Medieval Considerations of Incest, Marriage, and Penance focuses on the incest motif as used in numerous medieval narratives. Explaining the weakness of great rulers, such as Charlemagne, or the fall of legendary heroes, such as Arthur, incest stories also reflect on changes to the sacramental regulations and practices related to marriage and penance. Such changes demonstrate the Church's increasing authority over the daily lives and relationships of the laity. Treated here are a wide variety of medieval texts, using as a central reference point Philippe de Remi's thirteenth-century La Manekine, which presents one lay author's reflections on the role of consent in marriage, the nature of contrition and forgiveness, and even the meaning of relics. Studying a variety of genres including medieval romance, epic, miracles, and drama along with modern memoirs, films, and novels, Linda Rouillard emphasizes connections between medieval and modern social concerns. Rouillard concludes with a consideration of the legacy of the incest motif for the twenty-first century, including survivor narratives, and new incest anxieties associated with assisted reproductive technology.

More than any other topic, prophecy represents the point at which the Divine meets the human, the Absolute meets the relative. How can a human being attain the Word of God? In what manner does God, when conceived as eternal and transcendent, address corporeal, transitory creatures? What happens to God's divine Truth when it is beheld by minds limited in their power to apprehend, and influenced by the intellectual currents of their time and place? How were these issues viewed by the great Jewish philosophers of the past, who took the divine communication and all it entails seriously, while at the same time desired to understand it as much as humanly possible in the course of dealing with a myriad of other issues that occupied their attention?

This book offers an in-depth study of prophecy in the thought of seven of the leading medieval Jewish philosophers: R. Saadiah Gaon, R. Judah Halevi, Maimonides, Gersonides, R. Hasdai Crescas, R. Joseph Albo and Baruch Spinoza. It attempts to capture the original voice' of these thinkers by looking at the intellectual milieus in which they developed their philosophies, and by carefully analyzing their views in their textual contexts. It also deals with the relation between the earlier approaches and the later ones. Overall, this book presents a significant model for narrating the history of an idea.

This book concerns the nature of time and ordinary cases of persistence in Spinoza. The author argues for three major interpretive claims. First, that Spinoza is committed to an eternalist theory of time whereby all things (whether they seem to be past, present, or future) are equally real. Second, that a mode's conatus or essence is a self-maintaining activity (not an inertial force or disposition.) Third, that modes persist through time in Spinoza's metaphysics by having temporal parts (that is, different parts at different times.) If the author is correct, then a significant reinterpretation of Spinoza's modal metaphysics is required. The book also puts Spinoza into dialogue with some recent work in analytic metaphysics.

The essays in this book give the first comprehensive picture of the medieval development of philosophical theories concerning the nature of emotions and the influence they have on human choice. The historical span reaches from the late ancient to the early modern philosophy, showing in detail how old and new ideas were bred and brought into the Middle Ages, and how they resulted in a genuinely modern perspective in the thought of Descartes.

The Middle Ages saw a great flourishing of philosophy. Now, to help students and researchers make sense of the gargantuan-and, often, dauntingly complex-body of literature on the main traditions of thinking that stem from the Greek heritage of late antiquity, this new four-volume collection is the latest addition to Routledge's acclaimed Critical Concepts in Philosophy series. Christina Van Dyke of Calvin College, USA, and an editor of the Cambridge History of Medieval Philosophy, has carefully assembled classic contributions, as well as more recent work, to create a one-stop 'mini library' of the best and most influential scholarship. With a comprehensive index and a useful synoptic introduction newly written by the editor, Medieval Philosophy will be welcomed as an indispensable resource for reference and research.

In this powerfully argued book, Knasas engages a debate at the heart of the revival of Thomistic thought in the twentieth century. Richly detailed and illuminating, his book calls on the tradition established by Gilson, Maritain, and Owen, to build a case for Existential Thomism as a valid metaphysics.Being and Some Twentieth-Century Thomists is a comprehensive discussion of the major issues and controversies in neo-Thomism, including issues of mind, knowledge, the human subject, free will, nature, grace, and the act of being. Knasas also discusses the Transcendental Thomism of Marchal, Rahner, Lonergan, and others as he builds a carefully articulated case for completing the Thomist revival.

What had to happen so that the Middle Ages could come to pass? This book traces the transition from antiquity to the medieval period through the spiritual development of Augustine. The philosopher and rhetoriciana (TM)s change to priest, bishop, and, finally, church father gives a face and vivid story of lived philosophy to the decline of roman antiquity.

In discussions of the works of Donne, Milton, Marvell, and Bunyan, Early Modern Asceticism shows how conflicting approaches to asceticism animate depictions of sexuality, subjectivity, and embodiment in early modern literature and religion. The book challenges the perception that the Renaissance marks a decisive shift in attitudes towards the body, sex, and the self. In early modernity, self-respect was a Satanic impulse that had to be annihilated - the body was not celebrated, but beaten into subjection - and, feeling circumscribed by sexual desire, ascetics found relief in pain, solitude, and deformity. On the basis of this austerity, Early Modern Asceticism questions the ease with which scholarship often elides the early and the modern.

Augustine identified reason and authority as complementary ways of learning the truth, and he employed both to explore such perennial questions as the rationality of faith, the nature of the good life, the problem of evil, and the relation of God and the soul. Eight writings of Augustine represent his application of these two methods to these four topics: On the True Religion, On the Nature of Good, On Free Choice of the Will, On the Teacher, On the Usefulness of Believing, On the Good of Marriage, Enchiridion, and Confessions. In Reason, Authority, and the Healing of Desire in the Writings of Augustine, Mark Boone explains Augustine's theology of desire in this cross-section of his works. Throughout his writings and in many ways, Augustine develops a Platonically informed, yet distinctively Christian account of desire. Human desire should respond to the goodness inherent in things, loving the greatest good above all and great goods more than lesser goods. Above all, we should love God and souls. Sin, an inappropriate desire for lesser goods, is healed by the redemption of Christ.

The thirteenth-century allegorical dream vision, the Roman de la Rose, transformed how medieval literary texts engaged with philosophical ideas. Written in Old French, its influence dominated French, English and Italian literature for the next two centuries, serving in particular as a model for Chaucer and Dante. Jean de Meun's section of this extensive, complex and dazzling work is notable for its sophisticated responses to a whole host of contemporary philosophical debates. This collection brings together literary scholars and historians of philosophy to produce the most thorough, interdisciplinary study to date of how the Rose uses poetry to articulate philosophical problems and positions. This wide-ranging collection demonstrates the importance of the poem for medieval intellectual history and offers new insights into the philosophical potential both of the Rose specifically and of medieval poetry as a whole.

the "Third Humanism" is a term signifying the holistic, national pedagogical movement in reaction to the criticism of modernity in the legacy of Nietzsche. A new meaning for the present and a future "Germanness" was to arise on the basis of a vitalistically understood philhellenism or "Greekness" through the amalgamation of aesthetic, culture-critical and political considerations, conveyed through a humanistic paedeia. Due to its reference to the paradigms of the period around 1800, this "Third Humanism" is part of the reception history of Weimar classicism; due to its provision of possible links to Nazi educational policy it belongs to the mental prehistory of the "Third Reich."

Wer sich ernsthaft mit der Philosophie beschaftigt, wird sich immer auch fur ihre Geschichte und all die Schatze interessieren, die sie seit ihren Anfangen im antiken Griechenland fur uns bereithalt. Diese kleine Einfuhrung bietet deshalb einen knappen und dennoch vollstandigen, dabei aber leicht verstandlichen UEberblick uber zweitausendfunfhundert Jahre europaischer Philosophiegeschichte. In funf Kapiteln werden sowohl die Hauptepochen der philosophischen Entwicklung von der Antike bis zur Gegenwart und die grossen philosophischen Zusammenhange als auch die massgebenden Persoenlichkeiten vorgestellt, die das philosophische Denken bis heute pragen. Das Schlusskapitel zeigt, dass die philosophische Tradition weiterhin lebendig ist und auch kunftig nicht uberholt sein wird.

Peter Adamson explores the rich intellectual history of the Byzantine Empire and the Italian Renaissance. Peter Adamson presents an engaging and wide-ranging introduction to the thinkers and movements of two great intellectual cultures: Byzantium and the Italian Renaissance. First he traces the development of philosophy in the Eastern Christian world, from such early figures as John of Damascus in the eighth century to the late Byzantine scholars of the fifteenth century. He introduces major figures like Michael Psellos, Anna Komnene, and Gregory Palamas, and examines the philosophical significance of such cultural phenomena as iconoclasm and conceptions of gender. We discover the little-known traditions of philosophy in Syriac, Armenian, and Georgian. These chapters also explore the scientific, political, and historical literature of Byzantium. There is a close connection to the second half of the book, since thinkers of the Greek East helped to spark the humanist movement in Italy. Adamson tells the story of the rebirth of philosophy in Italy in the fifteenth and sixteenth centuries. We encounter such famous names as Christine de Pizan, Niccolo Machiavelli, Giordano Bruno, and Galileo, but as always in this book series such major figures are read alongside contemporaries who are not so well known, including such fascinating figures as Lorenzo Valla, Girolamo Savonarola, and Bernardino Telesio. Major historical themes include the humanist engagement with ancient literature, the emergence of women humanists, the flowering of Republican government in Renaissance Italy, the continuation of Aristotelian and scholastic philosophy alongside humanism, and breakthroughs in science. All areas of philosophy, from theories of economics and aesthetics to accounts of the human mind, are featured. This is the sixth volume of Adamson's History of Philosophy Without Any Gaps, taking us to the threshold of the early modern era.

Scholars have often been quick to acknowledge Thomas Aquinas's distinctive retrieval of Aristotle's Greek philosophical heritage. Often lagging, however, has been a proper appreciation of both his originality and indebtedness in appropriating the great theological insights of the Greek Fathers of the Church. In a similar way to his integration of the Aristotelian philosophical corpus, Aquinas successfully interwove the often newly received and translated Greek patristic sources into a thirteenth-century theological framework, one dominated by the Latin Fathers. His use of the Greek Fathers definitively shaped his exposition of sacra doctrina in the fundamental areas of God and creation, Trinitarian theology, the moral life, and Christ and the Sacraments. For the sake of filling this lacuna and of piquing scholarly interest in Aquinas's relation to the Fathers of the Christian East, the Aquinas Center for Theological Renewal at Ave Maria University and the Thomistic Institute of the Pontifical Faculty of the Immaculate Conception at the Dominican House of Studies co-sponsored an international gathering of scholars that took place at Ave Maria University under the title Thomas Aquinas and the Greek Fathers. Sensitive to the commonalities and the differences between Aquinas and the Greek Fathers, the essays in this volume have sprung from the theme of this conference and offer a harvest of some of the conference's fruits. At long last, scholars have a rich volume of diverse, penetrating essays that both underscore Aquinas's unique standing among the Latin scholastics in relationship to the Greek Fathers and point the way toward avenues of further study.

The volume is inspired by Gilles Deleuze's philosophical project, which builds on the critique of European Humanism and opens up inspiring new perspectives for the renewal of the field. The book gathers leading scholars in the field of Deleuze, while also bringing together scholars from Europe and North America (the West), as well from Asia (the East), in order to create a lively academic debate, and contribute to the growth and expansion of the field. it provides both critical and creative insights into some key issues in contemporary social and political thought. More specifically, the volume hopes to start a critical evaluation of the reception and creative adaptation of Deleuze and of other Continental philosophers in the Austral-Asian region, with special focus on China.

The author analyzes "old masteries," certain notions of freedom, individualism, and control long associated with the Renaissance, in relation to the ideologies of non-mastery that recur in theory today.

The Cambridge History of Renaissance Philosophy offers a balanced and comprehensive account of philosophical thought from the middle of the fourteenth century to the emergence of modern philosophy at the turn of the seventeenth century. The Renaissance has attracted intense scholarly attention for over a century, but in the beginning the philosophy of the period was relatively neglected and this is the first volume in English to synthesize for a wider readership the substantial and sophisticated research now available. The volume is organized by branch of philosophy rather than by individual philosopher or by school. The intention has been to present the internal development of different aspects of the subject in their own terms and within their historical context. This structure also emphasizes naturally the broader connotations of "philosophy" in that intellectual world.

In 1580 Michel de Montaigne (1533-1592) presented a literary project to the public the type of wich had never before been introduced- a collection of Essays with himself as subject. Never before had a writer attempted a literary self-portrait, and in so doing Montaigne named and defined a new literary form, the essay. Brush's critical study of Essays examines the complex process of writing a self-portrait and showing the ways in which it is an entirely differnt enterprise from writing an autobiography. The author discusses how Montaigne revealed his "mind in motion," and the most remarkable feature of that mind, skepticism. He treats Montaigne's development of a conversational voice and explicates how Montaigne's intense self-examination became an evolutionary process which had consequences in his life and literature. The work concludes with a discussion of how Montaigne's self-assigned task of introspection included the formulation of a view of humanity and its ethics. Brush's work fills a gap in scholarship by critically examining the essential loci of the Essays, namely, the creation of a literary self-portrait. The book makes its points convincingly because of Brush's intimacy and command of the essays. Montaigne's works are cited in English translation, and the subject is presented in terms accessible to the non-specialist.