57 essays, poems, and engaging tales written by fifty-four "characters with character" including artists, news editors, elected officials, restaurateurs, shopkeepers, clergy, students, historians, visitors, and locals with one thing in common...they have all fallen in love with a town called New Hope, Pennsylvania.

Here is your chance to get an insider's view of New Hope. Partake in the history, explore the area's natural beauty, become acquainted with the locals, and discover for yourself why this town holds a special place in so many hearts. When you turn the last page, you will feel as if you have made a host of new friends and that you, too, have become part of the New Hope story.

As one author quipped, "Thanks for embracing me, New Hope-'cause I'm hugging you back with everything I've got." Feel the exuberance and the warmth. Step into the circle. Catch the good vibe in Embraceable You . . . and pass it on!

Explore the landscapes and places that inspired great art: find peace in Monet's lily-filled garden oasis, climb Mount Fuji on a printmaker's pilgrimage, sail with Gauguin to the South Pacific to stretch your imagination, or contemplate light and the changing seasons on Chelsea Embankment. Artistic Places is a stunningly hand-illustrated, visionary guide for seekers of beauty, rare tales and cultural riches. Find yourself instantly transported to the places where great artists have sought refuge, found their inspiration and changed the course of art history forever. Susie Hodge, bestselling author and art historian, presents 25 famous and forgotten artistic destinations around the world, and connects these to the artists they inspired. In keeping with the Inspired Traveller's Guide series design, each entry is accompanied by specially commissioned illustrations from Amy Grimes which perfectly evoke the wonders that first attracted the masters, while Hodge delves into each location's curious history with insightful stories both in and beyond the canon. So take a leaf out of your favourite artist's sketchbook and discover the places they loved best. Artists and locations include: J.A.M Whistler in London, England John Constable in Suffolk, England Barbara Hepworth in St Ives, England Paula Rego in Cascais and Estoril, Portugal Pablo Picasso and Guernica, Spain Salvador Dali in Catalonia, Spain Claude Monet in Giverny, France Vincent van Gogh in Arles, France Rene Magritte in Brussels, Belgium Paul Klee in Bern, Switzerland Michelangelo in Florence, Italy Canaletto in Venice, Italy Johannes Vermeer in Delft, Netherlands Anni Albers in Dessau, Germany Caspar David Friedrich in the Elbe Sandstone Mountains, Germany Gustav Klimt and Lake Attersee, Austria Edvard Munch in Oslo, Norway Hilma af Klint and Lake Malaren, Sweden Henri Matisse in Tangier, Morocco Hokusai on Mount Fuji, Japan Paul Gauguin in Papeete and Papeari, Tahiti Jean-Michel Basquiat in New York, USA Grant Wood in Iowa, USA Georgia O'Keeffe in New Mexico, USA Frida Kahlo in Coyoacan, Mexico Each book in the Inspired Traveller's Guides series offers readers a fascinating, informative and charmingly illustrated guide to must-visit destinations round the globe. Also from this series, explore intriguing: Spiritual Places, Literary Places, Hidden Places and Mystical Places.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

BLACK TENTS OF ARABIA, by Carl Raswan, has been praised as a love story, as an adventure story, as a travel book, and as an insider's vision of a much-misunderstood people. It is all of those things, and if Raswan had been given a free hand it would also have been a definitive study of the Arabian Horse; but the editors of Little, Brown, and Company were not horsemen, and in 1934 Raswan was not yet famous enough to override them. They made him condense the story of his first year in Arabia to a single chapter, and rearrange the other material to keep the love-story up front. "I suppose it made a better book," Raswan commented wistfully, "though they made me leave out enough for several more." It made a book that has been loved in all its incarnations for sixty-seven years; but horse-lovers have always wished there were more about horses in it, and Mrs. Carl Raswan has expanded this edition to include a selection of her husband's early articles. Readers can learn more about his first trip to Arabia in his adventure book Drinkers of The Wind, and more about Arabian-breeding in The Arab and His Horse and The RASWAN INDEX. All three are available from Mrs. Carl Raswan, 16002 Walnut Creek, San Antonio, TX 78247.

Taken for Wonder focuses on nineteenth century travelogues authored by Iranians in Europe and argues for a methodological shift from the study of travel to that of writing travel. This shift allows for a different interpretive framework that moves away from an over-emphasis on the destinations of travel (particularly in cases where the destination, like Europe, signifies larger meanings such as modernity) and which historicizes the travelogue itself as a rhetorical text in the service of its origin's concerns and developments. Within this framework, this book demonstrates the ways in which travel writings to Europe were used to position Qajar Iran (1917-1925) within a global context, i.e. narration of travel to Europe was also narrating the power of the Qajar court even when political events were tipped against it; and relatedly, how both travel to Europe and also translations of travel narratives into Persian should be included in our understanding of the importance of geography and mapping to the Qajars, especially during the latter half of the nineteenth century. In this process, it also re-examines the notion that Iranian modernity was the chief outcome of Iranians travelling in and writing about Europe.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

In 1951 the Australian writers Charmian Clift and George Johnston left grey, post-war London for Greece. Settling first on the tiny island of Kalymnos, then Hydra, their plan was to live simply and focus on their writing, away from the noise of the big city. The result is two of Charmian Clift's best known and most loved books, the memoirs Mermaid Singing and Peel Me a Lotus. Peel Me a Lotus, the companion volume to Mermaid Singing relays their move to Hydra where they bought a house and grappled with the chaos of domestic life and three children whilst also becoming the centre of an informal community of artists and writers. The group later included Leonard Cohen who became their lodger and his girlfriend Marianne Ihlen. Clift paints an evocative picture of the characters and sun-drenched rhythms of traditional life, long before backpackers and mass tourism descended.

In 1878 a young man named William Pryer was sent to North Borneo (now Sabah) to 'establish' the British North Borneo Company there. In 1894 his wife Ada published her account of his early years as an administrator along with some sketches of their life together. The memoir has unique value both as a travel narrative in its own right and for understanding the international politics of the British takeover of North Borneo. The new edition will reproduce the text of the original 1894 edition, including an introductory essay as well as annotations to explain and contextualize references of historical and biographical significance.

Young couple, four children, husband agriculturalist British Government Kenya; S. Nyanza province. Tea, coffee, pyrethrum. Photographic safaris birds/animals. Many adventures, Kenya/Tanzania/ Uganda/ Ethiopia. Diaries from 1958 (20 years).

'Judah paints another Europe with tense and dramatic detail' - Andrey Kurkov 'Will make you lurch between fascination, laughter and tears' - Sophy Roberts _____ What does it now mean to call yourself European? Who makes up this population of some 750 million, sprawled from Ireland to Ukraine, from Sweden to Turkey? Who has always called it home, and who has newly arrived from elsewhere? Who are the people who drive our long-distance lorries, steward our criss-crossing planes, lovingly craft our legacy wines, fish our depleted waters, and risk life itself in search of safety and a new start? In a series of vivid, ambitious, darkly visceral but always empathetic portraits of other people’s lives, journalist Ben Judah invites us to meet them. Drawn from hours of painstaking interviews, these vital stories reveal a frenetic and vibrant continent which has been transformed by diversity, migration, the internet, climate change, Covid, war and the quest for freedom. Laid dramatically bare, it may not always be a Europe we recognize – but this is Europe. _____ Praise for Ben Judah’s This Is London: ‘An epic work of reportage’ -The Guardian ‘Eye-opening’ - The Sunday Times ‘Opens readers’ eyes to the hardships experienced by many and ignored by most’ - Independent ‘Shares Orwell’s appetite for documenting parts of society that are easily overlooked’ - Spectator ‘Full of nuggets of unexpected information about the lives of others’ - Financial Times

From comical misunderstandings and hilarious mishaps to the sheer terror of a near-death experience, these are the true-life global adventures and keen observations of one American traveler.

During his forty years of international travel, Edward Gray journeyed through the old Communist regimes of the USSR, Western Europe, the Americas, and the Far East. He lived through coup attempts in Portugal, Peru, and France; skyjacking incidents in the Middle East and the United States; and his family's extended stay at the JFK Airport in the blizzard of 1993.

At once a personal memoir, an intriguing international travelogue, and a fascinating blend of history and sociology, "Call a Bomb a Rifle" includes Gray's most entertaining, lively, and insightful anecdotes about life among strangers. Whether he's witnessing the purchase of a bushel of cherries in Istanbul, skiing in the Italian Alps, or watching the pilot and his fellow passengers perish in a major airplane crash, Gray is forever changed by his worldly excursions.

This remarkable memoir chronicles a lifetime of exploration into the various cultures, languages, and idiosyncrasies that divide us as a species-and the underlying humanity that unites us.

Perhaps the first modern travelogues still to capture the imaginations of armchair explorers, the mid-19th-century bestselling books of American diplomat and writer JOHN LLOYD STEPHENS (1805-1852) reads like the most inspired of novels. The poetic immediacy places the reader square in the saddle of adventure.In this classic 1837 work-which a critic like Edgar Allan Poe praised for its "freshness of manner evincing manliness of feeling"-Stephens takes the reader on an evocative journey through the Middle East, from a visit to the pyramids of Egypt to encounters with enthusiastic locals and much more.Complete with all the beautiful original illustrations by English artist and architect Frederick Catherwood (1799-1854), this delightful book continues to enthrall adventurous spirits today.JOHN LLOYD STEPHENS (1805-1852) was an important part of the reintroduction of Mayan Civilization to middle America. He was an explorer, diplomat, and writer, who specialized in Mesoamerican studies. He incorporated the Ocean Steam Navigation Company at a time when the British controlled travel to and from the United States. In 1849 he was appointed the Vice President of the Panama Railroad Company, later becoming the president. He supervised the project until his death from a liver disease at age 46.

ryruwi PENTHOUSE of the GODS A Pilgrimage into the Heart of Tibet and the Sacred City of Lhasa By THEOS BERNARD CHARLES SCRIBNER S SONS NEW YORK CHARLES SCRIBNERS SONS LTD LONDON To VIOLA CONTENTS. I. ECSTASY I II. THE QUEST 28 III. GYANTSft 62 IV. TOO GOOD TO BE TRUE 91 V. FROM GYANTSfi TO LHASA 124 VI. THE FORBIDDEN CITY 161 VII. SHRINES, AND MORE SHRINES 185 VIII. I AM INITIATED 204 IX. I ESCAPE WITH MY LIFE 221 X. FURTHER EDUCATION OF A LAMA 243 XI. MORE SIGHTS, MORE CEREMONIES 267 XII. SIDELIGHTS AND INSIGHTS 289 XIII. GATHERING UP THE LAST THREADS 310 INDEX 339 ILLUSTRATIONS The white Lama Theos Bernard Frontispiece FACING PAGE Temple worship 6 Worship in the Temple of the Dalai Lama 7 Great mesh screens protect gold images 8 A Deity in the Chamber of Horrois 9 Under the Tibetan Plateau 36 lake among the clouds 37 Head lama of the Kaigyupa Monastery 42 A Tibetan mendicant with his teapot 42 It never pays to poison 43 Asking for alms 43 The author crossing a trail through a cliff 46 My transport winding its way up the Lhasa Valley 47 Resting at the foot of Chumolhari 50 Crossing a i6, ooo-fbot pass 51 One of the guardians at the Gyants6 Monastery 64 Temple carvings and paintings by Lama artists 65 Mural painting of the late Dalai Lama 66 A mural painting of one of their Goddesses 67 fix Illustrations FACING PAGE The Kigu Banner hangs one hour once a year 72 The famous black hat dance 73 Jewelled headdress worn by noblewomen from Tsang province 80 Back view of same headdress 80 Tsarong Lacham of Lhasa 80 Rear view of headdress worn by noblewomen of Central Tibet 80 Jigme 8 Tenna Rajah 81 Tsarong Shap6 8 1 Mary 8x Tibetan children 108 Tibetan children 109 Crossing those mountainousplateaus of solitude 132 A small Tibetan village where author spent the night 133 The Penthouse of the Gods taken from Chakpori 146 Stairways leading into the temple of the Penthouse of the Goda 147 The author before the Holy of Holies 1 50 A street scene in Lhasa 1 51 Presents sent by the government on my arrival 1 66 The author with two of his Tibetan lady friends 167 The author with the Prime Minister of Tibet 167 A Tibetan artist at work 172 A young carver 173 I Illustrations FACING PAGE Lamas reading proof 173 The Dalais printing establishment at the Potala 174 Stacks where wood blocks are kept at the Dalai Lamas printing establishment 175 The golden gargoyle on the roof over the late Dalai Lamas tomb 1 86 A door handle 186 Temple decorations 186 Incense burner and ornaments 187 The author photographing among the Lamas 190 Coppcrwarc made by native craftsmen 191 The author with the King Regent of Tibet 194 Bodyguard of the King Regent 195 The author next to the glowing altar of thousand lights 200 Ceremony at tomb of the late Dalai Lama 201 Trail leading around old Chakpori 214 Shrine of the thousand Buddhas 2x5 The author examining Tibetan manuscripts A Tibetan scholar A Tibetan beggar A moments pause a 37 A daily news bulletin hanging in the bazaar at Lhasa 250 Sounding trumpets from top of the Potala 251 Drcpung Monastery, the largest in the world 256 xi Illustrations FACING PAGE Sunrise service at Drepung Monastery 257 Sera Monastery, second largest in Tibet 278 The four head Lamas of Sera Monastery 279 The author with the lay and Lama officials of the Dalai Lama 316 The author visiting with the Rakasha family 317 Yaks used for transport in Tibet 330 A Tibetan Burial 331Crossing a river m a Tibetan Yak-skin boat 33 x Ganden Monastery, third largest in Tibet 334 A Lama debating 335 The golden image of the coming Buddha 336 A golden image of Buddha 337 A PENTHOUSE OF THE GODS CHAPTER I ECSTASY EE began to stir in the middle of the night, as preparations were being made for the great ceremony. With the dawn I was awakened by the rhythmic beating of drums, the ceaseless drone of sixteen-foot trumpets and the vibrant chant ing of thousands of Lamas, as they filed their way to the slab paved courtyard of the famous temple...

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

In Bed with the Atlantic is a travel memoir of a young woman, Kit Pascoe, as she goes from never having stepped on a yacht, to sailing over 18,000 miles - across the Atlantic, around the Caribbean and then back - in three years with her partner. At first, she was dogged by doubt, a belief that she wasn't a `sailor', never would be and that she was in no way capable of such an undertaking. She believed that the ocean was out to get her, that weather needed to be battled and that she would forever be ruled by the anxiety that plagued her. Woven into the narrative of the journey's progression are stories from Kit's childhood and life before the voyage, explaining her battles with anxiety and the feelings of being lost as a graduate in post-recession Britain. The book also relays her struggle with reconciling a life of travel with the expectations and experiences of those back home, at an age when most of her contemporaries were starting corporate careers and families. In her courage to leave everything she knows behind, she learns the history of the islands and their people, swims with turtles, explores strange cave systems, and learns to forage for food straight from the sea. But she also encounters hardships like running out of food and water, battling against storms, trying not to be struck by lightning, and discovering the crippling loneliness of sailing an ocean for months on end. Sailing back to the UK after three years Kit realises the colossal difference that sailing has made to her life and understanding of the world. She ponders how easy it is not to do something, to protect ourselves from risks and ridicule and everything that makes us uncomfortable. But now appreciates that it is only when we take the risk, that we get the reward and that we connect not just with the world at large, but also with ourselves.