The New Eco-Architecture builds a historical bridge between architectural science and design. It seeks to address neglected aspects of the Modern Movement as a prelude to supporting a diversity of architectural insight and experimentation aimed at twenty-first century environmental needs and priorities. The attitudes and influences of renowned figures are re-examined in relation to current issues of architectural sustainability.
By setting today's green architectural quest within a twentieth century context, and evaluating the main protagonists with regard to a modern eco-sensitive lineage, the book will be of primary interest to architectural students, academics and practitioners. However, it should also intrigue historians, theoreticians and critics, who tend to gloss over such issues, as well as other disciplines engaged with the built environment.

The New Eco-Architecture builds a historical bridge between architectural science and design. It seeks to address neglected aspects of the Modern Movement as a prelude to supporting a diversity of architectural insight and experimentation aimed at twenty-first century environmental needs and priorities. The attitudes and influences of renowned figures are re-examined in relation to current issues of sustainability.
By setting today's green architectural quest within a twentieth century context, and evaluating the main protagonists with regard to a modern eco-sensitive lineage, the book will be of primary interest to architectural students, academics and practitioners. However, it should also intrigue historians, theoreticians and critics, who tend to gloss over such issues, as well as other disciplines engaged with the built environment.

'Spatial images', wrote the German cultural theorist, Siegfried Kracauer, 'are the dreams of society. Wherever the hieroglyphics of any spatial image are deciphered, there the basis of social reality presents itself.' But how exactly are these spatial images to be deciphered?
This volume addresses this question with a series of insightful essays on some of the great metropolitan centres of the world. From political interpretations to gendered analyses, from methods of mapping to filmic representations, and from studies in consumption to economic surveys, the volume offers a range of strategies for reading and experiencing the modern metropolis.

The first edition of Connections was chosen by the National Association of Publishers (USA) as the best book in "Mathematics, Chemistry, and Astronomy - Professional and Reference" in 1991. It has been a comprehensive reference in design science, bringing together in a single volume material from the areas of proportion in architecture and design, tilings and patterns, polyhedra, and symmetry. The book presents both theory and practice and has more than 750 illustrations. It is suitable for research in a variety of fields and as an aid to teaching a course in the mathematics of design. It has been influential in stimulating the burgeoning interest in the relationship between mathematics and design. In the second edition there are five new sections, supplementary, as well as a new preface describing the advances in design science since the publication of the first edition.

The first edition of Connections was chosen by the National Association of Publishers (USA) as the best book in "Mathematics, Chemistry, and Astronomy - Professional and Reference" in 1991. It has been a comprehensive reference in design science, bringing together in a single volume material from the areas of proportion in architecture and design, tilings and patterns, polyhedra, and symmetry. The book presents both theory and practice and has more than 750 illustrations. It is suitable for research in a variety of fields and as an aid to teaching a course in the mathematics of design. It has been influential in stimulating the burgeoning interest in the relationship between mathematics and design. In the second edition there are five new sections, supplementary, as well as a new preface describing the advances in design science since the publication of the first edition.

This illustrated guide to 100 of the world's most important concert halls and opera houses examines their architecture and engineering and discusses their acoustical quality as judged by conductors and music critics. The descriptions and photographs will serve as a valuable guide for today's peripatetic performers and music lovers. With technical discussions relegated to appendices, the book can be read with pleasure by anyone interested in musical performance. The photographs (specially commissioned for this book) and architectural drawings (all to the same scale) together with modern acoustical data on each of the halls provide a rich and unmatched resource on the design of halls for presenting musical performances. Together with the technical appendices, the data and drawings will serve as an invaluable reference for architects and engineers involved in the design of spaces for the performance of music. Leo Beranek is an internationally recognized authority in acoustics who has consulted on the design of dozens of important auditoriums around the World. He has received the highest honors of the Acoustical Society of America and of the Audio Engineering Society.||Some praise for the previous edition:||"No one has done more to unlock for musicians the scientific mysteries of acoustics and for acousticians an appreciation of the aesthetic experience of musicians and listeners."|- Philip Gossett, Professor of Music, University of Chicago||"Directed in large part to musicians and concert goers, it is as easy to read as it is informative . . . the descriptions [of concert halls] are a terrific asset to visiting conductors."|- Yuzo Toyama, Conductor||"Provides an invaluable resource for the understanding and design of music facilities."|- I.M. Pei, Architect

In this manifesto, the author takes a leap of faith. It is a faith in Lost Causes. He asserts that today, architectonic reason has fallen into ruins. As soon as architecture leaves the limits set to it by architectonic reason, no other path is open to it but the path to aestheticism. This is the wrong path contemporary architecture has taken. In its reduction to a pure aesthetic object, architecture negatively affects the human sensorium. Capitalist consumer society creates desires by generating 'surplus-enjoyment' for capitalist profit and contemporary architecture has become an instrument in generating this 'surplus-enjoyment', with fatal consequences. This manifesto is thus both a critique and a work of theory. It is a siren, alarm, klaxon to the current status quo within architectural discourse and a timely response to the conditions of architecture today.

Using language - speaking and understanding it - is a defining ability of human beings, woven into all human activity. It is therefore inevitable that it should be deeply implicated in the design, production and use of buildings. Building legislation, design guides, competition and other briefs, architectural criticism, teaching and scholarly material, and the media all produce their characteristic texts.
The authors use texts about such projects as Berlin's new Reichstag, Scotland's new Parliament, and the Auschwitz concentration camp museum to clarify the interaction between texts, design, critical debate and response.

Culture After Humanism asks what happens to the authority of traditional western modes of thought in the wake of postmodernist theories of language and identity. Drawing on examples from music, architecture, literature, philosophy and art, Iain Chambers investigates moments of tension, interruptions which transform our perception of the world and test the limits of language, art and technology.
In a series of interlinked essays ranging from Susan Sontag's novel The Volcano Lover to the philosophy of Martin Heidegger, Jimi Hendrix and Baroque architecture and music, Chambers weaves together a critique of western humanism, exploring issues of colonisation and migration, language and identity. Culture After Humanism offers a new approach to cultural history, a 'Post-humanist' perspective which challenges our sense of a world in which the subject is sovereign, language the transparent medium of its agency, and truth the product of reason.

The 1960s and the 1970s marked a generational shift in architectural discourse at a time when the revolts inside universities condemned the academic institution as a major force behind the perpetuation of a controlling society. Focusing on the crisis and reform of higher education in Italy, The University as a Settlement Principle investigates how university design became a lens for architects to interpret a complex historical moment that was marked by the construction of an unprecedented number of new campuses worldwide. Implicitly drawing parallels with the contemporary condition of the university under a regime of knowledge commodification, it reviews the vision proposed by architects such as Vittorio Gregotti, Giuseppe Samona, Archizoom, Giancarlo De Carlo, and Guido Canella, among others, to challenge the university as a bureaucratic and self-contained entity, and defend, instead, the role of higher education as an agent for restructuring vast territories. Through their projects, the book discusses a most fertile and heroic moment of Italian architectural discourse and argues for a reconsideration of architecture's obligation to question the status quo. This work will be of interest to postgraduate researchers and academics in architectural theory and history, campus design, planning theory, and history.

This book offers a multidisciplinary approach to the medina, the traditional walled Arab city of North Africa. The medina becomes a concrete case study for comparative explorations of general questions about the social use of urban space by opening up fields of research at the intersection of history, comparative cultural studies, architecture and anthropology. Essays by American, European and North African scholars demonstrate a variety of sources and theoretical approaches now being used in writing historical narratives framed within the city space. They shed light on recent studies by anthropologists regarding social praxis within the urban context, and analyze the urban experience of the medina and the casbah as they are represented in visual and material culture.

As the commercialization of sport grows, the need for proper regulation increases. In legal terms, sport is part of the entertainment and media industries which are subject to rapid change. This work brings together experts in many fields to analyze these changes and to discuss the implications of issues such as the BSkyB-Manchester United case, civil and criminal actions on the playing field, the "Bosman" ruling, drugs in sport, the legality of boxing and the validity of decisions made by governing bodies. This collection should appeal to students of both sports history and sports sociology.

This book explores how psychoanalysis and architecture can enhance and increase the chances of mental 'containment', while also fostering exchange between inside and outside. The way in which psychoanalysts take care of mental suffering, and the way in which architects and city planners assess the environment, are grounded in a shared concern with the notion of 'dwelling'. It is a matter of fact that dwelling exists in a complex context comprised of both biological need and symbolic function. Psychoanalysis and architecture can work together in both thinking about and designing not only our homes but also the analyst's consulting rooms and, more generally, our therapy places. However, this is possible only if they renounce the current limited and restrictive model of this interaction, and propose one more that is more in harmony with the questions and situations that clients themselves pose.

Culture After Humanism asks what happens to the authority of traditional western modes of thought in the wake of postmodernist theories of language and identity. Drawing on examples from music, architecture, literature, philosophy and art, Iain Chambers investigates moments of tension, interruptions which transform our perception of the world and test the limits of language, art and technology.
In a series of interlinked essays ranging from Susan Sontag's novel The Volcano Lover to the philosophy of Martin Heidegger, Jimi Hendrix and Baroque architecture and music, Chambers weaves together a critique of western humanism, exploring issues of colonisation and migration, language and identity. Culture After Humanism offers a new approach to cultural history, a 'Post-humanist' perspective which challenges our sense of a world in which the subject is sovereign, language the transparent medium of its agency, and truth the product of reason.

Much has been written in recent years on environmental ethics relating to the more general 'natural' environment but little specifically written about ethics of the built environment. Ethics and the Built Environment responds to this need and offers a debate on the ethical dimension of building in all its forms from a variety of disciplinary perspectives and approaches.
This book should be of interest to architects, students of building and building design, environmentalists, politicians and general readers with an interest in ethics.

Three Cultural Ecologies reverses common conceptions of modern architecture. It reveals how selected works of two modern architects, Le Corbusier and Frank Lloyd Wright, embraced environmental and cultural conditions as reciprocal and complementary. A basic premise of this book's arguments is that cultural patterns cannot be adequately conceptualized in the terms that typically define ecology today. Instead, studies based on the natural sciences must be complemented by descriptions and interpretations of historical narratives, cultural norms, and individual expressions. Previously unpublished images and new interpretations will allow readers to rediscover works they thought they knew; Villa Savoye, Taliesin, La Tourette, and Ocatilla; as well as projects that are less well known: by Wright, the House on the Mesa and the City Residential Plan, and by Le Corbusier, the Immeuble-villas and Ilot Insalubre projects. More broadly, this study of cultural ecology at three scales - domestic, monastic, and urban - reconsiders the history of modern architecture. The conditions brought about by societal and technological modernization and confronted by modern architecture have not disappeared in our time, but have intensified, making the task of imagining how some measure of equilibrium between culture and ecology might be achieved even more pressing.

Global Structural Analysis of Buildings is a practical reference on the design and assessment of building structures which will help the reader to check the safety and overall performance of buildings in minutes. It is an essential reference for the practising civil and structural engineer in engineering firms, consultancies and building research organisations.

eBook available with sample pages: 0203184297

Contents:
Introduction: Ethics and the Built Environment Warwick Fox List of Contributors
Part 1: The Green Imperative - and its Vicissitudes 1. Greening Urban society Herbert Girardet 2. Building Ethics into the Built Environment John Whitelegg 3. Green Building: Establishing Principles Tom Woolley 4. Building, Global Warming and Ethics Terry Williamson and Antony Radford 5. Contested Constructions: The Competing Logics of Green Buildings and Ethics Simon Guy and Graham Farmer
Part 2: Building with Greater Sensitivity to People(s) and Places 6. Social Inclusion and the Sustainable City Roger Talbot and Gian Carlo Magnoli 7. Transformative Architecture: A Synthesis of Ecological and Participatory Design Bob Fowles 8. Ethics and Vernacular Architecture Paul Oliver 9. Ethical Building in the Everyday A Multi-layer Approach to Building and Place Design Christopher Day 10. Can 'Spirit of Place' be a Guide to Ethical Building? Isis Brook
Part 3: Steps Toward a Theory (or Theories) of the Ethics of the Built Environment 11. The Conceptual Basis of Building Ethics Mustafa Pultar 12. How to Think about the Ethics of Architecture Saul Fisher 13. The Taj Mahal and the Spider's Web Keekok Lee 14. Ethical Arguments About the Aesthetics of Architecture Nigel Taylor 15. Towards an Ethics (or at Least a Value Theory) of the Built Environment Warwick Fox Conclusion: Towards an Agenda for the Ethics of the Built Environment Warwick Fox

The fine arts are traditionally seen to have intrinsic value: that is, they are valuable in themselves. But this poses a problem for architecture: its works are designed to serve our purposes, and therefore it is classed as functional. Carving out a new space, Edward Winters argues why architecture is a fine art and finds a place for the fine art of architecture in the cultural environment in which we structure our lives. Winters reconciles intrinsic value, as a fine art, with extrinsic value, as shelter, security and comfort, without collapsing into the modernist conception of Functionalism. He draws on the Apollonian and the Dionysian to resolve the apparent conflict between the two values: the former requiring contemplative, detached reflection, the latter an engaged, embodied entanglement with the festive mood inspired by the immediate situation. Architecture, Winters claims, is to be regarded as functional; but this functionality is subsumed under the intrinsic aesthetic value of living well. Introducing the main positions in the philosophy of architecture through the lens of the timeless argument about what constitutes art, Winters lays out a humanistic view of the medium and extends our understanding of aesthetics and the everyday.

This book vividly illustrates the ways in which buildings designed by many of Germany's most celebrated twentieth century architects were embedded in widely held beliefs about the power of architecture to influence society. German Architecture for a Mass Audience also demonstrates the way in which these modernist ideas have been challenged and transformed, most recently in the rebuilding of central Berlin.

Architecturally Speaking is an international collection of essays by leading architects, artists and theorists of locality and space. Together these essays build to reflect not only what it might mean to 'speak architecturally' but also the innate relations between the artist's and architect's work, how they are distinct, and in inspiring ways, how they might relate through questions of built form. This book will appeal to urbanists, geographers, artists, architects, cultural historians and theorists.

eBook available with sample pages: 0203468791

Contents:
Preface. Foreword -Robin Nicholson. 1. Architectural Education and the Profession: preparing for the future -David Nicol and Simon Pilling. 2. The Changing context of professional practice -John Worthington. Section One: Communication - developing sensitivity to the needs of users and clients. Introduction. 3. Architectural assumptions and environmental discrimination - Ruth Morrow. 4. Seeing the world through another person's eyes -Robert Brown and Denitza Moreau Yates 5. Social practice - design and education in everyday life -Christopher Jarrett 6. The degree laboratory -Nick Callicott and Bob Sheil 7. Introducing clients and users into the studio project -Rachel Sara 8. The development of group working skills and role play -Judith Torrington 9. The 'real' client and the 'unreal' project -Prue Chiles 10. Reviewing the review -Margaret Wilkin 11. Introducing alternative formats for the design project review -Charles Doidge, Tim Brindley and Ross Willmott Section Two: Collaboration - Developing teamworking skills for practice Introduction. 12. Habits and habitats: interdisciplinary collaboration in a community architecture studio -Katerina Ruedi 13. Is working together working? -Jaki Howes 14. Developing skills with people -Angela Fisher 15. Integrated architectural design -Stirling Howieson 16. Achieving richness and diversity -Sandra Manley and Jim Claydon 17. Interdisciplinary working in built environment education -Gerard Wood Section Three: Life-Long Learning - developing independence in learning Introduction. 18. Learning in practice - retreat, opportunity or imperative -Judith Farren Bradley 19. The role of personal development plans and learning contracts in self-directed student learning -Derek Cottrell 20. Establishing and managing a student learning contract -Helena Webster 21. The student-led crit as a learning device -Rosie White Section Four: A Renewed Professionalism - embedding change in schools of architecture 22. Delight in transgression - shifting boundaries in architectural education -Leonie Milliner 23. Schools and practice in the United States -Robert Gutman 24. The design studio as a vehicle for change - Wendy Potts 25. Embedding change -George Henderson 26. The 'crit' as a ritualized legitimation procedure in architectural education -Hannah Vowles 27. Preparation and support of part-time teachers - designing a tutor training programme -Nicholas Weaver, Dave O'Reilly and Mary Caddick 28. Evaluation and feedback in architectural education -John Cowan Appendices 1. Workshop Plans: Teamwork

In Behind the Postcolonial Abidin Kusno shows how colonial representations have been revived and rearticulated in postcolonial Indonesia. The book shows how architecture and urban space can be seen, both historically and theoretically, as representations, as representations of political and cultural tendencies that characterise an emerging as well as a declining social order. It addresses the complex interactions between public memories of the present and past, between images of global urban cultures and the concrete historical meanings of the local. It shows how one might write a political history of postcolonial architecture and neglecting the importance of the colonial past. In the process, it poses serious questions for the analysis and understanding of postcolonial states.

Over the last decade, critical theories of different kinds have had an enormous impact on many different disciplines and practices. Intersections is the first book to survey comprehensively this impact on Architecture, providing sixteen essays that intersect a particular critical theory with specific architectural ideas, projects and events. An extended essay by the editors gives an in-depth introduction to the subject. Essays range from psychoanalysis and interiors; colonialism and modern urbanism; gender and the renaissance; to heteroptopia and Las Vegas. Contributors come from Europe and the USA, and include Iain Borden, Zeynep Celik, Sarah Chaplin, Beatriz Colomina, Darell Fields, Murray Fraser, Diane Ghirado, Joe Kerr, Clive Knights, Neil Leach, Barbara Penner, Jane Rendell, Katherine Shonfield, Helen Thomas, Jeremy Till, Henry Urbach and Sarah Wigglesworth.

Acculturating the Shopping Centre examines whether the shopping centre should be qualified as a global architectural type that effortlessly moves across national and cultural borders in the slipstream of neo-liberal globalization, or should instead be understood as a geographically and temporally bound expression of negotiations between mall developers (representatives of a global logic of capitalist accumulation) on the one hand, and local actors (architects/governments/citizens) on the other. It explores how the shopping centre adapts to new cultural contexts, and questions whether this commercial type has the capacity to disrupt or even amend the conditions that it encounters. Including more than 50 illustrations, this book considers the evolving architecture of shopping centres. It would be beneficial to academics and students across a number of areas such as architecture, urban design, cultural geography and sociology.