The Tennessee Tech Tuba Ensemble (TTTE) is one of the most successful performing collegiate ensembles in history, with an enviable record of 25 recording projects, seven Carnegie Hall appearances, two World's Fairs performances, numerous national and international conference engagements, and a performance history in venues like Preservation Hall in New Orleans, the Spoleto Festival in Charleston, and the Kennedy Center in Washington. The Tennessee Tech Tuba Ensemble and R. Winston Morris: A 40th Anniversary Retrospective lists all of these events and more. It tells how Morris founded an ensemble comprised only of tubas and euphoniums (the "underdogs" of the orchestra) and catapulted it to international recognition, establishing and defining the standards for tuba ensemble performance practices and creating a monumental influence on both the tuba and music education throughout the world. The book provides a biography of Morris that includes the influences that led to the development of the TTTE, and it describes the early years of the ensemble and its development as one of the most recognizable groups of its kind. Several lists of reference information specific to Morris and the group and general to tuba and euphonium music are offered. Details about concerts, performances, activities, and recordings of the ensemble are presented, as well as recordings, awards, honors, and publications by Morris. Former members of the group are listed and pictured in more than 85 photos comprising a photographic history. Winston and the TTTE are responsible for the composition and arrangement of more music for the tuba than any other single source, and a comprehensive list of those works is supplied here."

This book contains nine pieces selected from ABRSM's 2018-2021 Grade 1 Flute syllabus. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C with piano accompaniment Classic repertoire and newly commissioned pieces and arrangements Footnotes with helpful information about the pieces Audio performances of the nine pieces by expert musicians plus accompaniment-only tracks for use when practising (download code included in the book)

John Coltrane's unique and powerful saxophonic sound is commonly recognized among jazz scholars and fans alike as having a "spiritual" nature, imbued with the perfomer's soul, which deeply touches musicians and listeners worldwide. This revered and respected musician created new standards, linked tradition with innovation, challenged common assumptions, and relentlessly pursued spiritual goals in his music, which he aimed openly to use as a means to help listeners see the beauty of life. More than four decades after Coltrane's death, it is this spiritual nature of the music that has kept his sound alive - and thriving - on the contemporary jazz scene. Edited by prominent jazz musician and scholar Leonard Brown, John Coltrane and Black America's Quest for Freedom is a timely exploration of Coltrane's sound and its spiritual qualities as they relate to Black American music culture and aspirations for freedom. A wide-ranging collection of essays and interviews featuring many of the most eminent figures in jazz studies and performance-Tommy Lee Lott, Anthony Brown, Herman Gray, Emmett G. Price III, Dwight Andrews, Tammy Kernodle, Salim Washington, Eric Jackson, and TJ Anderson (foreword)-the book examines the full spectrum of Coltrane's legacy. Each essay approaches this theme from a different angle, in both historical and contemporary contexts, focusing on how Coltrane became a quintessential example of the universal and enduring qualities of Black American culture. The contributors address Coltrane as the Black intellectual, the visionary master of musical syntax, the man and the media icon, and ultimately the symbol of the spiritual core of Black American music.

This book contains valuable practice material for candidates preparing for ABRSM's Clarinet exams at Grades 6-8. It features sample sight-reading tests for the new requirements from 2018, written in attractive and approachable styles.

Drawing from his highly praised French work, Une simple flute, distinguished flutist and teacher Michel Debost has compiled a useful and imaginative introduction to playing the flute. This alphabetically arranged compendium of advice and insight covers essential topics such as breathing, articulation, and tone, but also explores "jawboning," "finger phrasing," "the little devils," and other quirky and vexing aspects of flute playing.
Full of practical advice on technique and axioms that lend moral support during tough practice sessions, The Simple Flute will be a welcome addition to any serious or novice flutist's library. In addition, the book includes original exercises such as "Debost's Scale Game," making it an excellent resource for flute teachers. Debost concludes each essay with "In a nutshell" and "Please refer to" boxes that make the book easy to browse, dog-ear, and return to again and again. Offering concise, common-sense solutions for flutists of all levels, this book is an ideal reference guide on flute performance.

This book contains valuable practice material for candidates preparing for ABRSM's Saxophone exams at Grades 6-8. It features sample sight-reading tests for the new requirements from 2018, written in attractive and approachable styles.

This book contains all the scales and arpeggios required for ABRSM's Clarinet exams at Grades 6-8. It features all the new requirements from 2018, arranged in grade order.

Oboe Art and Method is a complete and comprehensive guide to oboe technique. Author Martin Schuring, a veteran oboe performer and instructor, describes in detail all of the basic techniques of playing (breathing, embouchure, finger technique, articulation) and reed making, with expert tips and step-by-step instructions for how best to perform each of these tasks with grace and technical efficiency. Schuring's descriptions are straightforward and articulate, designed to encourage students to focus on the basic techniques of tone production as a springboard for more nuanced artistic development. Key sections address long-tone and scale practice in ways that go beyond advice most teachers will give their pupils, and the author's focus on embouchure development cultivates supported breathing and blowing to help provide the best foundation for aspiring oboists. In addition, he offers chapters on the practicing, instrument care and adjustment, professional development, and career development issues, all designed to help students practice meaningfully and with purpose and guide them throughout their careers with the oboe. A reliable source of practical and time-tested advice, Oboe Art and Technique will appeal to all who teach or are learning to play the oboe, whether at conservatories or in private instruction. A coherent overview of the fundamentals of technique, it will also be a terrific brush-up guide for professionals and amateur enthusiasts alike.

This combined book of scales, arpeggios and sight-reading contains valuable practice material for candidates preparing for ABRSM's Clarinet exams at Grades 1-5. Key features: All the new scales and arpeggios from 2018, arranged in grade order Sample sight-reading tests for the new requirements from 2018, written in attractive and approachable styles

This combined book of scales, arpeggios and sight-reading contains valuable practice material for candidates preparing for ABRSM's Flute exams at Grades 1-5. Key features: All the new scales and arpeggios from 2018, arranged in grade order Sample sight-reading tests for the new requirements from 2018, written in attractive and approachable styles.

Notes for Clarinetists: A Guide to the Repertoire offers important historical and analytical information about thirty-five of the best-known pieces written for the instrument. Numerous contextual and theoretical insights make it an essential resource for professional, amateur, and student clarinetists. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and informative analyses to help clarinetists gain a more complete understanding of Three Pieces for Clarinet Solo by Igor Stravinsky, Aaron Copland's Concerto for Clarinet, String Orchestra, Harp, and Piano, Robert Schumann's Fantasy Pieces for Clarinet and Piano, Op. 73. and Time Pieces for Clarinet and Piano, Op. 43. by Robert Muczynski, among many others. With close attention to matters of context, style, and harmonic and formal analysis, Albert Rice explores a significant portion of the repertoire, and offers a faithful and comprehensive guide that includes works by Boulez, Brahms, and Mozart to Hindemith, Poulenc, and Stamitz. Rice includes biographical information on each composer and highlights history's impact on the creation and performance of important works for clarinet. Intended as a starting point for connecting performance studies with scholarship, Rice's analysis will help clarinetists gain a more complete picture of a given work. Its valuable insights make it essential to musicians preparing and presenting programs, and its detailed historical information about the work and composer will encourage readers to explore other works in a similarly analytical way. Covering concertos, chamber pieces, and works for solo clarinet, Rice presents Notes for Clarinetists as an indispensable handbook for students and professionals alike.

Music master to Frederick the Great, Quantz was one of the great flute virtuosos of all time. He was also a thorough musician, a fine teacher and an excellent writer. This classic book is ostensibly a flute method, but it goes far beyond that, presenting a complete and detailed picture of musical taste and performance practice in the 18th century. Of special significance is a table relating various tempos to the speed of the pulse, helping modern musicians to solve the difficult question of authentic performance tempos of Baroque music. This reissued edition includes all Quantz's music examples together with an introduction and explanatory notes by the translator, Edward R. Reilly.

The talent and experience of the legendary virtuoso, Leon Goossens, with that of the contemporary composer, conductor and oboist, Edwin Roxburgh combine to produce this comprehensive handbook for the oboe. The history of the instrument is followed by illuminating chapters on baroque, classical, romantic and twentieth century music. The mark of Goossens' long experience as an international soloist is woven into every page, whether in his observations about great soloists of the past or in pertinent views on modern recording methods. Edwin Roxburgh contributes a detailed explanation of extemporization and ornamentation in eighteenth-century music as well as an optimistic review of new developments in oboe playing and modern music. For the student, there is a whole section on reed making and performing techniques together with detailed advice for teachers. Extensive appendices cover manufacturers, repertoire, fingering charts, bibliography and discography.

In the last forty years, many elite performers in the arts have gleaned valuable lessons and techniques from research and advances in sport science, psychomotor research, learning theory, and psychology. Numerous "peak performance" books have made these tools and insights available to athletes.
Now, professor and performer Frank Gabriel Campos has translated this concept for trumpet players and other brass and wind instrumentalists, creating an accessible and comprehensive guide to performance skill. Trumpet Technique combines the newest research on skill acquisition and peak performance with the time-honored and proven techniques of master teachers and performers. All aspects of brass technique are discussed in detail, including the breath, embouchure, oral cavity, tongue, jaw, and proper body use, as well as information on performance psychology, practice techniques, musicians' occupational injuries, and much more.
Comprehensive and detailed, Trumpet Technique is an invaluable resource for performers, teachers, and students at all levels seeking to move to the highest level of skill with their instrument.

"The Premier Oboist of Europe": A Portrait of Gustave Vogt describes the life and achievements of the most prolific composer of oboe music in the nineteenth century. This book attempts to stimulate appreciation of Gustave Vogt (1781-1870) as musician and historical personality. It brings together portraiture, personal correspondence, concert reviews, autographs, and countless other documents including Vogt's Conservatoire exam reports, a detailed work list of Vogt's compositions, and the first complete transcription and translation of his unpublished oboe method. Despite his exceptional career and the seminal position in the history of the oboe, Vogt's long and active career have been largely passed over. He is remembered primarily for being the teacher of oboists who took up posts in France and England. In truth, however, during his long life Vogt witnessed huge transformations, affecting not only musical fashion but the social fabric of the world about him. After being trained at the Paris Conservatoire, he earned considerable repute from his appearances in concert hall and salon. Like most artists of his day, Vogt performed his own compositions but was also praised for his skill as a chamber musician, most notably in the wind quintet that premiered the works of Anton Reicha. As well as reawakening appreciation of a musician, known in his day as Europe's greatest oboist, this book posits an alternative viewpoint by writing history from the perspective of a musician caught up in the flow of his times-an extraordinary personality who was representative of the place and time in which he lived, rather than an exception to them.