Nyamor; Edited by Shann Hall-Lochmann Van Bennekom
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Discovery Miles 6 440
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Essential Elements in Early Intervention is a complete sourcebooks
and guide for early interventionists, teachers of students with
visual impairments, and other professionals who work with young
children with visual impairments, dual sensory impairments, and
multiple disabilities. It includes comprehensive information on
vision and hearing examinations, functional vision and hearing
assessments, and effective methods of providing early intervention
services. The new edition includes expanded, updated information on
federal special education legislation, best practices in early
intervention, evidence-based outcomes, and the role of the early
interventionist, as well as strategies for working with families
and educational teams successfully.
The second edition of this popular and classic text, now updated
for the 21st century, provides a complete manual for the beginning
O&M instructor that serves as a reference for the experienced
practitioner as well. An invaluable guide for teaching travel
techniques to students of all ages, the second edition of The Art
and Science of Teaching Orientation and Mobility provides
step-by-step presentations of each O&M technique and describes
in detail how to individualize and teach each one; outlines the
scope and sequence of a complete O&M curriculum; offers a
guiding philosophy as well as principles and strategies for
effective teaching; includes a new chapter on assessment and
provides more extensive content on today's more challenging traffic
environment.
The use of active echolocation is growing in popularity as a
perceptual mobility tool for the blind and visually impaired. As
more scientific research is compiled the skepticism around the
skill is slowly fading away and making way for accelerated
development and implementation of this unique tool.
Echolocation is a fundamentally simple skill that many blind
people use daily to navigate and understand their environment on a
broad scale. With proper implementation, however it can be used to
identify precise distance, sizes, shapes, edges and even the
density of surrounding objects. This skill is sometimes
misunderstood, but it's far more realistic and much easier than you
may think.
The author demystifies the growing practice of active
echolocation in a way that anyone can understand, and gives the
reader simple exercises, examples, and lessons as a starting point
for launching you into a successful practice of active
echolocation.
Sound waves - like ripples in a pond - reflect differently off
of all objects and surfaces. This makes it possible for the trained
ear to distinguish shape, size, distance and material of our
surroundings. Musicians will tell you that "reverb" causes each
room or surface to have its own unique sound response. With
sensitization and applied practice of this skill, it's possible for
people with visual impairments all over the world to become
increasingly independent, supplementing their existing forms of
orientation and mobility with the intrinsic awareness that
echolocation can provide.
Echolocation requires no special equipment nor any special
talent. The human body and mind are truly marvels of nature that
grant us with capabilities you may never know you had. If you can
hear, you can echolocate.
Understanding the simplicity of this skill will allow you to
shift your way of thinking to accommodate an expanded awareness of
your environment. With this awareness comes independence,
confidence, new possibilities and new opportunities.
Jewel at 33 is a Princess in her own right.
She's a fun-loving, demanding Diva who loves to shop as much she
loves to write. Jewel is the apple of everyone's eye--be it her
doting family, her doctor for her never-ending bowel issues, her
pushy book editor and especially her frugal husband's soft spot.
So, what's Jewel 's weakness? Her pet dogs: Snowie and Dolly.
Particularly, naughty Snowie who is known to pee wherever he
fancies--including Dolly's face
For Jewel, her physical disability doesn't dampen her spirits.
Rather, it enhances them. She gets to use an unusual fashion
accessory (Imagine: A hot pink elbow crutch.) She gets out of doing
housework. She gets carried up-and-down stairs like a Princess a la
command. Jewel may be horribly messy, terrible with numbers and a
workaholic, but nobody can imagine life without her. Not that she
would let them, anyway She has a big mouth, remember?
About the Author
Once a teen runaway, Jewel Kats is now a self-made Diva. Her
closet is stuffed with fashion and beauty accessories.She's
overcome sexual abuse, disabilities, you name it... Jewel interned
in the TV studio of Entertainment Tonight Canada. She appeared in a
documentary series by the Oprah Winfrey Network (Canada) in 2012.
Learn more at www.DitzabledPrincess.com
From Marvelous Spirit Press www.MarvelousSpirit.com
Oliver Medhurst sustained a traumatic head-injury in 1982, leaving
him without speech or functional movement, but mentally unimpaired.
This anthology of documents generated by his father over a
thirty-year period illustrates the challenges the family have tried
to confront in their son's care, treatment and education. All
royalties from this book will be donated to the Oliver Medhurst
Wheelchair Fund.
A groundbreaking memoir about love, disability and perseverance,
Ink in the Wheels: Stories to Make Love Roll is the unlikely story
of Barton and Megan Cutter, and their journey to build a successful
marriage despite others expectations. Barton Cutter, who has
Cerebral Palsy never expected to fall in love, never mind getting
married, and Megan was still grieving over the loss of a
relationship and the death of her mother. Until now, there have
been few accounts of a couple that addresses the themes of
disability, intimacy, and marriage. Ink in the Wheels: Stories to
Make Love Roll delves into themes of family influences and
dynamics, creating external and internal support networks, direct
support staff and the balance of caregiving, losing faith in one
another and themselves-and finding it again.
Learning to Listen/Listening to Learn is the first comprehensive
work to address the systematic development of skills in listening
for and interpreting auditory information for students who are
blind or visually impaired. Listening skills are a crucial but
often-overlooked area of instruction for children who are visually
impaired and may have multiple disabilities, essential to literacy,
independent travel, and sensory and cognitive development. Chock
full of practical strategies, this volume examines the development
of and instruction in learning skills at different ages, from
infancy through high school. It also addresses listening skills in
orientation and mobility and the needs of children with multiple
disabilities, hearing impairment, and learning disabilities, as
well as English language learners. Appendixes provide a Listening
Skills Continuum chart and a checklist to use in assessment.
1912. A handbook for teachers and for self instruction. Nitchie,
principal of the New York School for the Hard-of-Hearing, has
embodied both his system and methods into this book, which is the
result of years of study, and of experience in teaching. They were
all carefully worked out, even to the smallest detail, and arranged
in accordance with the newest psychological principles. In fact,
the book has been pronounced psychologically perfect. Partial
Contents: The Eye as a Substitute for Deaf Ears; Teaching Aims; To
the Friends of the Deaf; Conversation Practice; How to Use Stories;
The Study of the Movements; Vowels; Consonants; Word Practice;
Sentence Practice; Mirror Practice; and more.
Wendy on Wheels Saves the Day takes Wendy on an extraordinary
adventure. After seeing a superhero movie on television, Wendy is
motivated to bring smiles and laughs to her friends and children in
need. Aimed towards children between the ages of three and ten,
Wendy on Wheels Saves the Day is sure to put a smile on your
child's face. With discussion questions at the end, this book is an
excellent teaching resource for children of all abilities. Wendy on
Wheels Saves the Day is the highly anticipated third book in the
Wendy on Wheels series, following Wendy on Wheels Goes to the Beach
and Wendy on Wheels Goes to the Zoo.
A volume in Critical Concerns in Blindness Series Editor Edward C.
Bell, Louisiana Tech University All parents hope for an independent
future for their blind/visually impaired child. To turn that hope
into a reality, parents need to understand the scope of skill
development that must be addressed, along with the importance of
equal expectations for the child's development, proper training,
and opportunity to practice and develop skills. But what if
expectations are low, training in blindness skills is scanty or
even absent, and overprotection prevents the blind/VI child from
learning and practicing skills? The idea of an independent future
can remain a distant dream. The purpose of this book is to guide
parents and teachers in fostering the blind/visually impaired
child's skill development in such critical areas as academics,
independent movement and travel, social interaction, daily living,
and self-advocacy, so that he or she will truly be on the road to
an independent future. A practical, easy to use guide, written in
plain English, the book warns about common problem areas and
provides ideas for getting and keeping the child's education and
development on track. It highlights the interplay between skills
and competence, confidence, self-respect, and the respect of
others. Of the small number of books and videos available on the
subject, most were written by professionals in the field and many
begin with the supposition that blindness is at best sad and at
worst tragic. Few --maybe none --have the ardent passion for
independence that the parent of a blind/visually impaired child
brings to the subject. Instead of overwhelming parents and teachers
with the difficulty of the undertaking before them, Getting Ready
for College Begins in Third Grade will inspire their confidence and
enthusiasm for the task at hand.
Expanding William F. Pinar's notion of autobiography from an
individual to a national scale, this book takes the reader on an
inner journey to explore the fragmented condition of the post-9/11
American national psyche. It excavates the many layers of the
emerging social context within which multiple, conflicting national
narratives of identity compete, and uses notions of democracy,
nation, and citizen as signposts of contested terrain inside a
troubled nation. While reminding us that the old, enduring
questions remain unresolved, the book identifies and grapples with
new questions that are central to emergent visions of 'educating
for democracy' in contemporary America, situated now within a
frenetic post-9/11 world.
This is the first book to study adult and child art students
actually participating in courses designed with their needs in mind
in universities and schools for the blind. In doing so, it uniquely
delves into the topic of the culture of education and society and
its affects on an understanding of blindness and the visual arts.
Furthermore, through an analysis of individual and group behaviour,
the book also introduces a new cultural model for studying
blindness and disability, investigates the social influences on the
nature of blindness and the treatment of people who are blind, and
examines the influences that have affected the self belief of blind
students and the way they create art. There are a number of books
on the education of people who are blind or deaf. However, these
are largely descriptive or based on experimental rather than
observational or social research. Furthermore, books that have
analysed blindness and the arts only analyse tactile perception in
the education of students who are blind, not social and cultural
factors. In addition, although there have been many books and
articles analysing research on the perception of aesthetics and
blindness, there are only two, one first published in the 1950s and
now long out of print (Lowenfeld V & Brittain WL, 1987), and
the other published in 2003 (Axel E & Levent N Eds., 2003) that
consider the practice of this subject in depth. In particular,
there have been no books solely addressing the culture of arts
education by non-visual means. This book represents a unique study
of the theory of blindness and the arts. In its first section it
analyses traditional models of blindness and disability, finding
that the history ofdisability is more a reflection of changes in
society towards its scientific study and classification. This book
then presents a unique social psychological study of arts students,
both children and adults, in situ, their understanding and practice
of the arts, particularly the visual arts, and their reaction to
the attitudes of their teachers, past and present. In researching
the material for the book, the books author has collaborated with
internationally renown charities in the area of blindness,
galleries, exhibitions and art, such as Art Education for the
Blind, New York and BlindArt, London, leading to interest from
museum and gallery professionals in his work. University courses
and practising teachers can also benefit from this book. In
particular, there are few resources which directly relate to
studies of teaching practise in undergraduate and postgraduate
courses specialising in the education of students with physical
disabilities, or students studying for undergraduate, postgraduate
and research degrees in subjects such as Disability Studies,
Sociology, Social and Applied Psychology, and Fine Art and Design.
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