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Books > Music > Musical instruments & instrumental ensembles > Wind instruments
This is the first in-depth survey of the oboe during its Golden Age, tracing the history of the instrument from its invention through its many mutations as it adapted to the changing demands of composers. The author describes in detail the instruments, players, makers, and composers, how and where it was played, and who listened to it.
During America's Swing Era, no musician was more successful or
controversial than Artie Shaw: the charismatic and opinionated
clarinetist-bandleader whose dozens of hits became anthems for "the
greatest generation." But some of his most beautiful recordings
were not issued until decades after he'd left the scene. He broke
racial barriers by hiring African American musicians. His frequent
"retirements" earned him a reputation as the Hamlet of jazz. And he
quit playing for good at the height of his powers. The handsome
Shaw had seven wives (including Lana Turner and Ava Gardner).
Inveterate reader and author of three books, he befriended the
best-known writers of his time. Tom Nolan, who interviewed Shaw
between 1990 and his death in 2004 and spoke with one hundred of
his colleagues and contemporaries, captures Shaw and his era with
candor and sympathy, bringing the master to vivid life and
restoring him to his rightful place in jazz history. Originally
published in hardcover under the title Three Chords for Beauty's
Sake.
This is the first biography of the jazz trumpeter Lee Morgan
(1938-72). He was a prodigy: recruited to Dizzy Gillespie's big
band while still a teenager, joining Art Blakey's Jazz Messengers
not much after, by his early-20s Morgan had played on four
continents and dozens of albums. The trumpeter would go on to
cultivate a personal and highly influential style, and to make
records - most notably "The Sidewinder" - which would sell amounts
almost unheard of in jazz. While what should have been Morgan's
most successful years were hampered by a heroin addiction, the
ascendant black liberation movement of the late-60s gave the
musician a new, political impulse, and he returned to the jazz
scene to become a vociferous campaigner for black musicians' rights
and representation. But Morgan's personal life remained troubled,
and during a fight with his girlfriend at a New York club, he was
shot and killed, aged 33.
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The Oboe
(Paperback)
Geoffrey Burgess, Bruce Haynes
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R814
Discovery Miles 8 140
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Ships in 10 - 15 working days
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The oboe, including its earlier forms the shawm and the hautboy, is
an instrument with a long and rich history. In this book two
distinguished oboist-musicologists trace that history from its
beginnings to the present time, discussing how and why the oboe
evolved, what music was written for it, and which players were
prominent. Geoffrey Burgess and Bruce Haynes begin by describing
the oboe's prehistory and subsequent development out of the shawm
in the mid-seventeenth century. They then examine later stages of
the instrument, from the classical hautboy to the transition to a
keyed oboe and eventually the Conservatoire-system oboe. The
authors consider the instrument's place in Romantic and Modernist
music and analyze traditional and avant-garde developments after
World War II. Noting the oboe's appearance in paintings and other
iconography, as well as in distinctive musical contexts, they
examine what this reveals about the instrument's social function in
different eras. Throughout the book they discuss the great
performers, from the pioneers of the seventeenth century to the
traveling virtuosi of the eighteenth, the masters of the romantic
period and the legends of the twentieth century such as Gillet,
Goossens, Tabuteau, and Holliger. With its extensive illustrations,
useful technical appendices, and discography, this is a
comprehensive and authoritative volume that will be the essential
companion for every woodwind student and performer.
Teachers and flutists at all levels have praised Nancy Toff's The
Flute Book, a unique one-stop guide to the flute and its music.
Organized into four main parts-The Instrument, Performance, The
Music, and Repertoire Catalog-the book begins with a description of
the instrument and its making, offers information on choosing and
caring for a flute, sketches a history of the flute, and discusses
differences between members of the flute family. In the Performance
section, readers learn about breathing, tone, vibrato,
articulation, technique, style, performing, and recording. In the
extensive analysis of flute literature that follows, Toff places
individual pieces in historical context. The book ends with a
comprehensive catalog of solo and chamber repertoire, and includes
appendices with fingering charts as well as lists of current flute
manufacturers, repair shops, sources for flute music and books, and
flute clubs and related organizations worldwide. In this Third
Edition, Toff has updated the book to reflect technology's
advancements-like new digital recording technology and recordings'
more prevalent online availability-over the last decade. She has
also accounted for new scholarship on baroque flutes; recent
developments like those of the contrabass flute, quarter-tone
flute, and various manufacturing refinements and experiments;
consumers' purchase prices for flutes; and an updated repertoire
catalog, index, and appendices.
This book by the former Professor of Flute at the Royal Academy of
Music (1945-1985) and Principal Flute of the Philharmonia Orchestra
(1949-1972) is designed for professional and amateur alike. It
contains detailed instructions for sound production, breath
control, intonation, tonguing, and dynamics and offers sound advice
on phrasing, tone, vibrato, and orchestral playing. There are
annotated fingering charts showing normal fingerings, alternative
fingerings, and trill fingerings, and a concise account of the
history of the instrument. There is a useful repertory list and an
appendix by Sebastian Bell (Principal Flute of the London
Sinfonietta and current Professor of Flute at the RAM) describing
avant-garde techniques.
(Instrumental Folio). This mammoth collection includes instrumental
solos of more than 70 Disney classics: Beauty and the Beast * Can
You Feel the Love Tonight * Friend like Me * It's a Small World *
Mickey Mouse March * A Pirate's Life * Reflection * The Siamese Cat
Song * A Spoonful of Sugar * Trashin' the Camp * Under the Sea *
We're All in This Together * Winnie the Pooh * Written in the Stars
* You've Got a Friend in Me * Zip-A-Dee-Doo-Dah * and dozens more.
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