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Arts & Crafts > Fine Art Supplies > Watercolour
Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.
Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.
Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.
Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.
Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.
Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.
Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.
Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.
Cobalt Teal Blue (PG50) is a turquoise blue that is ideal for painting Tropical seas and summer skies. It can also be used to great effect when painting bright transparent shadows.
Cobalt Turquoise (PB36) is a teal blue. This paint is a wonderful product for blending in a glaze or wash. Its slight granulation adds interest to a painting with multiple layers.
Graphite Gray (PBk10) is an opaque grey that can be handled as a wet wash or as a dry textured brush stroke. This product can be used to paint weathered wood, fence posts and old buildings.
Hooker's Green (PG36 PY3 PO49) is a warm, natural, shamrock green. This product is a useful mixing green that can capture a range of shades from dappled woodland sunlight to deep forest depths.
Indanthrone Blue (PB60) is a super-staining, warm, primary blue. Indanthrone has a pleasing range from blue-black to stonewashed denim. This product is ideal for capturing indigo skies, water and interesting shadows. Try with Anthraquinoid Red, Indian Yellow for a complete a transparent staining trio.
Italian Burnt Sienna (PBr7) is a natural orange-brown earth pigment. This shade is ideal for use when painting Pacific North-western landscapes, old bricks or fallen leaves.
Payne's Gray (PB29 PBk9 PY42) is a semi-transparent blue grey. Ideal for sky work, this product is fantastic for creating wet weather clouds and stormy backdrops. Boulders and rocky crags take on a new lease of life when rendered in this hue. Payne's Gray is also a softer replacement for black when mixing colours.
Permanent Violet (PR88) is a velvety purple. This lightfast, semi-transparent pigment is the perfect pre-mixed violet. This product is perfect, when in a wash, for painting the petals of pansies due to its soft handling ability.
Raw Umber Violet is a deep burgundy-brown colour. This product is unique to Daniel Smith as is the result of a blend of Raw Umber and Quinacridone Violet.
Ultramarine Violet (PV15) is a soft purple hue. This is slightly granular, low-staining pigment and can be used to create delightful mottled washes.
Van Dyck Brown (Blend of PBr7) is a deep, dark brown made of siennas and umbers. Ideal for texturing and staining, this semi-transparent colour makes a good replacement for Sepia.
Pompeii Red (PBr7) is a dramatic rusty red-orange that is made from earth that has been heated to attain a burnt colour. This earth creates a granulated texture in the paint. This texture is wonderful for depicting sunlit hills or rough material folds. When mixed with Carmine a lovely vermillion with a slight pink undertone is produced.
Terre Ercolano (PBr7 PR101) is a natural bold brick red. This pigment is semi-transparent and lightfast. Try depicting the desert or red rocks with this earthy, granulating paint.
Verona Gold Ochre (PY150) is a golden yellow brown pigment. This paint is so called as its pigment is mined in the ancient Italian city. Verona Gold Ochre's unusual pigment gives it a surprising clarity and warmth for an earth colour.
Minnesota Pipestone is a warm, soft, earthy pink. This paint is semi-opaque, lightfast, and granulates beautifully in washes. Made from ground American pipestone and synthetic pigments, this product both honours history of the indigenous American people and speaks of the modern age.
Sleeping Beauty Turquoise Genuine is a soft yet vibrant blue that comes from the Sleeping Beauty Mountain in Arizona. Unlike other turquoise colours this pigment is lightfast, permanent and vivid. Try this product in a wash to create a beautiful granular texture.
Daniel Smith : Watercolour Paint : 15ml : Purpurite Genuine : Series 2 |
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