For centuries creative people in all fields have had a thinking place - a private retreat where they have worked regularly, hoping to find inspiration. The authors have chosen thirty-one creative people who vaulted from their thinking places to well-deserved fame or international recognition. These special retreats varied from architectural jewels to humble huts to chosen sites in nature itself. George Bernard Shaw's was a simple garden hut with one window and one door - and a turntable underneath. Shaw captured the prevailing sunlight with a push and a turn.
In their journeys, Carolyn and Jack Fleming discovered that many thinking places still seem to exude an atmosphere of creativity. The Flemings have recorded the details of their searches for you, the reader to duplicate - in reality or in imagination. In their travels the authors discovered much little known information, which they have included in sprightly written vignettes. What was Charles Dickens' long kept secret? What beloved figure did Life magazine proclaim "the unofficial president of the United States"? Who received what the U.S. Patent office states is the most valuable patent ever issued? What two leading educators rose from slavery and extreme poverty to world-wide fame? The reader will discover that the thirty-one people selected were as intriguing as they were creative.
Besides descriptive journeys, vignettes and thinking places, the reader will also receive thirty-one instances of lagniappe, a Cajun word for "a little something extra." Read Thinking Places and see what something extra may be in store for you.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - THIS volume of papers, unconnected as they are, it will be better to read through from the beginning, rather than dip into at random. A certain thread of meaning binds them. Memories of childhood and youth, portraits of those who have gone before us in the battle - taken together, they build up a face that "I have loved long since and lost awhile," the face of what was once myself. This has come by accident; I had no design at first to be autobiographical; I was but led away by the charm of beloved memories and by regret for the irrevocable dead; and when my own young face (which is a face of the dead also) began to appear in the well as by a kind of magic, I was the first to be surprised at the occurrence. My grandfather the pious child, my father the idle eager sentimental youth, I have thus unconsciously exposed. Of their descendant, the person of to-day, I wish to keep the secret: not because I love him better, but because, with him, I am still in a business partner-ship, and cannot divide interests.

Often through ordinary things and ordinary events we glimpse the divine. Living the Sacred Story tells of a seemingly ordinary journey that yielded extraordinary spiritual growth and understanding. From her arrival in Istanbul to her extended sojourn in the Old City of Jerusalem, Bonnie Glassford recounts scenes from an ancient landscape in which people of today live and work. From the perspective of the Ecce Homo Convent in Jerusalem, she encounters Christians, Jews and Muslims living their lives against the rich backdrop of the Holy Land. Living the Sacred Story follows the footsteps of Biblical figures. It combines travel, spirituality, humour, pathos, new insights, personal growth and Biblical reflection. Within an exotic landscape that is the cradle of western civilization, through encounter with the lands described in classical literature and the Bible, and through meeting the people who now live in those lands, the reader becomes aware of a rich inner landscape that we carry around with us. Ultimately the story arrives at the awareness that in the most ordinary events, and the lives of the most ordinary folk, we see the divine.

This open access book provides an analysis of human actors and their capacity to explore and conceptualise their own agency by being curious, gathering knowledge, and shaping identities in their travel reflections on Asia. Thus, the actors open windows across time to present a profound overview of diverse descriptions and constructions of Asia. It is demonstrated that international and transnational history contributes to and benefits from analyses of national and local contexts that in turn enrich our understanding of transcultural encounters and experiences across time. The book proposes an actor-centred contextual approach to travel writing to recount meaningful constructions of Asia's physical, political and spiritual landscapes. It offers comparative reflections on the patterns of encounter across Eurasia, where from the late medieval period an idea of civilisation was transculturally shared yet also constantly questioned and reframed. Tailored for academic and public discussions alike, this volume will be invaluable for both scholars of Global History and interested audiences to stimulate further discussions on the nature of global encounters in Asia.

Spaniards are reputed to be amongst Europe's most forthright people. So why have they kept silent about the terrors of their Civil War and the rule of General Franco? This apparent 'pact of forgetting' inspired writer Giles Tremlett to embark on a journey around Spain and its history. He found the ghosts of Spain everywhere, almost always arguing. Who caused the Civil War? Why do Basque terrorists kill? Why do Catalans hate Madrid? Did the Islamist bombers who killed 190 people in 2004 dream of a return to Spain's Moorish past? Tremlett's curiosity led him down some strange and colourful byroads, and brought him unexpected insights into the Spanish character.

Travel writing has, for centuries, composed an essential historical record and wide-ranging literary form, reflecting the rich diversity of travel as a social and cultural practice, metaphorical process, and driver of globalization. This interdisciplinary volume brings together anthropologists, literary scholars, social historians, and other scholars to illuminate travel writing in all its forms. With studies ranging from colonial adventurism to the legacies of the Holocaust, The Long Journey offers a unique dual focus on experience and genre as it applies to three key realms: memory and trauma, confrontations with the Other, and the cultivation of cultural perspective.

October 1812, Napoleon enters Moscow. The Russians have set fire to the city, soon it will be reduced to a pile of ash. The Emperor equivocates, decides to turn back. This is the beginning of the retreat from Russia, a page of history that has become legendary for its degree of suffering and horror, but also for the heroic acts that took place. Two hundred years later, Sylvain Tesson, accompanied by four friends (two Russians and two French), decides to follow the route of the retreat. Perched on two Soviet Ural sidecar motorcycles, they will rejoin Paris from Moscow, guided only by the spectres of the two hundred thousand soldiers who died through cold, starvation, and in battle. Twenty five hundred miles travelled in a wild escapade to salute the ghosts of history, across the white plains of Russia.

All over the world there are places that became famous forever because something extraordinary happened there by chance. Beautifully illustrated and carefully researched Fame By Chance covers 380 such places with new insights and facts that are amusing, surprising and sometimes controversial. Foreword by Peter Ackroyd. All over the world there are places that became famous forever by chance - battles briefly waged, scenes of triumph and disater, sites of murder and intrigue, centres of influential creativity and noted mythical places from books and film. How and why did; Angora, Tabasco, Duffel and Fray Bentos give us products good and bad; Kohima's tennis court save India; Storyville's 269 brothels helped it to create jaz; Botany Bay never saw any British convicts; Tay Bridge was a disaster avoided by Marx and Engels; 'OK' stands for a farmhouse; Ferrari chose the 'Prancing Horse of Maranello'; Kyoto was saved from Hiroshoma's terrible fate; The British built the Great Hedge of India; With 432 pages beautifully illustrated and carefully researched Fame By Chance covers 380 such places with new insights and facts that are amusing, surprising and sometimes controversial.

’n Grieselrige reis na die plekke waar van Suid-Afrika se bekendste moorde gepleeg is asook ’n hele aantal minder bekendes.

Maak kennis met die moordenaars en die doodgewone gemeenskappe waar slagoffers van die vroegste tye tot die onlangse verlede wreed aan hul einde gekom het.

Mike and Barbara Bivona have danced their way around the world, embracing the colorful rhythms of each country and culture in their travels. Now, Mike, the author of Dancing Around the World with Mike and Barbara Bivona, returns to share more of their globe-trotting adventures in part one of a new travel memoir series. While cruising the islands, they witnessed lava flowing into the surf off the shores of Hawaii and danced on a nightclub floor that once saw the white-uniformed officers of the warships anchored at the naval station in Pearl Harbor. Mike describes the thrill and challenge of learning the intricate steps of the Argentine tango in Buenos Aires and, more importantly, absorbing its proper attitude from master dancers. The brimstone fumes wreathing the slopes of Mt. Vesuvius transported them back in time, as the frozen bodies of the unlucky residents of Pompeii and Herculaneum-as well as the evidence of Romans' lively erotic imagination left on walls and sculptured into clay-inspired numerous colorful conversations. Mike and Barbara's shared passion for art and history has led them to seek out the haunts of other lovers of adventure-Columbus, Ponce de Leon, General Custer, circus impresario John Ringling, and the elderly jazz musicians in New Orleans. Part memoir and part travelogue, this volume offers you a trip around the world with the Bivonas-without ever leaving your chair.

'Paris provides constant stimulation; the city remains a fabulous animal, volatile, individualist and alive with its history and possibilities.' For his new cityscapes N.P.James made an artistic investigation of Paris, walking through the various districts of Opera, St.Lazare, Republic, Montmartre, Montparnasse, Le Marais, St. Denis and St.Germain. His sketchbook records aspects of the streets, buildings, courtyards and monuments, in a web of small pencil drawings, which underpinned the paintings. Colour photographs, notes and observations of the historic and fabled city accompany the studies.

The no-holds-barred, eagerly awaited autobiography of one of Britain's most popular icons - known to millions from her many film and TV appearances, including Dynasty and The Brothers. Kate O'Mara writes here: "Don't put your daughter on the stage, Mrs Worthington! advised Noel Coward is his famous song. Stories of people going on incredible journeys constantly amaze and astound. Some journeys are meant to be adventures from the start; some begin inauspiciously and finish with a bang; some are groundbreaking and some show extraordinary triumphs in the face of adversity. Some travellers survive their journey and some do not. What makes these people risk their lives? Why do they put themselves in such danger? Divided into six chapters - Air and Space, Ice and Snow, Wind and Water, Great Escapers, Imperialists and Adventurers, Survivors - this book takes 60 extraordinary journeys from the past 100 years and recounts what happened to these intrepid travellers. Think of Amy Johnson, the first woman to fly solo from Britain to Australia; Robert Swan, the first man to walk to both the North and South Poles; Jim Shekhdar, who rowed across the Pacific from Peru to Australia; Neil Armstrong, Ellen MacArthur, Ernest Shackleton, Mallory and Irvine, Charles Lindbergh, Yuri Gagarin, Amelia Earhart, Hiram Bingham, Joe Simpson, Hillary and Norgay, Nautilus, Apollo 13 and Ranulph Fiennes. Incredible Journeys celebrates the remarkable achievements made by these extraordinary adventurers. With insightful text from Thomas Cussans, and fantastic images from the breathtaking summits to the perilous high seas, this book will truly inspire.

'A valuable book and a necessary one. One of the funniest and cleverest voyages on record.' Christopher Hitchens, New Statesman 'The finest writer afloat since Conrad.' Geoffrey Moorhouse, The Guardian 'Unfailingly witty and entertaining.' Salman Rushdie Coasting round Britain single-handed in an antique two-masted sailing boat, Jonathan Raban conducts a masterly exploration of England and the English at the time of Margaret Thatcher and the Falklands War. He moves seamlessly between awkward memories of childhood as the son of a vicar, a vivid chronicle of the shape-shifting sea and incisive descriptions of the people and communities he encounters. As he faces his terror of racing water, eddies, offshore sandbars and ferries on a collision course, so he navigates the complex and turbulent waters of his own middle age. Coasting is a fearless attempt to discover the meaning of belonging and of his English homeland.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - FOR nearly ten years my health had been declining; and for some while before I set forth upon my voyage, I believed I was come to the afterpiece of life, and had only the nurse and undertaker to expect. It was suggested that I should try the South Seas; and I was not unwilling to visit like a ghost, and be carried like a bale, among scenes that had attracted me in youth and health. I chartered accordingly Dr. Merrit's schooner yacht, the CASCO, seventy-four tons register; sailed from San Francisco towards the end of June 1888, visited the eastern islands, and was left early the next year at Honolulu. Hence, lacking courage to return to my old life of the house and sick-room, I set forth to leeward in a trading schooner, the EQUATOR, of a little over seventy tons, spent four months among the atolls (low coral islands) of the Gilbert group, and reached Samoa towards the close of '89. By that time gratitude and habit were beginning to attach me to the islands; I had gained a competency of strength; I had made friends; I had learned new interests; the time of my voyages had passed like days in fairyland; and I decided to remain. I began to prepare these pages at sea, on a third cruise, in the trading steamer JANET NICOLL. If more days are granted me, they shall be passed where I have found life most pleasant and man most interesting; the axes of my black boys are already clearing the foundations of my future house; and I must learn to address readers from the uttermost parts of the sea.

A stunningly illustrated history of Venice, from its beginnings as 'La Serenissima' – 'the Most Serene Republic' – to the Italian city that continues to enchant visitors today. 'Everything about Venice,' observed Lord Byron, 'is, or was, extraordinary – her aspect is like a dream, and her history is like a romance.' Dream and romance have conditioned myriad encounters with Venice across the centuries, but the city's story embodies another kind of experience altogether – the hard reality of an independent state built on conquest, profit and entitlement and on the toughness and resilience of a free people. Masters of the sea, the Venetians raised an empire through an ethos of service and loyalty to a republic that lasted a thousand years. In this new and beautifully illustrated study of key moments in Venice's history, from its half-legendary founding amid the collapse of the Roman empire to its modern survival as a fragile city of the arts menaced by saturation tourism and rising sea levels, Jonathan Keates shows us just how much this remarkable place has contributed to world culture and explains how it endures as an object of desire and inspiration for so many.

ONES COMPANY- A Journey to China By PETER FLEMING. Originally published in 1934. FOREWORD: THIS book is a superficial account of an unsensational journey. My Warning to the Reader justifies, I think, its superficiality. It is easy to be dogmatic at a distance, and I dare say 1 could have made my half-baked conclusions on the major issues of the Far Eastern situation sound con vincing But it is one thing to bore your readers, another to mislead themj I did not like to run the risk of doing both. I have therefore kept the major Issues in the back ground The book describes in some detail what I saw and what I did, and in considerably less detail what most other travellers have also seen and done. If it has any value at all, it is the light which it throws on the processes of travel amateur travel - in parts of the interior which, though not remote, are seldom visited, On two occasions, I admit, I have attempted seriously to assess a politico-military situation, but only a because I thought 1 knew more about those particular situations than anyone else, and because if they had not been explained certain sections of the book would have made nonsense. For the rest, I make no claim to be directly instructive. One cannot, it is true, travel through a country without finding out something about it and the reader, following vicariously In my footsteps, may perhaps learn a little. But not much I owe debts of gratitude to more people than can con veniently be named, people of all degrees and many nation alities. He who befriends a traveller is not easily forgotten, and I am very grateful indeed to everyone who helped me on a long journey. PETER FLEMING . London, 1934. Contents include: PART I MANCHUKUO FACE I BOYS WILL BE BOYS 19 i j II INTO RUSSIA 24 r III THE MIRAGE OF MOSCOW 29 1 IV DRAMA 37 J V TRANS-SIBERIAN EXPRESS 44 P VI FLOREAT MONGOLIA 2 VII CRASH 59 VJIII HARBIN 67 IX PXJ YI 72 f X WINGS OVER MUKDEN 82 to XI GEISHA PARTY 92 XII JEHOL 102 XIII PRAYERS 108 XIV AN AFTERNOON WITH THE GODS 114 Q XV GARRISON TOWN I2O T XVI REUNION IN CHINCHOW 125 XVII PAX JAPONICA 129 XVIII FLYING COLUMNJ 134 XEB THE FIRST DAY S MARCH 140 XX GETTING WARMER 146

The imperial road to Italy goes from Munich across the Tyrol, through Innsbruck and Bozen to Verona, over the mountains. Here the great processions passed as the emperors went South, or came home again from rosy Italy to their own Germany. And how much has that old imperial vanity clung to the German soul? Did not the German kings inherit the empire of bygone Rome? It was not a very real empire, perhaps, but the sound was high and splendid. Maybe a certain Grossenwahn is inherent in the German nature. If only nations would realize that they have certain natural characteristics, if only they could understand and agree to each other's particular nature, how much simpler it would all be. The imperial procession no longer crosses the mountains, going South. That is almost forgotten, the road has almost passed out of mind. But still it is there, and its signs are standing. The crucifixes are there, not mere attributes of the road, yet still having something to do with it. The imperial processions, blessed by the Pope and accompanied by the great bishops, must have planted the holy idol like a new plant among the mountains, there where it multiplied and grew according to the soil, and the race that received it. . . .