Dala Deco Heat Resistant Varnish is the ultimate hard, high gloss, water based varnish suited to most art and craft projects.

Ideal for use with charcoal, pastels, pencils, crayons, chalk and dried flowers

Dala Deco Heat Resistant Varnish is the ultimate hard, high gloss, water based varnish suited to most art and craft projects.

Dalas Artists' Clear Varnish is a protective coat for artists oil and acrylic colour. It provides UV protection as well enhances the appearance of the colour medium.

Dala Deco Dead Flat Varnish is a matte, water based top coat suited to all craft and decoupage projects.

Dalas Artists' Clear Varnish is a protective coat for artists oil and acrylic colour. It provides UV protection as well enhances the appearance of the colour medium.

Dala Deco Heat Resistant Varnish is a matte, water based, heat resistant top coat suited to all craft and decoupage items that will come into contact with heat, such as trays, coasters, pot stands and table tops.

Dala Deco Dead Flat Varnish is a matte, water based top coat suited to all craft and decoupage projects.

Dala Deco Heat Resistant Varnish is a matte, water based, heat resistant top coat suited to all craft and decoupage items that will come into contact with heat, such as trays, coasters, pot stands and table tops.

Dala Deco High Gloss Varnish is a glossy, water based top coat suited to all craft and decoupage projects.

Dala Ceramics@Home is thermo-set, water-based decorative paint for ceramics, glass and glazed pottery* that can be cured in your home oven. It forms a hard scratch; heat and chemical resistant film if cured correctly.

This is the ideal product for decorating glazed ceramics, pottery, glass, kitchen and bathroom tiles, tin and even enamel.

Dala Deco High Gloss Varnish is a glossy, water based top coat suited to all craft and decoupage projects.

Dala Polyurethane Hard Varnish is the ultimate hard, high gloss varnish that is water-based, making it best suited to arts and crafts projects of all types.

Dala Deco Heat Resistant Varnish is a matte, water based, heat resistant top coat suited to all craft and decoupage items that will come into contact with heat, such as trays, coasters, pot stands and table tops.

Atelier Interactive Matte Acrylic Varnish is a water-based, self-leveling finishing varnish for acrylic paintings. It can also be used as a medium when mixed with acrylic paint to dilute the paint, increase the toughess of layers and reduce gloss. When used it will give an even, matte finish while maintaining denisty of colour. It will appear milky when first applied but dries clear. It is non-removable but can be over-painted. The varnish is mid-viscosity and made from a hard acrylic emulsion. Waterproof once dry. It can also be used as a transparent matte glue for collage or mixed media artwork.250ml bottleThis product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

Royal Talens Varnish Matt Spray will provide durable protection for an oil painting as a final matt varnish. Apply when the paint film has completely dried (with normal layer thickness after approximately one year). It dries in a few hours and does not yellow. Dry varnish coats can be removed with white spirit or turpentine.This product is extremely flammable - use with caution. 

Royal Talens Retouching Varnish Spray can be used as a temporary protection for oil paintings which are still in the process of fully drying. The varnish can also be used to revive dull matt areas where the paint has sunk in.It should be applied sparingly and will dry after a few hours. It will not affect the further drying time of the paint film. As a temporary protective varnish, do not apply until after 2 to 3 months. This Retouching Varnish is colourless and non-yellowing.The product is extremely flammable - use with caution.

On some of these surfaces it is recommended a basecoat of the Polyurethane Primer (62.601) for best results. Premium colours are flexible and exceptionally durable and permit prolonged exposure to weather without fading or losing their brilliance. Premium colours have been formulated with micronized, permanent pigments and an extremely resistant, exterior grade hybrid resin-polyurethane base, which withstands impacts, resists chipping and cracking, as well as direct exposure to heat and outdoor elements without cracking or fading, and is fuel residue proof up to a least 35% Nitro. AV Premium colours have superior flow, they are self-levelling and brush on with exceptional ease. For airbrushing, the colours can be used directly from the bottle when using a nozzle size 0,3. For the metallic colours some dilution might be necessary, and for smaller nozzles (O.2mm or less) the use of the Reducer (62.068) may be required. The recommended compressor setting is 30-60psi (2-4 bar). The range consists of 20 bright opaque colours, 23 dazzling metallics and fluorescents, and 9 shimmering transparent Candy Colours. All colours are as suitable for detail work as for covering large surfaces and can be applied by brush as well as by airbrush. The range is complete with 8 auxiliary products including the Transparent Basecoat and the Reducer, Primer, Varnishes and Drying Retarder. For an automotive refinishing and as an extra protective final coating, we recommend a catalyzed urethane clear varnish (spray can or airbrush).

Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odourless and ready to apply. Brush apply, do not spray. Gamvar Matte gives your work a unified and protective matte surface. Gamvar Matte reduces surface sheen, while maintaining the deepest values in your painting.pdf=SDSGamvar.pdf Safety Data Sheet

A final fixative for watercolours. Protects water-colour paintings from fingerprints, humidity and dust. No colour changes when applied in thin layers. May increase transparency of water-colour paper.

How to use:
Shake well before use.
Spray at room temperature by moving the can from one side to the other and from top to bottom and holding the can at a distance of 30 - 40 cm from the vertically positioned or slightly inclined and completely dry object. (Make the change in spray direction away from the picture!)

The level of gloss depends in accordance to absorbance of the surface, painting technique and the thickness of the film.The subsequent fixing of the surface of a picture produced using materials low in binding agents like water-colours or gouache colors may cause the colour shade to become significantly darker. Using too much fixative frequently causes a loss of "lightness".

The product may also makes the support, for example the paper, more transparent.The fixative coats normally used in practice give no special UV protection to the paints used! For this reason, we recommend that you use high-quality and lightfast artists' paints from the outset as far as possible.

For the ideal protection of water-colour paintings we additionally recommend using special glass for frames.
Any clogged-up spray heads are best cleaned using acetone.
Store in a cool and dry place.
Protect from sunlight and do not expose to temperatures exceeding 50°C (122°F).
Individual pre-tests are required.

Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odourless and ready to apply. Brush apply, do not spray. Gamvar Matte gives your work a unified and protective matte surface. Gamvar Matte reduces surface sheen, while maintaining the deepest values in your painting.

This satin varnish is water-based, non-toxic and self-leveling. It restores the painting to Atelier Interactive's original satin finish and is one of the most popular finishes as it is not too shiny or dull. It can be used either as a medium to change the sheen levels of acrylic paints or as an over-varnish for acrylic painting, providing a non-tacky protective coating. It is a mid-viscosity product made from hard acrylic emulsion. The varnish is non-removable, however it can be overpainted. It can also be followed with a solvent-based varnish.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.

On some of these surfaces it is recommended a basecoat of the Polyurethane Primer (62.601) for best results. Premium colours are flexible and exceptionally durable and permit prolonged exposure to weather without fading or losing their brilliance. Premium colours have been formulated with micronized, permanent pigments and an extremely resistant, exterior grade hybrid resin-polyurethane base, which withstands impacts, resists chipping and cracking, as well as direct exposure to heat and outdoor elements without cracking or fading, and is fuel residue proof up to a least 35% Nitro. AV Premium colours have superior flow, they are self-levelling and brush on with exceptional ease. For airbrushing, the colours can be used directly from the bottle when using a nozzle size 0,3. For the metallic colours some dilution might be necessary, and for smaller nozzles (O.2mm or less) the use of the Reducer (62.068) may be required. The recommended compressor setting is 30-60psi (2-4 bar). The range consists of 20 bright opaque colours, 23 dazzling metallics and fluorescents, and 9 shimmering transparent Candy Colours. All colours are as suitable for detail work as for covering large surfaces and can be applied by brush as well as by airbrush. The range is complete with 8 auxiliary products including the Transparent Basecoat and the Reducer, Primer, Varnishes and Drying Retarder. For an automotive refinishing and as an extra protective final coating, we recommend a catalyzed urethane clear varnish (spray can or airbrush).

Low viscosity product made from a hard acrylic emulsion. Can be used as an over-varnish for Atelier Interactive and other traditional acrylic paints. To use as a varnish over an Interactive painting seal with 2 coats of Fast Medium/Fixer before varnishing. It is non-removable, however it can be over painted. The acrylic varnish may be mixed with acrylics as a low viscosity medium to change the sheen levels or to dilute for glazing. Atelier Interactive will dry fast and waterproof if used in this way.This product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.