Creative force or creative shaping?

This unprecedented effort to plumb the workings of the ontopoiesis of life by disentangling its primordial forces and shaping devices as they enter into the originary matrixes of life yields fascinating insights.

Prepared by the investigation of the first two matrixes (the womb of life' and sharing-in-life', Analecta Husserliana Volume 74) the present collection of essays focuses upon the third and crowning creative matrix, Imaginatio Creatrix here proves itself to be the source and driving force which brings us to the origins of the human mind - human life.
Studies by: Elof Axel Carlson, A-T. Tymieniecka, N. Milkov, Eldon C. Wait, K. Rokstad, M. Golaszewska, M. Kule, W. Kim Rogers, Piotr Mroz, R. Pinilla Burgos, A. Carrillo Canan, G.R. Ronsivalle, J.E. Smith, A. Pawliszyn, A. Rizzacasa, L. Galzigna and M. Galzigna, Jiro Watanabe, M. Jakubczak, K. Tarnowski, M. Durst, W. Pawliszyn, R.A. Kurenkova, Carmen Cozma, E. Supinska-Polit, I.S. Fiut, Gerald Nyenhuis, Osvaldo Rossi, R.D. Sweeney, and D. Ulicka. "

Ludwig Wittgenstein's writings inspired contemporary philosophical thinking and advanced many issues that had been addressed by traditional philosophy. The questions raised by the Viennese philosopher initiated debates on a reconsideration of philosophical terminology. This is especially true for a term that has generated at least three significant controversies since its creation and will probably generate more disputes in the following years. It is the expression "form(s) of life" which translates into German as "Lebensform(en)" and "Form des Lebens". The present volume contains contributions on forms of life, language games and the influence of Wittgenstein's philosophy on other scholears.

Does scepticism threaten our common sense picture of the world? Does it really undermine our deep-rooted certainties? Answers to these questions are offered through a comparative study of the epistemological work of two key figures in the history of analytic philosophy, G. E. Moore and Ludwig Wittgenstein.

This is a pioneering cognitive psychological study of Ayahuasca, a plant-based Amazonian psychotropic brew. Benny Shanon presents a comprehensive charting of the various facets of the special state of mind induced by Ayahuasca, and analyzes them from a cognitive psychological perspective. He also presents some philosophical reflections. Empirically, the research presented in this book is based on the systematic recording of the author's extensive experiences with the brew and on the interviewing of a large number of informants: indigenous people, shamans, members of different religious sects using Ayahuasca, and travellers. In addition to its being the most thorough study of the Ayahuasca experience to date, the book lays the theoretical foundations for the psychological study of non-ordinary states of consciousness in general.

An important contribution to the burgeoning field of the ethics of recognition, this book examines the contradictions inherent in the very concept of intimacy. Working with a wide variety of philosophical and literary sources, it warns against measuring our relationships against ideal standards, since there is no consummate form of intimacy. After analyzing ten major ways that we aim to establish intimacy with one another, including gift-giving, touching, and fetishes, the book concludes that each fails on its own terms, since intimacy wants something that is impossible. The very concept of intimacy is a superlative one; it aims not just for closeness, but for a closeness beyond closeness. Nevertheless, far from a pessimistic diagnosis of the human condition, this is a meditation on how to live intimately in a world in which intimacy is impossible. Rather than contenting itself with a deconstructive approach, it proposes to treat intimacy dialectically. For all its contradictions, it shows intimacy is central to how we understand ourselves and our relations to others.

What does it mean for ethics to say, as Wittgenstein did, that philosophy "leaves everything as it is"? Though clearly absorbed with ethical questions throughout his life and work, Wittgenstein's remarks about the subject do not easily lend themselves to summation or theorizing. Although many moral philosophers cite the influence or inspiration of Wittgenstein, there is little agreement about precisely what it means to do ethics in the light of Wittgenstein. Ethics after Wittgenstein brings together an international cohort of leading scholars in the field to address this problem. The chapters advance a conception of philosophical ethics characterized by an attention to detail, meaning and importance which itself makes ethical demands on its practitioners. Working in conversation with literature and film, engaging deeply with anthropology and critical theory, and addressing contemporary problems from racialized sexual violence against women to the Islamic State, these contributors reclaim Wittgenstein's legacy as an indispensable resource for contemporary ethics.

"Philosophy and the Neurosciences" is the first systematic integration of philosophy of mind and philosophy of science with neuroscience research. As philosophers have come to focus more and more on the relationship between mind and brain, they have had to take greater account of theory and research in the neurosciences. Likewise, as neuroscientists have learned more about cognitive structures and functions, their investigations have expanded and merged with traditional questions from the philosophy of mind.

By introducing key themes in philosophy of mind, philosophy of science and the fundamental concepts of neuroscience, this text provides philosophers with the necessary background to engage the neurosciences and offers neuroscientists an introduction to the relevant tools of philosophical analysis. Study questions, figures, and references to further reading are provided in each chapter to enhance the reader's understanding of how philosophy and the neurosciences are related in their exploration of the human mind.

During its century-long unfolding, spreading in numerous directions, Husserlian phenomenology while loosening inner articulations, has nevertheless maintained a somewhat consistent profile. As we see in this collection, the numerous conceptions and theories advanced in the various phases of reinterpretations have remained identifiable with phenomenology.

What conveys this consistency in virtue of which innumerable types of inquiry-scientific, social, artistic, literary may consider themselves phenomenological?

Is it not the quintessence of the phenomenological quest, namely our seeking to reach the very foundations of reality at all its constitutive levels by pursuing its logos? Inquiring into the logos of the phenomenological quest we discover, indeed, all the main constitutive spheres of reality and of the human subject involved in it, and concurrently, the logos itself comes to light in the radiation of its force (Tymieniecka).

"This is the first volume of its kind to analyze the impact that theories and practices of imaging have had on a variety of fields. It draws on an impressive range of philosophical approaches, from analytic, to pragmatic, to phenomenological -- concluding that imaging is developing a social and cultural impact comparable to language"--Provided by publisher.

In this remarkable book, Joseph Margolis, one of America's leading and most celebrated philosophers, examines the relationship between two apparently contradictory philosophical tendencies - realism and relativism. In order to examine the relationship between the two, Margolis establishes a taxonomy of different kinds of realism and different kinds of relativism. Drawing on both the analytic and Continental traditions, he examines (from a pragmatic point of view) the various relationships between these two tendencies in the light of two major developments in modern philosophy - the concern for praxis and the concern for historicity. Twenty years after it was first published to great acclaim, Margolis has updated "Pragmatism Without Foundations" in the light of his most recent work and the development of pragmatism in the intellectual world. This second edition includes an updated preface and a brand new epilogue addressing these developments and their implications for his earlier work.

Pynchon and Philosophy radically reworks our readings of Thomas Pynchon alongside the theoretical perspectives of Wittgenstein, Foucault and Adorno. Rigorous yet readable, Pynchon and Philosophy seeks to recover philosophical readings of Pynchon that work harmoniously, rather than antagonistically, resulting in a wholly fresh approach. Dr. Martin Paul Eve is a lecturer in literature at the University of Lincoln, UK. In addition to editing the open access journal of Pynchon Studies, Orbit, he has work published or forthcoming in Textual Practise, Neo-Victorian Studies, C21, Pynchon Notes and several edited collections. This book was originally published with exclusive rights reserved by the Publisher in (2014) and was licensed as an open access publication in [SEPTEMBER 2021] under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license if changes were made. This is an open access book.

This book is the first volume to bring together the most prominent scholars who work on Slavoj i ek's philosophy, examining and interrogating his understanding of dialectical materialism. It deserves to be thoroughly and systematically elaborated because it attempts to propose a new foundation for dialectical materialism.

Crossing the boundaries between 'continental' and 'analytic' philosophical approaches, this book proposes a naturalistic revision of the mathematical ontology of Alain Badiou, establishing links with structuralist projects in the philosophy of science and mathematics.

Nicholas Rescher has enjoyed a long and distinguished career in philosophy, writing on many different areas from logic to philosophy of language, epistemology, pragmatism, ethics and political philosophy, and metaphilosophy. Reason, Method, and Value: A Reader on the Philosophy of Nicholas Rescher offers a selection of Rescher's writings over a span of decades representing the core of his prodigious research interests in six key areas. Each section of the *Reader* is accompanied by a compact critical introduction written by a leading philosophical scholar with spezial expertise in Rescher's philosophy, and the volume opens with an appreciative introduction written by the editor and a concluding retrospective by Rescher, looking back over his oeuvre and explaining connecting themes and the unity of system contained in this extensive body of work. Taken together, the volume encapsulates the heart of Rescher's impressive lifelong contributions to philosophy between two covers, in a single volume that provides a solid overview of his thought while serving to direct readers to the corpus of Rescher's writings for amore complete picture.

A world ever more extensively interlinked is calling out for serving human interests broader and more compelling than those inspiring our technological welfare. The interface between cultures - at the moment especially between the Occident and Islam - presents challenges to mutual understandings and calls for restoring the resources of our human beings forgotten in the struggle of competition and rivalry at the vital spheres of existence. In the evolutionary progress of the living beings the strictly vital concerns, emotions, attributes become sublimed and elevated to the spiritual sphere at which human beings encounter each other and share. Studies presented here bring forth sublimity, generosity, forgiveness, beauty, and are exalting the quest after ciphers and symbols which lead to our sharing the common deepest stream of fraternal reality.

"Hegel and scepticism" remains an intriguing topic directly concerning the logical and methodological core of Hegel's system. A series of contributions is unfolding around a keynote paper by Klaus Vieweg, which tries to understand and restate the limits and the content of the relationship between Hegels philosophy and scepticism. Various Hegel readers with different concerns are dealing with Hegel's strategy in a large range of theoretical areas.

Written by an experienced drummer and philosopher, "Groove" is a vivid and exciting study of one of music's most central and relatively unexplored aspects. Tiger C. Roholt explains why grooves, which are forged in music's rhythmic nuances, remain hidden to some listeners. He argues that grooves are not graspable through the intellect nor through mere listening; rather, grooves are disclosed through our "bodily "engagement with music. We grasp a groove bodily by moving with music's pulsations. By invoking the French philosopher Maurice Merleau-Ponty's notion of "motor intentionality," Roholt shows that the "feel" of a groove, and the understanding of it, are two sides of a coin: to "get" a groove just is to comprehend it bodily and to feel that embodied comprehension.

The digital age we now live in is fundamentally changing how we relate to our perceptions and images. Daniel O'Shiel provides the first comprehensive phenomenology of virtual technology in order to show how the previously well-established experiential lines and structures between three basic categories of phenomenal experience - our everyday perceptions of reality; our everyday fantasies of irreality; and our everyday engagements with external images, not least digital ones - are becoming blurred, inverted or are even collapsing in a new era where a specific type of virtuality is coming to the fore. O'Shiel examines in depth just what this means for the phenomenology behind it, as well as the concrete practical consequences going forward. The work is divided into two main parts. In the first O'Shiel fully investigates the phenomenological natures of perception and imagination through close textual analyses of the relevant works by Edmund Husserl, Eugen Fink and Jean-Paul Sartre. In each phenomenologist perception and imagination are ultimately seen as different in kind, although the dividing line differs, especially with reference to a middle category of 'image-consciousness' (Bildbewusstsein). This first part argues for basic phenomenological differences between perceptions; physical and external images; and more mental imagery, while also allowing for a more general gradation between them. The second part then applies these theoretical findings to some of the most influential 'virtual technologies' today - social media; online gaming; and some virtual, augmented and mixed reality technologies - in order to show how previously clear categories of real and irreal, present and absent, genuine and fake, and even true and false, are becoming less so.

This volume illustrates the relevance of phenomenology to a range of contemporary concerns. Displaying both the epistemological rigor of classical phenomenology and the empirical analysis of more recent versions, its chapters discuss a wide range of issues from justice and value to embodiment and affectivity. The authors draw on analytic, continental, and pragmatic resources to demonstrate how phenomenology is an important resource for questions of personal existence and social life. The book concludes by considering how the future of phenomenology relates to contemporary philosophy and related academic fields.

This book offers a definition of the fantastic that establishes it as a discourse in constant intertextual relation with the construct of reality. In establishing the definition of the fantastic, leading scholar David Roas selects four central concepts that allow him to chart a fairly clear map of this terrain: reality, the impossible, fear, and language. These four concepts underscore the fundamental issues and problems that articulate any theoretical reflection on the fantastic: its necessary relationship to an idea of the real, its limits, its emotional and psychological effects on the receiver and the transgression of language that is undertaken when attempting to express what is, by definition, inexpressible as it is beyond the realms of the conceivable. By examining such concepts, the book explores multiple perspectives that are clearly interrelated: from literary and comparative theory to linguistics, via philosophy, science and cyberculture.

This highly personal account of a lifetime's spiritual and philosophical enquiry charts the author's journey of faith through contemporary culture. Distinguishing between what she posits as the 'universal' and the 'rhapsodic' "logos," Tymieniecka interrogates concepts as varied as creativity and the media, joy and suffering, and truth and ambiguity. She contemplates the possibilities and limits of communication between human beings, and outlines what she calls the 'transnatural destiny' of the human soul.

The book asserts that unlike theory, which unfolds a logical continuity, and unlike dialogue, which is directed sequentially upward toward intellectual conclusions, the mode of reflection of the 'rhapsodic logos' imposes no limits or caps upon its understanding. Instead, the 'logoic' flow interlaces the rhapsodic cadences of our reflections on reality, in all their innumerable fluctuations, and sifts them to mold the intimate mind/soul inwardness that we experience as faith.

The radiative meditations of this 'rhapsodic logos' weave their way through the entanglements of the mystery of incarnation, the constitutive archetypes, the inwardly sacred, the transnatural destiny of the soul, and finally ascend the rhapsodic scales toward culminating faith in the Christo-Logos."

This book examines the various encounters between Jean-Luc Marion and Jacques Derrida on "the gift," considers their many differences on "desire," and demonstrates how these topics hold the keys to some of phenomenology's most pressing structural questions, especially regarding "deconstructive" approaches within the field. The book claims that the topic of desire is a central lynchpin to understanding the two thinkers' conflict over the gift, for the gift is reducible to the "desire to give," which initiates a turn to the topic of "generosity." To what degree might loving also imply giving? How far might it be suggested that love is reducible to desire and intentionality? It is demonstrated how Derrida (the generative "father" of deconstruction) rejects the possibility of any potential relation between the gift and desire on the account that desire is bound to calculative repetition, economical appropriation, and subject-centered interests that hinder deconstruction. Whereas Marion (a representative of the phenomenological tradition) demands a unique union between the gift and desire, which are both represented in his "reduction to givenness" and "erotic reduction." The book is the first extensive attempt to contextualize the stark differences between Marion and Derrida within the phenomenological legacy (Husserl, Heidegger, Kant), supplies readers with in-depth accounts of the topics of the gift, love, and desire, and demonstrates another means through which the appearing of phenomena might be understood, namely, according to the generosity of things.