A manual for constructing talismans, mixing magical compounds, summoning planetary spirits, and determining astrological conditions, Picatrix is a cornerstone of Western esotericism. It offers important insights not only into occult practices and beliefs but also into the transmission of magical ideas from antiquity to the present. Dan Attrell and David Porreca's English translation opens the world of this vital medieval treatise to modern-day scholars and lay readers. The original text, Ghayat al-Hakim, was compiled in Arabic from over two hundred sources in the latter half of the tenth century. It was translated into Castilian Spanish in the mid-thirteenth century, and shortly thereafter into Latin. Based on David Pingree's edition of the Latin text, this translation captures the spirit of Picatrix's role in the European tradition. In the world of Picatrix, we see a seamless integration of practical magic, earnest piety, and traditional philosophy. The detailed introduction considers the text's reception through multiple iterations and includes an enlightening statistical breakdown of the rituals described in the book. Framed by extensive research on the ancient and medieval context that gave rise to the Latin version of the text, this translation of Picatrix will be an indispensable volume for students and scholars of the history of science, magic, and religion and will fascinate anyone interested in the occult.

In early modern Europe, ideas about nature, God, demons, and occult forces were inextricably connected and much ink and blood was spilled in arguments over the characteristics and boundaries of nature and the supernatural. Seitz uses records of Inquisition witchcraft trials in Venice to uncover how individuals across society, from servants to aristocrats, understood these two fundamental categories. Others have examined this issue from the points of view of religious history, the history of science and medicine, or the history of witchcraft alone, but this work brings these sub-fields together to illuminate comprehensively the complex forces shaping early modern beliefs.

'The fables of witchcraft have taken so fast hold and deepe root in the heart of man, that few or none can indure with patience the hand and correction of God.' Reginald Scot, whose words these are, published his remarkable book The Discoverie of Witchcraft in 1584. England's first major work of demonology, witchcraft and the occult, the book was unashamedly sceptical. It is said that so outraged was King James VI of Scotland by the disbelieving nature of Scot's work that, on James' accession to the English throne in 1603, he ordered every copy to be destroyed. Yet for all the anger directed at Scot, and his scorn for Stuart orthodoxy about wiches, the paradox was that his detailed account of sorcery helped strengthen the hold of European demonologies in England while also inspiring the distinctively English tradition of secular magic and conjuring. Scot's influence was considerable. Shakespeare drew on The Discoverie of Witchcraft for his depiction of the witches in Macbeth. So too did fellow-playwright Thomas Middleton in his tragi-comedy The Witch. Recognising Scot's central importance in the history of ideas, Philip Almond places his subject in the febrile context of his age, examines the chief themes of his work and shows why his writings became a sourcebook for aspiring magicians and conjurors for several hundred years. England's First Demonologist makes a notable contribution to a fascinating but unjustly neglected topic in the study of Early Modern England and European intellectual history.

How do we write about magic? Responding to a renewed interest in the history of the occult, this volume examines the role of magic in a series of methodological controversies in the humanities. In case studies ranging from the 'necromancy' of historiography to the strident rationalism of the 'New Atheism,' Magical Thinking sets out the surprising ways in which scholars and critics have imagined the occult. The volume argues that thinking and writing about magic has engendered multiple epistemological crises, profoundly unsettling the understanding of history and knowledge in Western culture. By examining how scholarly writing has contended and conspired with discourses of enchantment, the book reveals the implications of magic - and its scholarship - for intellectual history.

A Community of Witches explores the beliefs and practices of Neo-Paganism and Witchcraft-generally known to scholars and practitioners as Wicca. While the words ""magic,"" ""witchcraft,"" and ""paganism"" evoke images of the distant past and remote cultures, this book shows that Wicca has emerged as part of a new religious movement that reflects the era in which it developed. Imported to the United States in the later 1960s from the United Kingdom, the religion absorbed into its basic fabric the social concerns of the time: feminism, environmentalism, self-development, alternative spirituality, and mistrust of authority. Helen A. Berger's ten-year participant observation study of Neo-Pagans and Witches on the Eastern Seaboard of the United States and her collaboration on a national survey of Neo-Pagans form the basis for exploring the practices, structures, and transformation of this nascent religion. Responding to scholars who suggest that Neo-Paganism is merely a pseudo religion or a cultural movement because it lacks central authority and clear boundaries, Berger contends that Neo-Paganism has many of the characteristics that one would expect of a religion born in late modernity: the appropriation of rituals from other cultures, a view of the universe as a cosmic whole, an emphasis on creating and re-creating the self, an intertwining of the personal and the political, and a certain playfulness. Aided by the Internet, self-published journals, and festivals and other gatherings, today's Neo-Pagans communicate with one another about social issues as well as ritual practices and magical rites. This community of interest-along with the aging of the original participants and the growing number of children born to Neo-Pagan families-is resulting in Neo-Paganism developing some of the marks of a mature and established religion.

The confessions of Isobel Gowdie are widely recognised as the most extraordinary on record in Britain. Their descriptive power and vivid imagery have attracted considerable interest on both academic and popular levels. Among historians, the confessions are celebrated for providing a unique insight into the way fairy beliefs and witch beliefs interacted in the early modern mind; more controversially, they are also cited as evidence for the existence of Shamanistic visionary traditions, of pre-Christian origin, in Scotland in this period. On a popular level the confessions of Isobel Gowdie have, above any other British witch-trial records, influenced the formation of the ritual traditions of Wicca. The author's discovery of the original trial records (currently being authenticated by the National Archives of Scotland), deemed lost for nearly 200 years, provides a starting point for an interdisciplinary look at the confessions and the woman behind them. Using historical, psychological, comparative religious and anthropological perspectives this book sets out to separate the voice of Isobel Gowdie from that of her interrogators, and to determine the experiences and beliefs which may have generated her confessions. The book explores: How far did those accused of witchcraft self-consciously practice harmful magic? Did they really believe themselves to have made a Pact with an envisioned Devil? Did they ever participate in ecstatic cult rituals? The author argues that close analysis of Isobel's testimony supports the view that in seventeenth-century Britain popular spirituality was shaped by a deep interaction between Christian teachings and shamanistic visionary traditions, of pre-Christian origin. These findings confirm the value of witchcraft confessions as unique windows into the complexities of the early modern religious imagination.