After the establishment of the Turkish Republic, Turkey's secularized society disdained the ney, the Sufi reed flute long associated with Islam. The instrument's remarkable revival in today's cities has inspired the creation of teaching and learning sites that range from private ney studios to cultural and religious associations and from university clubs to mosque organizations.Banu enay documents the years-long training required to become a neyzen-a player of the ney. The process holds a transformative power that invites students to create a new way of living that involves alternative relationships with the self and others, changing perceptions of the city, and a dedication to craftsmanship. enay visits reed harvesters and travels from studios to workshops to explore the practical processes of teaching and learning. She also becomes an apprentice ney-player herself, exploring the desire for spirituality that encourages apprentices and masters alike to pursue ney music and its scaffolding of Islamic ethics and belief.

Oboe Art and Method is a complete and comprehensive guide to oboe technique. Author Martin Schuring, a veteran oboe performer and instructor, describes in detail all of the basic techniques of playing (breathing, embouchure, finger technique, articulation) and reed making, with expert tips and step-by-step instructions for how best to perform each of these tasks with grace and technical efficiency. Schuring's descriptions are straightforward and articulate, designed to encourage students to focus on the basic techniques of tone production as a springboard for more nuanced artistic development. Key sections address long-tone and scale practice in ways that go beyond advice most teachers will give their pupils, and the author's focus on embouchure development cultivates supported breathing and blowing to help provide the best foundation for aspiring oboists. In addition, he offers chapters on the practicing, instrument care and adjustment, professional development, and career development issues, all designed to help students practice meaningfully and with purpose and guide them throughout their careers with the oboe. A reliable source of practical and time-tested advice, Oboe Art and Technique will appeal to all who teach or are learning to play the oboe, whether at conservatories or in private instruction. A coherent overview of the fundamentals of technique, it will also be a terrific brush-up guide for professionals and amateur enthusiasts alike. _

Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets.
Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them.
Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves--Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music.

Johnny Griffin, the Little Giant from the South Side of Chicago, has remained a top jazz saxophonist throughout his 62-year playing career. He has spent 42 years in Europe and is recognized internationally as a major jazz star with a readily identifiable style, an immense improvisational flair and an unfailing capacity to swing. As jazz writer Brian Priestley has observed: Griffin is one of the fastest and most accurate ever on his instrument. Griffin is an articulate, witty and entertaining conversationalist with an unending flow of anecdotal reminiscences about his days with Lionel Hampton, Art Blakey, Thelonious Monk, Eddie Lockjaw Davis, the Clarke Boland Big Band and the variety of small groups he has fronted over the years. The Little Giant is a light-hearted, irreverent and uninhibited look at the life of one of the most consummate musicians in jazz. Author Mike Hennessey is a jazz critic, producer, broadcaster and pianist. Other books by him include a biography of the late drummer, Kenny Clarke, Klook, and a history of Ronnie Scott's Club, Some of My Best Friends Are Blues. He has covered the international music scene for Billboard magazine for 27 years and he has written more than 500 album notes and hundreds of articles for a wide range of jazz magazines in North America and Europe."

(Music Sales America). The first complete instructional book for the Anglo-chromatic concertina This book assumes no knowledge on the part of the student, taking the beginner from first notes to famous folk melodies. Features easy-to-follow text with clear diagrams.

A carefully graded selection of tuneful pieces for flute and piano including well-crafted arrangements providing practice of the keys, note-ranges and fingering patterns encountered in the early grades. Each volume features a wide range of material, from Purcell to Puccini and from Schubert to Stravinsky. Pieces are presented in chronological order and include the year in which they were written to give a sense of the different styles of music through the years.

This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 1 Saxophone syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C. -Classic repertoire and newly commissioned pieces and arrangements. -Piano accompaniments for both E- and B- instruments included. -Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus. -Audio performances of the nine pieces on alto saxophone and piano by expert musicians, plus accompaniment-only tracks for both E- and B- instruments for use when practising (download code included in the book) The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 1 Saxophone exam, as well as providing an excellent toolkit for the general development of technical skills at this level.

(Play Today Instructional Series). The ultimate self-teaching method designed to offer quality instruction, terrific songs, a professional-quality CD with 73 full-demo tracks, and a 25-minute DVD. This series can be used by students of all ages who want to teach themselves, or by teachers for private or group instruction. Simply follow the tips and lessons in the book as you listen to the teacher on the CD or watch the DVD. This great package is a complete guide to the basics, including: how to assemble and care for your instrument, producing a sound, reading music notation and rhythms, fingering chart, glossary of musical terms, and more The music included lets you play the songs with a professional backup band so learning and practicing are cooler than ever

This is the first in-depth survey of the oboe during its Golden Age, tracing the history of the instrument from its invention through its many mutations as it adapted to the changing demands of composers. The author describes in detail the instruments, players, makers, and composers, how and where it was played, and who listened to it.

What do the world's most prominent oboists have to say about their musical ideas, performance techniques, and teaching strategies? Michele L. Fiala and Martin Schuring, themselves skilled oboists, undertook the project of asking twenty-six of them about their musicianship and pedagogy. The results are collected in Great Oboists on Music and Musicianship, which provides a unique window into how these virtuosi of wind instruments think about their craft. Each chapter paints an engaging portrait of a leading oboist that allows them to share-in their own words-their insights on the performance techniques, learning strategies, and career moves that propelled them to their current stature. The captivating prose chapters that Fiala and Schuring composed from the interviews allow each artist's personality to shine through as they convey their hard-won wisdom on topics such as musical interpretation, the relationship between vocal and instrumental music, being a good ensemble player, and warm-up routines. The diverse array of musicians portrayed in this book includes orchestral and solo performers from across North America, Europe, and Australia. Their practical advice will resonate not just with oboists but also with players and teachers of other instruments as they pursue their own musical journeys.

This book by the former Professor of Flute at the Royal Academy of Music (1945-1985) and Principal Flute of the Philharmonia Orchestra (1949-1972) is designed for professional and amateur alike. It contains detailed instructions for sound production, breath control, intonation, tonguing, and dynamics and offers sound advice on phrasing, tone, vibrato, and orchestral playing. There are annotated fingering charts showing normal fingerings, alternative fingerings, and trill fingerings, and a concise account of the history of the instrument. There is a useful repertory list and an appendix by Sebastian Bell (Principal Flute of the London Sinfonietta and current Professor of Flute at the RAM) describing avant-garde techniques.