This monumental, line-by-line commentary makes Thomas Aquinas's classic Treatise on Happiness and Ultimate Purpose accessible to all readers. Budziszewski illuminates arguments that even specialists find challenging: What is happiness? Is it something that we have, feel, or do? Does it lie in such things as wealth, power, fame, having friends, or knowing God? Can it actually be attained? This book's luminous prose makes Aquinas's treatise transparent, bringing to light profound underlying issues concerning knowledge, meaning, human psychology, and even the nature of reality.

This volume examines how the notion of law was transformed and reformulated during the Middle Ages. It focuses on encounters between ancient and local legal traditions and the three great revelation religions Judaism, Christianity, and Islam each of which understood the written word of God as law and formulated new cultures. The work thus furnishes interdisciplinary and intercultural insight into medieval legal discourse."

In his preceding work, Soundings in Augustine's Imagination, Father O'Connell outlined the three basic images Augustine employs to frame his view of the human condition. In the present study, he applies the same techniques of image-analysis to the three major "conversions" recounted in the Confessions. Those conversions were occasioned, first, by Augustine's youthful reading of Cicero's Hortensius, then by his reading of what he calls the "books of the Platonists", and finally, most decisively, by his fateful reading in that Milanese garden of the explosive capitulum, or "chapterlet", from St. Paul's Epistle to the Romans. Dissection of Augustine's imagery discloses a chain of striking connections between these conversions. Each of them, for instance, features a return to a woman - now a bridal, now a maternal figure, and finally, a mysterious stand-in for Divine Wisdom, both bridal and maternal. Unsurprisingly, conversion-imagery also provokes a fresh estimate of the sexual component in Augustine's religious biography; but the sexual aspect is balanced by Augustine's insistent stress on the "vanity" of his worldly ambitions. Perhaps most arresting of all is Father O'Connell's analysis showing that the text that Augustine read from Romans consisted of not only two, but four verses: hence the dramatic procession of images which make up the structure of the Confessions, Book VII; hence, too, the presence, subtle but real, of those same image-complexes in the Dialogues Augustine composed soon after his conversion in A.D. 386.

Theophrastus von Hohenheim (1493-1541), better known as Paracelsus, was a physician, natural magician, radical activist of the early Reformation, and commentator on the social and religious issues of his day. This elegantly written book is the defining account of the man known as "Paracelsus the Great." Drawing on the whole range of relevant manuscript and printed sources, Charles Webster considers Paracelsus's life and works, explores his advocacy for total reform of the clerical, legal, and medical professions, and describes his precise expectations for the Christian church of the future, focusing on his affinity with the spiritualist Anabaptists. The author concludes with the apocalyptic speculations of Paracelsus, who vividly portrayed the sense of endtime crisis that constituted one of the defining characteristics of his era.

This book addresses an emblematic case of a potential faith-reason, or faith-science, conflict that never arose, even though the biblical passage in question runs counter to simple common sense. Within the context of Western culture, when one speaks of a faith-science conflict one is referring to cases in which a "new" scientific theory or the results of empirical research call into question what the Bible states on the same subject. Well-known examples include the Copernican theory of planetary motion and the Darwinian theory of evolution. The passage considered in this book, concerning the "waters above the firmament" in the description of the creation in the first book of Genesis, represents a uniquely enlightening case. The author traces the interpretations of this passage from the early centuries of the Christian era to the late Renaissance, and discusses them within their historical context. In the process, he also clarifies the underlying cosmogonic model. Throughout this period, only exegetes belonging to various religious orders discussed the passage's meaning. The fact that it was never debated within the lay culture explains its non-emergence as a faith-reason conflict. A fascinating and highly accessible work, this book will appeal to a broad readership.

Medieval Considerations of Incest, Marriage, and Penance focuses on the incest motif as used in numerous medieval narratives. Explaining the weakness of great rulers, such as Charlemagne, or the fall of legendary heroes, such as Arthur, incest stories also reflect on changes to the sacramental regulations and practices related to marriage and penance. Such changes demonstrate the Church's increasing authority over the daily lives and relationships of the laity. Treated here are a wide variety of medieval texts, using as a central reference point Philippe de Remi's thirteenth-century La Manekine, which presents one lay author's reflections on the role of consent in marriage, the nature of contrition and forgiveness, and even the meaning of relics. Studying a variety of genres including medieval romance, epic, miracles, and drama along with modern memoirs, films, and novels, Linda Rouillard emphasizes connections between medieval and modern social concerns. Rouillard concludes with a consideration of the legacy of the incest motif for the twenty-first century, including survivor narratives, and new incest anxieties associated with assisted reproductive technology.

Uncovers the interplay of the physical and the aesthetic that shaped Viennese modernism and offers a new interpretation of this moment in the history of the West. Viennese modernism is often described in terms of a fin-de-siecle fascination with the psyche. But this stereotype of the movement as essentially cerebral overlooks a rich cultural history of the body. The Naked Truth, an interdisciplinary tour de force, addresses this lacuna, fundamentally recasting the visual, literary, and performative cultures of Viennese modernism through an innovative focus on the corporeal. Alys X. George explores the modernist focus on the flesh by turning our attention to the second Vienna medical school, which revolutionized the field of anatomy in the 1800s. As she traces the results of this materialist influence across a broad range of cultural forms--exhibitions, literature, portraiture, dance, film, and more--George brings into dialogue a diverse group of historical protagonists, from canonical figures such as Egon Schiele, Arthur Schnitzler, Joseph Roth, and Hugo von Hofmannsthal to long-overlooked ones, including author and doctor Marie Pappenheim, journalist Else Feldmann, and dancers Grete Wiesenthal, Gertrud Bodenwieser, and Hilde Holger. She deftly blends analyses of popular and "high" culture, laying to rest the notion that Viennese modernism was an exclusively male movement. The Naked Truth uncovers the complex interplay of the physical and the aesthetic that shaped modernism and offers a striking new interpretation of this fascinating moment in the history of the West.

Spinoza's Ethics, and its project of proving ethical truths through the geometric method, have attracted and challenged readers for more than three hundred years. In Spinoza and the Cunning of Imagination, Eugene Garver uses the imagination as a guiding thread to this work. Other readers have looked at the imagination to account for Spinoza's understanding of politics and religion, but this is the first inquiry to see it as central to the Ethics as a whole--imagination as a quality to be cultivated, and not simply overcome. Spinoza initially presents imagination as an inadequate and confused way of thinking, always inferior to ideas that adequately represent things as they are. It would seem to follow that one ought to purge the mind of imaginative ideas and replace them with rational ideas as soon as possible, but as Garver shows, the Ethics don't allow for this ultimate ethical act until one has cultivated a powerful imagination. This is, for Garver, "the cunning of imagination." The simple plot of progress becomes, because of the imagination, a complex journey full of reversals and discoveries. For Garver, the "cunning" of the imagination resides in our ability to use imagination to rise above it.

How do we judge whether we should be willing to follow the views of experts or whether we ought to try to come to our own, independent views? This book seeks the answer in medieval philosophical thought. In this engaging study into the history of philosophy and epistemology, Peter Adamson provides an answer to a question as relevant today as it was in the medieval period: how and when should we turn to the authoritative expertise of other people in forming our own beliefs? He challenges us to reconsider our approach to this question through a constructive recovery of the intellectual and cultural traditions of the Islamic world, the Byzantine Empire, and Latin Christendom. Adamson begins by foregrounding the distinction in Islamic philosophy between taqlīd, or the uncritical acceptance of authority, and ijtihād, or judgment based on independent effort, the latter of which was particularly prized in Islamic law, theology, and philosophy during the medieval period. He then demonstrates how the Islamic tradition paves the way for the development of what he calls a “justified taqlīd,” according to which one develops the skills necessary to critically and selectively follow an authority based on their reliability. The book proceeds to reconfigure our understanding of the relation between authority and independent thought in the medieval world by illuminating how women found spaces to assert their own intellectual authority, how medieval writers evaluated the authoritative status of Plato and Aristotle, and how independent reasoning was deployed to defend one Abrahamic faith against the other. This clear and eloquently written book will interest scholars in and enthusiasts of medieval philosophy, Islamic studies, Byzantine studies, and the history of thought.

Machiavelli's New Modes and Orders is the only full-length interpretive study on Machiavelli's controversial and ambiguous work, Discourses on Livy. These discourses, considered by some to be Machiavelli's most important work, are thoroughly explained in a chapter-by-chapter commentary by Harvey C. Mansfield, one of the world's foremost interpreters of this remarkable philosopher. Mansfield's aim is to discern Machiavelli's intention in writing the book: he argues that Machiavelli wanted to introduce new modes and orders in political philosophy in order to make himself the founder of modern politics. Mansfield maintains that Machiavelli deliberately concealed part of his intentions so that only the most perceptive reader could see beneath the surface of the text and understand the whole of his book. Previously out of print, Mansfield's penetrating study brings to light the hidden thoughts lurking in the details of the Discourses on Livy to inform and challenge its readers at every step along the way.

"All of humanity's problems stem from man's inability to sit quietly in a room alone," Blaise Pascal wrote in 1654. But then there's Walt Whitman, in 1856: "Whoever you are, come forth! Or man or woman come forth! / You must not stay sleeping and dallying there in the house." It is truly an ancient debate: Is it better to be active or contemplative? To do or to think? To make an impact, or to understand the world more deeply? Aristotle argued for contemplation as the highest state of human flourishing. But it was through action that his student Alexander the Great conquered the known world. Which should we aim at? Centuries later, this argument underlies a surprising number of the questions we face in contemporary life. Should students study the humanities, or train for a job? Should adults work for money or for meaning? And in tumultuous times, should any of us sit on the sidelines, pondering great books, or throw ourselves into protests and petition drives? With Action versus Contemplation, Jennifer Summit and Blakey Vermeule address the question in a refreshingly unexpected way: by refusing to take sides. Rather, they argue for a rethinking of the very opposition. The active and the contemplative can-and should-be vibrantly alive in each of us, fused rather than sundered. Writing in a personable, accessible style, Summit and Vermeule guide readers through the long history of this debate from Plato to Pixar, drawing compelling connections to the questions and problems of today. Rather than playing one against the other, they argue, we can discover how the two can nourish, invigorate, and give meaning to each other, as they have for the many writers, artists, and thinkers, past and present, whose examples give the book its rich, lively texture of interplay and reference. This is not a self-help book. It won't give you instructions on how to live your life. Instead, it will do something better: it will remind you of the richness of a life that embraces action and contemplation, company and solitude, living in the moment and planning for the future. Which is better? Readers of this book will discover the answer: both.

In Canto XVIII of Paradiso, Dante sees thirty-five letters of Scripture - LOVE JUSTICE, YOU WHO RULE THE EARTH - 'painted' one after the other in the sky. It is an epiphany that encapsulates the Paradiso, staging its ultimate goal - the divine vision. This book offers a fresh, intensive reading of this extraordinary passage at the heart of the third canticle of the Divine Comedy. While adapting in novel ways the methods of the traditional lectura Dantis, William Franke meditates independently on the philosophical, theological, political, ethical, and aesthetic ideas that Dante's text so provocatively projects into a multiplicity of disciplinary contexts. This book demands that we question not only what Dante may have meant by his representations, but also what they mean for us today in the broad horizon of our intellectual traditions and cultural heritage.

This series offers central philosophical treatises of Aquinas in new, state-of-the-art translations distinguished by their accuracy and use of clear and nontechnical modern vocabulary. Annotation and commentary accessible to undergraduates make the series an ideal vehicle for the study of Aquinas by readers approaching him from a variety of backgrounds and interests.

This book offers a novel account of Aquinas's theory of the human act. It argues that Aquinas takes a human act to be a composite of two power-exercises, where one relates to the other as form to matter. The formal component is an act of the will, and the material component is a power-exercise caused by the will, which Aquinas refers to as the 'commanded act.' The book also argues that Aquinas conceptualizes the act of free choice as a hylomorphic composite: it is, materially, an act of the will, but it inherits a form from reason. As the book aims to show, the core idea of Aquinas's hylomorphic action theory is that the exercise of one power can structure the exercise of another power, and this provides a helpful way to think of the presence of cognition in conation and of intention in bodily movement.

The Late Scholastics, writing in Europe in the Baroque and Early Modern periods, discussed a wide variety of moral questions relating to political life in times of both peace and war. Is it ever permissible to bribe voters? Can tax evasion be morally justified? What are the moral duties of artists? Is it acceptable to fight in a war one believes to be unjust? May we surrender innocents to the enemy if it is necessary to save the state? These questions are no less relevant for philosophers and politicians today than they were for late scholastic thinkers. By bringing into play the opinions and arguments of numerous authors, many of them little known or entirely forgotten, this book is the first to provide an in-depth treatment of the dynamic and controversial nature of late scholastic applied moral thinking which demonstrates its richness and diversity.

This collection of readings with extensive editorial commentary brings together key texts of the most influential philosophers of the medieval era to provide a comprehensive introduction for students of philosophy.
Features the writings of Augustine, Thomas Aquinas, Boethius, John Duns Scotus and other leading medieval thinkers
Features several new translations of key thinkers of the medieval era, including John Buridan and Averroes
Readings are accompanied by expert commentary from the editors, who are leading scholars in the field

This book describes how and why the early modern period witnessed the marginalisation of astrology in Western natural philosophy, and the re-adoption of the cosmological view of the existence of a plurality of worlds in the universe, allowing the possibility of extraterrestrial life. Founded in the mid-1990s, the discipline of astrobiology combines the search for extraterrestrial life with the study of terrestrial biology - especially its origins, its evolution and its presence in extreme environments. This book offers a history of astrobiology's attempts to understand the nature of life in a larger cosmological context. Specifically, it describes the shift of early modern cosmology from a paradigm of celestial influence to one of celestial inhabitation. Although these trends are regarded as consequences of Copernican cosmology, and hallmarks of a modern world view, they are usually addressed separately in the historical literature. Unlike others, this book takes a broad approach that examines the relationship of the two. From Influence to Inhabitation will benefit both historians of astrology and historians of the extraterrestrial life debate, an audience which includes researchers and advanced students studying the history and philosophy of astrobiology. It will also appeal to historians of natural philosophy, science, astronomy and theology in the early modern period.

This book examines tragedy and tragic philosophy from the Greeks through Shakespeare to the present day. It explores key themes in the links between suffering and ethics through postcolonial literature. Ato Quayson reconceives how we think of World literature under the singular and fertile rubric of tragedy. He draws from many key works - Oedipus Rex, Philoctetes, Medea, Hamlet, Macbeth, and King Lear - to establish the main contours of tragedy. Quayson uses Shakespeare's Othello, Chinua Achebe, Wole Soyinka, Tayeb Salih, Arundhati Roy, Toni Morrison, Samuel Beckett and J.M. Coetzee to qualify and expand the purview and terms by which Western tragedy has long been understood. Drawing on key texts such as The Poetics and The Nicomachean Ethics, and augmenting them with Frantz Fanon and the Akan concept of musuo (taboo), Quayson formulates a supple, insightful new theory of ethical choice and the impediments against it. This is a major book from a leading critic in literary studies.

The Routledge Guidebook to Aquinas' Summa Theologiae introduces readers to a work which represents the pinnacle of medieval Western scholarship and which has inspired numerous commentaries, imitators, and opposing views. Outlining the main arguments Aquinas utilizes to support his conclusions on various philosophical and theological questions, this clear and comprehensive guide explores: the historical context in which Aquinas wrote a critical discussion of the topics outlined in the text including theology, metaphysics, epistemology, psychology, ethics, and political theory the ongoing influence of the Summa Theologiae in modern philosophy and theology. Offering a close reading of the original work, this guidebook highlights the central themes of Aquinas' masterwork and is an essential read for anyone seeking an understanding of this highly influential work in the history of philosophy.

William of Ockham (d. 1347) was among the most influential and the most notorious thinkers of the late Middle Ages. In the twenty-seven questions translated in this volume, most never before published in English, he considers a host of theological and philosophical issues, including the nature of virtue and vice, the relationship between the intellect and the will, the scope of human freedom, the possibility of God's creating a better world, the role of love and hatred in practical reasoning, whether God could command someone to do wrong, and more. In answering these questions, Ockham critically engages with the ethical thought of such predecessors as Aristotle, Augustine, Thomas Aquinas, and John Duns Scotus. Students and scholars of both philosophy and historical theology will appreciate the accessible translations and ample explanatory notes on the text.

Althusius's "Politics Methodically Set Forth and Illustrated with Sacred and Profane Examples", known today simply as "Politica" or Althusius's "Politics", was originally published in Germany in 1603. Professor Carney's translation, which first appeared in 1964, represents the first attempt to present the basic structure of Althusius's political thought in English. "Politica" is now recognised as an extraordinary contribution to the intellectual history of the West. It combines ancient and medieval political philosophy with Reformation theory, and is considered a bridge between the political wisdom of the ancients and the moderns. Friedrich thought Althusius was the most profound political thinker between Bodin and Hobbes. Drawing deeply from Aristotle and Biblical teaching, "Politica" presents a unique vision of the commonwealth as a harmonious ordering of natural associations. According to Althusius, the purpose of the state is to protect and encourage social life. The family is the most natural of human associations, and all other unions derive from it. Power and authority properly grow from more local to more general associations. Each higher union must protect the associations that compose it, seeing to it that all of them are able to carry out the purposes for which they were established. The highest purpose of human association is devotion to God, which the state must encourage, but which properly is the province of a higher religious authority. Of particular interest to the modern reader is Althusius's theory of federalism. It does not refer merely to a division of powers between central and state governments, but to an ascending scale of authority in which higher institutions rely on the consent of local and voluntary associations.

In this book, Travis DeCook explores the theological and political innovations found in early modern accounts of the Bible's origins. In the charged climate produced by the Reformation and humanist historicism, writers grappled with the tension between the Bible's divine and human aspects, and they produced innovative narratives regarding the agencies and processes through which the Bible came into existence and was transmitted. DeCook investigates how these accounts of Scripture's production were taken up beyond the expected boundaries of biblical study, and were redeployed as the theological basis for wide-reaching arguments about the proper ordering of human life. DeCook provides a new, critical perspective on ideas regarding secularity, secularization, and modernity, challenging the dominant narratives regarding the Bible's role in these processes. He shows how these engagements with the Bible's origins prompt a rethinking of formulations of secularity and secularization in our own time.