The study of ancient architecture reveals much about the social constructs and culture of the planners, builders, and inhabitants of the structures, but few studies bridge the gap between architecture and archaeology. This comprehensive examination of sites in the Ohio Valley, going as far north as Ontario, integrates structural engineering and wood science technology into the toolkit of archaeologists. Presenting the most current research on structures from pre-European contact, Building the Past allows archaeologists to expand their interpretations from simply describing postmold patterns to more fully envisioning the complex construction of critical locations like Hopewell, Moorehead Circle, and Brown's Bottom. The record of perishable architecture at these sites has proven difficult to interpret because it is often merely organic residues, such as soil stains from decayed wall posts, charred timbers, or trenched wall foundations. Addressing new discoveries and presenting previously unpublished data, this volume is an invaluable resource for archaeologists investigating the diverse ways prehistoric societies manifested their social worlds in earth, wood, and stone.

Examining the complex social and material relationships between architecture and ecology which constitute modern cultures, this collection responds to the need to extend architectural thinking about ecology beyond current design literatures. This book shows how the 'habitats', 'natural milieus', 'places' or 'shelters' that construct architectural ecologies are composed of complex and dynamic material, spatial, social, political, economic and ecological concerns. With contributions from a range of leading international experts and academics in architecture, art, anthropology, philosophy, feminist theory, law, medicine and political science, this volume offers professionals and researchers engaged in the social and cultural biodiversity of built environments, new interdisciplinary perspectives on the relational and architectural ecologies which are required for dealing with the complex issues of sustainable human habitation and environmental action. The book provides: 16 essays, including two visual essays, by leading international experts and academics from the UK, US, Australia, New Zealand and Europe; including Rosi Braidotti, Lorraine Code, Verena Andermatt Conley and Elizabeth Grosz A clear structure: divided into 5 parts addressing bio-political ecologies and architectures; uncertain, anxious and damaged ecologies; economics, land and consumption; biological and medical architectural ecologies; relational ecological practices and architectures An exploration of the relations between human and political life An examination of issues such as climate change, social and environmental well-being, land and consumption, economically damaging global approaches to design, community ecologies and future architectural practice.

Examining the complex social and material relationships between architecture and ecology which constitute modern cultures, this collection responds to the need to extend architectural thinking about ecology beyond current design literatures. This book shows how the 'habitats', 'natural milieus', 'places' or 'shelters' that construct architectural ecologies are composed of complex and dynamic material, spatial, social, political, economic and ecological concerns. With contributions from a range of leading international experts and academics in architecture, art, anthropology, philosophy, feminist theory, law, medicine and political science, this volume offers professionals and researchers engaged in the social and cultural biodiversity of built environments, new interdisciplinary perspectives on the relational and architectural ecologies which are required for dealing with the complex issues of sustainable human habitation and environmental action. The book provides: 16 essays, including two visual essays, by leading international experts and academics from the UK, US, Australia, New Zealand and Europe; including Rosi Braidotti, Lorraine Code, Verena Andermatt Conley and Elizabeth Grosz A clear structure: divided into 5 parts addressing bio-political ecologies and architectures; uncertain, anxious and damaged ecologies; economics, land and consumption; biological and medical architectural ecologies; relational ecological practices and architectures An exploration of the relations between human and political life An examination of issues such as climate change, social and environmental well-being, land and consumption, economically damaging global approaches to design, community ecologies and future architectural practice.

- Presents novel framing of contemporary problems of design - Includes historical examples drawn from every continent and time period - Proposes specific reforms - Richly illustrated with over 80 black and white images

Demonstrates how generations of Western designers have recognized in Japanese art and architecture essentially what they wanted to see, in order to advance their own theoretical agendas Fully illustrated throughout with photographs and drawings and a colour plate Includes discussion of the work of Bruno Taut, Walter Gropius, Gunter Nitschke and Heinrich Engel, Mies van der Rohe, Antonin Raymond, Frank Lloyd Wright to name but a few

Few figures in the American arts have stories richer in irony than does architect Minoru Yamasaki. While his twin towers of New York's World Trade Center are internationally iconic, few who know the icon recognize its architect's name or know much about his portfolio of more than 200 buildings. One is tempted to call him America's most famous forgotten architect. He was classed in the top tier of his profession in the 1950s and '60s, as he carried modernism in novel directions, yet today he is best known not for buildings that stand but for two projects that were destroyed under tragic circumstances: the twin towers and the Pruitt-Igoe housing project in St. Louis. This book undertakes a reinterpretation of Yamasaki's significance that combines architectural history with the study of his intersection with defining moments of American history and culture. The story of the loss and vulnerability of Yamasaki's legacy illustrates the fragility of all architecture in the face of natural and historical forces, yet in Yamasaki's view, fragility is also a positive quality in architecture: the source of its refinement, beauty, and humanity. We learn something essential about architecture when we explore this tension of strength and fragility. In the course of interpreting Yamasaki's architecture through the wide lens of the book we see the mid-century role of Detroit as an industrial power and architectural mecca; we follow a debate over public housing that entailed the creation and eventual destruction of many thousands of units; we examine competing attempts to embody democratic ideals in architecture and to represent those ideals in foreign lands; we ponder the consequences of anti-Japanese prejudice and the masculism of the architectural profession; we see Yamasaki's style criticized for its arid minimalism yet equally for its delicacy and charm; we observe Yamasaki making a great name for himself in the Arab world but his twin towers ultimately destroyed by Islamic militants. As this curious tale of ironies unfolds, it invites reflection on the core of modern architecture's search for meaning and on the creative possibilities its legacy continues to offer. Beautifully illustrated with over 100 color illustrations of Yamasaki's buildings, this book will be of interest to students, academics and professionals in a range of disciplines, including architectural history, architectural theory, architectural preservation, and urban design and planning.

This book explores the notion of mapping in architectural discourse. First locating, positioning and theorizing mapping, it then makes explicit the relationship between research and design in architecture through cartography and spatial analysis. It proposes three distinct modalities: tool, operation and concept, showing how these methods lead to discursive aspects of architectural work and highlighting mapping as an instrument in developing architectural form. It emphasizes the importance of place and time as fundamental terms with which to understand the role of mapping. An investigation into architectural discourse, this book will appeal to academics and researchers within the discipline with a particular interest in theory, history and cartography.

The 7th book from Nadir Lahiji for the Routledge architecture list. Adopts Alain Badiou's thesis from The Pornographic Age to argue that the dominant pedagogy within architecture is at odds with the intended purpose of architectural practice and education. Aimed at architecture students at higher graduate and post-graduate levels.

The Analyst's Ear and the Critic's Eye is the first volume of literary criticism to be co-authored by a practicing psychoanalyst and a literary critic. The result of this unique collaboration is a lively conversation that not only demonstrates what is most fundamental to each discipline, but creates a joint perspective on reading literature that neither discipline alone can achieve. This book radically redefines the relationship between psychoanalysis and literary studies in a way that revitalizes the conversation between the two fields. This is achieved, in part, by providing richly textured descriptions of analytic work. These clinical illustrations bring to life the intersubjective dimension of analytic practice, which is integral to the book's original conception of psychoanalytic literary criticism. In their readings of seminal works of American and European literature, the authors address questions that are fundamental to psychoanalysis, literary studies, and the future of psychoanalytic literary criticism: -What is psychoanalytic literary criticism? -Which concepts are most fundamental to psychoanalytic theory? -What is the role of psychoanalytic theory in reading literature? -How does an analyst's clinical experience shape the way he reads? -How might literary critics make use of the analyst's experience with his patients? -What might psychoanalysts learn from the ways professional literary critics read? This volume provides cutting edge work which will breathe new life into psychoanalytic ways of reading, free from technical language, yet drawing upon what is most fundamental to psychoanalytic theory and practice. It will be of great interest to mental health professionals, literary scholars and those studying psychoanalysis and literature.

Architects are now more than ever part of an interdisciplinary context. The emergence of creative art-based practices, film making, post-disaster designs and slum management, as part of the architecture discourse and curriculum, is an indication of how broad architecture has become, and the extent to which it has already merged peripheral practices into its core. This new volume in the AHRA Critiques Series is a statement about how broad, complex, influential, and, ironically central, architecture has become in the contemporary culture, economy and society, despite the marginal position the profession currently occupies. Peripheries questions and challenges the boundaries of architectural research by bringing together subjects and relevant streams of investigation, some of which rarely feature in architectural research and practice titles. Divided into four themes, Places of Formation and Insight, Practices at the Edge, People on the Margins and Edge Readings, each section presents a selection of high calibre interdisciplinary research papers, from a range of renowned contributors including Stephen Walker, Gerry Adler, Dana Vais and author Glen Patterson. The volume also includes a Dialogue between Murray Fraser, Christine Boyer and Kim Dovey. Each section interrogates a peripheral aspect of the built environment, and brings to the fore peripheral case studies. Chapters discuss architecture in United States, Lebanon, Egypt, Japan, Romania, and Europe. Hence, the book takes Architectural humanities discussions to new cultures, societies and practices and towards a global level of influence and impact.

As architects and designers, we struggle to reconcile ever increasing environmental, humanitarian, and technological demands placed on our projects. Our new geological era, the Anthropocene, marks humans as the largest environmental force on the planet and suggests that conventional anthropocentric approaches to design must accommodate a more complex understanding of the interrelationship between architecture and environment Here, for the first time, editor Ariane Lourie Harrison collects the essays of architects, theorists, and sustainable designers that together provide a framework for a posthuman understanding of the design environment. An introductory essay defines the key terms, concepts, and precedents for a posthuman approach to architecture, and nine fully illustrated case studies of buildings from around the globe demonstrate how issues raised in posthuman theory provide rich terrain for contemporary architecture, making theory concrete. By assembling a range of voices across different fields, from urban geography to critical theory to design practitioners, this anthology offers a resource for design professionals, educators, and students seeking to grapple the ecological mandate of our current period. Case studies include work by Arakawa and Gins, Arons en Gelauff, Casagrande, The Living, Minifie van Schaik, R & Sie (n), SCAPE, Studio Gang, and xDesign. Essayists include Gilles Clement, Matthew Gandy, Francesco Gonzales de Canales, Elizabeth Grosz, Simon Guy, Seth Harrison, N. Katherine Hayles, Ursula Heise, Catherine Ingraham, Bruno Latour, William J. Mitchell, Matteo Pasquinelli, Erik Swyngedouw, Sarah Whatmore, Jennifer Wolch, Cary Wolfe, and Albena Yaneva

This book introduces and defines the burgeoning concepts of transculturalism and essentialism and how they relate to one another, as articulated with reference to the work of Jorn Utzon. It introduces critical contemporary perspectives of the design thinking and career of this renowned Danish architect, internationally recognised for his competition-winning, iconic design for the Sydney Opera House - an outstanding exemplar of transcultural essentialism in architecture. Transcultural essentialism is analysed through the lens of critical regionalism and architectural phenomenology, with emphasis on the sense of place and tectonics in Utzon's architectural works. It provides a new understanding of the Danish architect as an early proponent of a still emergent and increasingly relevant direction in architecture. Going beyond biographical studies, it presents a more comprehensive understanding of the broad range of transcultural influences that formed his thinking. The volume includes numerous previously unpublished photographs, drawings, and interviews with Utzon's family members, former students, and colleagues, offering a significant contribution to the existing body of knowledge for any architecture scholar interested in Utzon's work and design principles. The book also comprises a Foreword by eminent architecture theorist Juhani Pallasmaa in which he provides insights into the wider architectural and cultural context of Utzon's worldview.

Explaining the connection between physical and strategic design, this book proposes an aesthetic connection between two equal aspects of architectural design: the Real and the Ideal. Addressing architectural thinkers from the broad realms of academia and practice, it is suitable either as a seminar text, a guide to contemporary design issues, or as a theoretical work.

Beginning with a historical perspective, the book looks at some of the key conflicts in architectural thought that were brought about by postindustrial change. The discussion shifts to clearly describe the forms of complexity, how these have interacted with architecture and the possibilities in fully embracing complexity in architectural practice.

Although there are many books focusing on complexity science, there are few that focus on the relationship between complexity and design and none which take such a comprehensive approach.

Providing a concise and accessible introduction to the work of the celebrated twentieth century German philosopher, Hans-Georg Gadamer, this book focuses on the aspects of Gadamer's philosophy that have been the most influential among architects, educators in architecture, and architectural theorists. Gadamer's philosophy of art gives a special place to the activity of "play" as it occurs in artistic creation. His reflections on meaning and symbolism in art draw upon his teacher, Martin Heidegger, while moving Heidegger's thought in new directions. His theory of interpretation, or "philosophical hermeneutics," offers profound ways to understand the influence of the past upon the present and to appropriate cultural history in ever new forms. For architects, architectural theorists, architectural historians, and students in these fields, Gadamer's thought opens a world of possibilities for understanding how building today can be rich with human meaning, relating to architecture's history in ways that do not merely repeat nor repudiate that history. In addition, Gadamer's sensitivity to the importance of practical thinking - to the way that theory arises out of practice - gives his thought a remarkable usefulness in the everyday work of professional life.

This series investigates the historical, theoretical and practical aspects of interiors. The volumes in the Interior Architecture series can be used as handbooks for the practitioner and as a critical introduction to the history of material culture and architecture. Hotels occupy a particular place in popular imagination. As a place of exclusive sociability and bohemian misery, a site of crime and murder and as a hiding place for illicit liaison, the hotel has embodied the dynamism of the metropolis since the eighteenth century. This book explores the architectural significance of hotels throughout history and how their material construction has reflected and facilitated the social and cultural practices for which they are renowned. Contemporary developments in the planning and design of hotels are addressed through a series of interviews and case studies. Illustrated throughout, this book is an innovative and important contribution to architectural and interior design theory literature.

Emerging Practices in Architectural Pedagogy explores the emergent techniques in architectural education that are helping to bridge the gap between the institutional setting and working practice. It demonstrates how teaching and learning can, and should, be directed towards tackling the real-world problems that students will encounter within their professional careers. Architectural and design practitioners are becoming less specialised, they are embracing cross-disciplinary connections and practical problem-solving. Architecture and design schools must align their teaching to reflect this changing world, and evolve from a fact-based acquisition process to a participatory method of learning. This book uses an extended case-study format to examine large-scale issues. Each chapter represents a specific mode of practice, which is linked to the wider debate on architectural and design pedagogy; this includes collaborative workshops and interventions, issues connected to sustainability and climate change, responses to rapid urbanisation, and, the creation of collaborative relationships across disciplines. The book has an international perspective, with contributions from the United Kingdom, United States of America, and Singapore, and includes a timely discussion on teaching in a remote climate. This book will be an invaluable resource for engaged academics and teaching practitioners interested in playing a key role in the future development of the architectural profession.

This book explores the relationship between architecture and philosophy through a discussion on threshold spaces linking public space with publicly accessible buildings. It explores the connection between exterior and interior and how this creates and affects interactions between people and the social dynamics of the city. Building on an existing body of literature, the book engages with critical philosophy and discusses how it can be applied to architecture. In a similar vein to Walter Benjamin's descriptions of the Parisian Arcades in the nineteenth century, the book identifies the conditions under which thresholds reveal and impact social life. It utilises a wide range of illustrated international case studies from architects in Japan, Norway, Finland, France, Portugal, Italy, the USA, Australia, Mexico, and Brazil. Within the examples, thresholds become enhancers of social interactions and highlight broader socio-political contexts in public and private space. Architecture of Threshold Spaces is an enlightening contribution to knowledge on contemporary architecture, politics and philosophy for students, academics, and architects.

This book presents an expansive overview of the development of architectural and environmental research, with authoritative essays spanning Dean Hawkes' impressive 50-year academic career. The book considers the relationship between the technologies of the environment and wider historical and theoretical factors, with chapters on topics ranging from the origins of modern 'building science' in Renaissance England to technology and imagination in architecture. It includes numerous architectural examples from renowned architects such as Christopher Wren, Peter Zumthor, Alvar Aalto, Robert Venturi and Carlo Scarpa. Aimed at students, scholars, and researchers in architecture and beyond, this illustrated volume collates important and wide-ranging essays tracing the definition, scope and methodologies of architectural and environmental studies, with a foreword by Susannah Hagan.

- Provides architects and students of architecture to design with evidence-based and tangible tactics and strategies towards a new future-use design paradigm - Provides a framework of principles and practices that address the complexity and uncertainty of the contemporary and future built environment - Includes dozens of interviews with architects, architectural clients and building users, and the analysis of over a hundred historic and contemporary architecture projects - Includes over 100 original diagrams and illustrations

- Provides architects and students of architecture to design with evidence-based and tangible tactics and strategies towards a new future-use design paradigm - Provides a framework of principles and practices that address the complexity and uncertainty of the contemporary and future built environment - Includes dozens of interviews with architects, architectural clients and building users, and the analysis of over a hundred historic and contemporary architecture projects - Includes over 100 original diagrams and illustrations

The Architecture and Landscape of Health explores buildings and landscapes that were designed to treat or prevent disease in the era before pharmaceuticals and biomedicine emerged as first line treatments. Written from an architectural perspective, it examines the historical relationship between health and place through the emergence of dedicated therapeutic building types from the late eighteenth to the early twentieth century, a time when the environment was viewed as integral to the health of both the individual and the population. This book provides an overview of ideas surrounding health and place and their impact on architecture and designed landscapes. Different therapeutic buildings and places are examined, including public parks, asylums, sanatoria, leprosaria, quarantine stations, public baths and healthy homes. Each chapter outlines the medical context, common therapies, a history of buildings designed in response to these, and an examination of how such places were perceived to have functioned. Illustrated using geographically and temporally diverse examples, the book includes designs drawn from locations across the world including Europe, the Americas, Africa, Australia and Asia. The Architecture and Landscape of Health identifies and examines moments in the conversation between health and design, and is a timely look back on the resultant buildings and places, offering insights which could inform the design of therapeutic places of the future. An ideal read for researchers, academics and upper-level postgraduate students interested in architecture, and architectural history, particularly relating to healthcare design and medical history.

Bringing Graham Harman's philosophy into direct confrontation with contemporary architectural theory in new and creative ways, Is There an Object-Oriented Architecture? provides a dialogue between Harman and six of the world's leading architectural thinkers, Adam Sharr, Lorens Holm, Jonathan Hale, Peg Rawes, Patrick Lynch and Peter Carl. Harman's object-oriented philosophy is one that sees the universe as a carnival of equal "objects" with no hierarchy between humans and nonhumans. In his model, unicorns, triangles, bicycles, neutrons, and humans are all things with enduring essences that outlast their partial transformations. It is a strikingly democratic vision of the universe that knocks humans off their ontological pedestal as arbiters of what is real. It also radically challenges the very precepts of architectural theory, the structure of which remains stubbornly human-centric as it seeks to give form to the human being's place at the centre of the cosmos. In this new book, each thinker develops the implications of Harman's philosophy for the future of architecture by entering into a direct exchange with the philosopher and his thinking, both questioning him and questioning with him.

The Routledge Companion to Women in Architecture illuminates the names of pioneering women who over time continue to foster, shape, and build cultural, spiritual, and physical environments in diverse regions around the globe. It uncovers the remarkable evolution of women's leadership, professional perspectives, craftsmanship, and scholarship in architecture from the preindustrial age to the present. The book is organized chronologically in five parts, outlining the stages of women's expanding engagement, leadership, and contributions to architecture through the centuries. It contains twenty-nine chapters written by thirty-three recognized scholars committed to probing broader topographies across time and place and presenting portraits of practicing architects, leaders, teachers, writers, critics, and other kinds of professionals in the built environment. The intertwined research sets out debates, questions, and projects around women in architecture, stimulates broader studies and discussions in emerging areas, and becomes a catalyst for academic programs and future publications on the subject. The novelty of this volume is in presenting not only a collection of case studies but in broadening the discipline by advancing an incisive overview of the topic as a whole. It is an invaluable resource for architectural historians, academics, students, and professionals.

Demonstrates how generations of Western designers have recognized in Japanese art and architecture essentially what they wanted to see, in order to advance their own theoretical agendas Fully illustrated throughout with photographs and drawings and a colour plate Includes discussion of the work of Bruno Taut, Walter Gropius, Gunter Nitschke and Heinrich Engel, Mies van der Rohe, Antonin Raymond, Frank Lloyd Wright to name but a few

Manhattan's Public Spaces: Production, Revitalization, Commodification analyzes a series of architectural works and their contribution to New York's public space over the past few decades. By exploring a mix of urban mechanisms, supportive frameworks, legal systems, and planning guidelines for the transformation of the city's collective realm, the text frames Manhattan as a controversial landscape of interests and concerns to authorities, communities, and, very importantly, developers. The production, revitalization, and commodification of Manhattan's public spaces, as a phenomenon and as a subject of study, also highlights the vicissitudes of the reconciliation of the many different agents, which are part of the process. The challenge of the book does not only lie in the analysis of good design but, more importantly, in how to understand the functional mechanisms for the current trends in the production of space for public use. A complex framework of actors, governance, and market monopolies, which invites the reader to participate in the debate of how these interventions contribute, or not, to an inclusive environment anchored in the existing built fabric. Manhattan's Public Spaces invites reflection on the revitalization of the city's shared space from all dimensions. Beautifully illustrated in black and white, with over 50 images, this book will be of interest to scholars and students in architecture, planning, and urban design.