Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odourless and ready to apply. Brush apply, do not spray. Gamvar Matte gives your work a unified and protective matte surface. Gamvar Matte reduces surface sheen, while maintaining the deepest values in your painting.

This satin varnish is water-based, non-toxic and self-leveling. It restores the painting to Atelier Interactive's original satin finish and is one of the most popular finishes as it is not too shiny or dull. It can be used either as a medium to change the sheen levels of acrylic paints or as an over-varnish for acrylic painting, providing a non-tacky protective coating. It is a mid-viscosity product made from hard acrylic emulsion. The varnish is non-removable, however it can be overpainted. It can also be followed with a solvent-based varnish.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Low viscosity product made from a hard acrylic emulsion. Can be used as an over-varnish for Atelier Interactive and other traditional acrylic paints. To use as a varnish over an Interactive painting seal with 2 coats of Fast Medium/Fixer before varnishing. It is non-removable, however it can be over painted. The acrylic varnish may be mixed with acrylics as a low viscosity medium to change the sheen levels or to dilute for glazing. Atelier Interactive will dry fast and waterproof if used in this way.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

On some of these surfaces it is recommended a basecoat of the Polyurethane Primer (62.601) for best results. Premium colours are flexible and exceptionally durable and permit prolonged exposure to weather without fading or losing their brilliance. Premium colours have been formulated with micronized, permanent pigments and an extremely resistant, exterior grade hybrid resin-polyurethane base, which withstands impacts, resists chipping and cracking, as well as direct exposure to heat and outdoor elements without cracking or fading, and is fuel residue proof up to a least 35% Nitro. AV Premium colours have superior flow, they are self-levelling and brush on with exceptional ease. For airbrushing, the colours can be used directly from the bottle when using a nozzle size 0,3. For the metallic colours some dilution might be necessary, and for smaller nozzles (O.2mm or less) the use of the Reducer (62.068) may be required. The recommended compressor setting is 30-60psi (2-4 bar). The range consists of 20 bright opaque colours, 23 dazzling metallics and fluorescents, and 9 shimmering transparent Candy Colours. All colours are as suitable for detail work as for covering large surfaces and can be applied by brush as well as by airbrush. The range is complete with 8 auxiliary products including the Transparent Basecoat and the Reducer, Primer, Varnishes and Drying Retarder. For an automotive refinishing and as an extra protective final coating, we recommend a catalyzed urethane clear varnish (spray can or airbrush).

On some of these surfaces it is recommended a basecoat of the Polyurethane Primer (62.601) for best results. Premium colours are flexible and exceptionally durable and permit prolonged exposure to weather without fading or losing their brilliance. Premium colours have been formulated with micronized, permanent pigments and an extremely resistant, exterior grade hybrid resin-polyurethane base, which withstands impacts, resists chipping and cracking, as well as direct exposure to heat and outdoor elements without cracking or fading, and is fuel residue proof up to a least 35% Nitro. AV Premium colours have superior flow, they are self-levelling and brush on with exceptional ease. For airbrushing, the colours can be used directly from the bottle when using a nozzle size 0,3. For the metallic colours some dilution might be necessary, and for smaller nozzles (O.2mm or less) the use of the Reducer (62.068) may be required. The recommended compressor setting is 30-60psi (2-4 bar). The range consists of 20 bright opaque colours, 23 dazzling metallics and fluorescents, and 9 shimmering transparent Candy Colours. All colours are as suitable for detail work as for covering large surfaces and can be applied by brush as well as by airbrush. The range is complete with 8 auxiliary products including the Transparent Basecoat and the Reducer, Primer, Varnishes and Drying Retarder. For an automotive refinishing and as an extra protective final coating, we recommend a catalyzed urethane clear varnish (spray can or airbrush).

A final fixative for watercolours. Protects water-colour paintings from fingerprints, humidity and dust. No colour changes when applied in thin layers. May increase transparency of water-colour paper.

How to use:
Shake well before use.
Spray at room temperature by moving the can from one side to the other and from top to bottom and holding the can at a distance of 30 - 40 cm from the vertically positioned or slightly inclined and completely dry object. (Make the change in spray direction away from the picture!)

The level of gloss depends in accordance to absorbance of the surface, painting technique and the thickness of the film.The subsequent fixing of the surface of a picture produced using materials low in binding agents like water-colours or gouache colors may cause the colour shade to become significantly darker. Using too much fixative frequently causes a loss of "lightness".

The product may also makes the support, for example the paper, more transparent.The fixative coats normally used in practice give no special UV protection to the paints used! For this reason, we recommend that you use high-quality and lightfast artists' paints from the outset as far as possible.

For the ideal protection of water-colour paintings we additionally recommend using special glass for frames.
Any clogged-up spray heads are best cleaned using acetone.
Store in a cool and dry place.
Protect from sunlight and do not expose to temperatures exceeding 50°C (122°F).
Individual pre-tests are required.

Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified and protective semi-gloss surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odourless and ready to apply.Gamvar Satin gives your work a unified and protective satin surface. Gamvar Satin saturates colours in your painting, yet dries to a lower gloss level compared to original Gamvar. Brush apply, do not spray.pdf=SDSGamvar.pdf Safety Data Sheet

Krylon Clear Fixatif provides a reworkable clear finish and prevents smudging of soft art materials like pencil and pastel. For use on wood, metal, plastic, paper, glass, plaster, ceramic, and more. Krylon Clear Workable Fixatif is dry to touch within 30 minutes, and dry to handle within an hour.

Water-based acrylic varnish. Appropriate for many surfaces including canvas, paper, wood, papier mache, metal, and ceramic (not for varnishing oil paintings.) Transparent and very permanent (non-removable). Waterproof coating once dry. Non-yellowing.Recommended to apply at a distance of 20-30cm in fine layers, allowing to dry between layers. The acrylic aerosol varnish is useful for quick and easy protection. The product does not contain toluene, is ozone friendly and quick drying.Please note that we are unable to ship aerosols by air. Some European destinations are available by road but the order may incur an additional shipping charge.

Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified and protective semi-gloss surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odourless and ready to apply. Brush apply, do not spray.Gamvar Satin gives your work a unified and protective satin surface. Gamvar Satin saturates colours in your painting, yet dries to a lower gloss level compared to original Gamvar.

Specially developed for the protection of acrylic works from environmental pollutants which can cause surface degradation. Sealing the surface with varnish provides a barrier film which can be cleaned or removed using low odour solvent or turpentine, but leaves the paint itself unblemished.

Available in Gloss or Matt.Available in 75ml and 300ml.

Specially developed for the protection of acrylic works from environmental pollutants which can cause surface degradation. Sealing the surface with varnish provides a barrier film which can be cleaned or removed using low odour solvent or turpentine, but leaves the paint itself unblemished.

Available in Gloss or Matt.Available in 75ml and 300ml.

Removable varnish to protect both oil and acrylic paintings

Daler Rowney’s Damar varnish has a low gloss finish and is removable. It dries within a few hours, when applied thinly, and will create a hard, clear film. This varnish can be removed with turpentine or white spirit and is compatible with both oils and acrylics.