The confessions of Isobel Gowdie are widely recognised as the most extraordinary on record in Britain. Their descriptive power and vivid imagery have attracted considerable interest on both academic and popular levels. Among historians, the confessions are celebrated for providing a unique insight into the way fairy beliefs and witch beliefs interacted in the early modern mind; more controversially, they are also cited as evidence for the existence of Shamanistic visionary traditions, of pre-Christian origin, in Scotland in this period. On a popular level the confessions of Isobel Gowdie have, above any other British witch-trial records, influenced the formation of the ritual traditions of Wicca. The author's discovery of the original trial records (currently being authenticated by the National Archives of Scotland), deemed lost for nearly 200 years, provides a starting point for an interdisciplinary look at the confessions and the woman behind them. Using historical, psychological, comparative religious and anthropological perspectives this book sets out to separate the voice of Isobel Gowdie from that of her interrogators, and to determine the experiences and beliefs which may have generated her confessions. The book explores: How far did those accused of witchcraft self-consciously practice harmful magic? Did they really believe themselves to have made a Pact with an envisioned Devil? Did they ever participate in ecstatic cult rituals? The author argues that close analysis of Isobel's testimony supports the view that in seventeenth-century Britain popular spirituality was shaped by a deep interaction between Christian teachings and shamanistic visionary traditions, of pre-Christian origin. These findings confirm the value of witchcraft confessions as unique windows into the complexities of the early modern religious imagination.

In "The Specter of Salem," Gretchen A. Adams reveals the many ways that the Salem witch trials loomed over the American collective memory from the Revolution to the Civil War and beyond. Schoolbooks in the 1790s, for example, evoked the episode to demonstrate the new nation's progress from a disorderly and brutal past to a rational present, while critics of new religious movements in the 1830s cast them as a return to Salem-era fanaticism, and during the Civil War, southerners evoked witch burning to criticize Union tactics. Shedding new light on the many, varied American invocations of Salem, Adams ultimately illuminates the function of collective memories in the life of a nation.

"Imaginative and thoughtful. . . . Thought-provoking, informative, and convincingly presented, "The Specter of Salem" is an often spellbinding mix of politics, cultural history, and public historiography."-- "New England"" Quarterly"

"This well-researched book, forgoing the usual heft of scholarly studies, is not another interpretation of the Salem trials, but an important major work within the scholarly literature on the witch-hunt, linking the hysteria of the period to the evolving history of the American nation. A required acquisition for academic libraries."--"Choice," Outstanding Academic Title 2009

Adam Ashforth, an Australian who has spent many years in Soweto, finds his longtime friend Madumo in dire circumstances: his family has accused him of using witchcraft to kill his mother and has thrown him out on the street. Convinced that his life is cursed, Madumo seeks help among Soweto's bewildering array of healers and prophets. An inyanga, or traditional healer, confirms that he has indeed been bewitched. Ashforth, skeptical yet supportive, remains by Madumo's side as he embarks upon a physically grueling treatment regimen that he follows religiously - almost to the point of death. Asforth's beautifully written account of Madumo's struggle shows that the problem of witchcraft is not simply superstition but a complex response to spiritual insecurity in a troubling time of political and economic upheaval. Through Madumo's story, Ashforth opens up a world that few have seen, a deeply unsettling place where the question, "Do you believe in witchcraft?" is not a simple one at all. The insights that emerge as Ashforth accompanies his friend on an odyssey through Soweto's supernatural perils have profound implications even for those of us who live in worlds without witches.

In Darkness and Secrecy brings together ethnographic examinations of Amazonian assault sorcery, witchcraft, and injurious magic, or “dark shamanism.” Anthropological reflections on South American shamanism have tended to emphasize shamans’ healing powers and positive influence. This collection challenges that assumption by showing that dark shamans are, in many Amazonian cultures, quite different from shamanic healers and prophets. Assault sorcery, in particular, involves violence resulting in physical harm or even death. While highlighting the distinctiveness of such practices, In Darkness and Secrecy reveals them as no less relevant to the continuation of culture and society than curing and prophecy. The contributors suggest that the persistence of dark shamanism can be understood as a form of engagement with modernity.These essays, by leading anthropologists of South American shamanism, consider assault sorcery as it is practiced in parts of Brazil, Guyana, Venezuela, and Peru. They analyze the social and political dynamics of witchcraft and sorcery and their relation to cosmology, mythology, ritual, and other forms of symbolic violence and aggression in each society studied. They also discuss the relations of witchcraft and sorcery to interethnic contact and the ways that shamanic power may be co-opted by the state. In Darkness and Secrecy includes reflections on the ethical and practical implications of ethnographic investigation of violent cultural practices. Contributors. Dominique Buchillet, Carlos Fausto, Michael Heckenberger, Elsje Lagrou, E. Jean Langdon, George Mentore, Donald Pollock, Fernando Santos-Granero, Pamela J. Stewart, Andrew Strathern, Márnio Teixeira-Pinto, Silvia Vidal, Neil L. Whitehead, Johannes Wilbert, Robin Wright

Women known as "shriekers" howled, screamed, convulsed, and tore their clothes. Believed to be possessed by devils, these central figures in a cultural drama known as klikushestvo stirred various reactions among those who encountered them. While sympathetic monks and peasants tended to shelter the shriekers, others analyzed, diagnosed, and objectified them. The Russian Orthodox Church played an important role, for, while moving toward a scientific explanation for the behavior of these women, it was reluctant to abandon the ideas of possession and miraculous exorcism. Possessed is the first book to examine the phenomenon of demon possession in Russia. Drawing upon a wide range of sources—religious, psychiatric, ethnographic, and literary—Worobec looks at klikushestvo over a broad span of time but focuses mainly on the nineteenth and early twentieth centuries, when all of Russian society felt the pressure of modernization. Worobec's definitive study is as much an account of perceptions of the klikushi as an analysis of the women themselves, for, even as modern rationalism began to affect religious belief in Russia, explanations of the shriekers continued to differ widely. Examining various cultural constructions, Worobec shows how these interpretations were rooted in theology, village life and politics, and gender relationships. Engaging broad issues in Russian history, women's history, and popular religious culture, Possessed will interest readers across several disciplines. Its insights into the cultural phenomenon of possession among Russian peasant women carry rich implications for understanding the ways in which a complex society treated women believed to be out of control.

The fifteenth century is more than any other the century of the persecution of witches. So wrote Johan Huizinga more than eighty years ago in his classic Autumn of the Middle Ages. Although Huizinga was correct in his observation, modern readers have tended to focus on the more spectacular witch-hunts of the sixteenth and seventeenth centuries. Nevertheless, it was during the late Middle Ages that the full stereotype of demonic witchcraft developed in Europe, and this is the subject of Battling Demons.

At the heart of the story is Johannes Nider (d. 1438), a Dominican theologian and reformer who alternately persecuted heretics and negotiated with them--a man who was by far the most important church authority to write on witchcraft in the early fifteenth century. Nider was a major source for the infamous Malleus maleficarum, or Hammer of Witches (1486), the manual of choice for witch-hunters in late medieval Europe. Today Nider's reputation rests squarely on his witchcraft writings, but in his own day he was better known as a leader of the reform movement within the Dominican order and as a writer of important tracts on numerous other aspects of late medieval religiosity, including heresy and lay piety. Battling Demons places Nider in this wider context, showing that for late medieval thinkers, witchcraft was one facet of a much larger crisis plaguing Christian society.

As the only English-language study to focus exclusively on the rise of witchcraft in the early fifteenth century, Battling Demons will be important to students and scholars of the history of magic and witchcraft and medieval religious history.

The figure of the witch still has the ability to exert a powerful fascination on the modern mind. The vision of the elderly crone begging for charity at the crossroads, an object of fear and revulsion for her local community, has combined with the memory of prolonged judicial persecution and oppression to inspire contemporary movements as far removed from each other as Wiccans and women's liberation. In tackling such an emotive issue, where misogyny and violence combine with superstition and the basest of human instincts, Scarre and Callow chart a clear and refreshingly level-headed approach to the subject. Distinguishing between fact and fiction, they set the witch trials firnly back within the context of their own times and, without seeking to exonerate those responsible, demonstrate how it was possible for judiciaries and social elites to believe wholeheartedly in the reality and efficacy of witchcraft as a valid system of belief and as a dangerous threat to the fabric of society in which they lived. This new edition has been comprehensively updated to take account of the vast expansion in interest and scholarly research that has taken place in the field since the publication of the first edition. This work provides a provocative thesis for those seeking to understand the basis for the politics of persecution and a firm interpretative basis around which further exploratory research may be conducted.

Different conceptions of the world and of reality have made witchcraft possible in some societies and impossible in others. How did the people of early modern Europe experience it, what was it, and what was its place in their culture? The news essays in this collection illustrate the latest trends in witchcraft research and in cultural history in general. After three decades in which the social analysis of witchcraft accusations has dominated the subject, they turn instead to its significance and meaning as a cultural phenomenon—to the "languages" of witchcraft, rather than its causes. As a result, witchcraft seems less startling than it once was, yet more revealing of the world in which it occurred.

"Sociologist Victor began his involvement with satanic-cult phenomena by investigating a local panic centered in southwestern New York state. After an introductory section, his book begins with a description of this research, then proceeds with an excellent general review of recent fear about satanic cults in the U.S. He concludes that there is no evidence for the actual existence of organized satanic cults." -- Choice

The history of witchcraft and sorcery has attracted a great deal of interest and debate, but until now studies have been largely from the Anglo-Saxon perspective. This book shows how that approach has blurred our understanding and definition of the issues involved, and sheds new light on the history of witchcraft in England. What had thus far been seen as peculiar to England is here shown to be characteristic of much of northern Europe. Taking into account major new developments in the historiography of witchcraft--in methodology, and in the chronological and geographical scope of the studies--the authors explore the relationship between witchcraft, law, and theology; the origins and nature of the witch's sabbath; the sociology and criminology of witch-hunting; and the comparative approach to European witchcraft. An impressive amount of archival work by all of the contributors has produced an indispensable guide to the study of witchcraft, of interest not only to historians, but to anthropologists, criminologists, psychologists, and sociologists.

To find out why reasonable people are drawn to the seemingly bizarre practices of magic and witchcraft, Tanya Luhrmann immersed herself in the secret lives of Londoners who call themselves magicians. She came to know them as friends and equals and was initiated into various covens and magical groups. She explains the process through which once-skeptical individuals--educated, middle-class people, frequently of high intelligence--become committed to the ideas behind witchcraft and find magical ritual so compellingly persuasive. This intriguing book draws some disturbing conclusions about the ambivalence of belief within modern urban society.

Undeniably, evil exists in our world; we ourselves commit evil acts. How can one account for evil's ageless presence, its attraction, and its fruits? The question is one that Jeffrey Burton Russell addresses in his history of the concept of the Devil—the personification of evil itself. In the predecessor to this book, The Devil: Perceptions of Evil from Antiquity to Primitive Christianity, Russell traced the idea of the Devil in comparative religions and examined its development in Western thought through ancient Hebrew religion and the New Testament. This volume follows its course over the first five centuries of the Christian era. Like most theological problems, the question of evil was largely ignored by the primitive Christian community. The later Christian thinkers who wrestled with it for many centuries were faced with a seemingly irreconcilable paradox: if God is benevolent and omnipotent, why does He permit evil? How, on the other hand, can God be all-powerful if one adopts a dualist stance, and posits two divine forces, one good and one evil? Drawing upon a rich variety of literary sources as well as upon the visual arts, Russell discusses the apostolic fathers, the apologetic fathers, and the Gnostics. He goes on to treat the thought of Irenaeus and Tertullian, and to describe the diabology of the Alexandrian fathers, Clement and Origen, as well as the dualist tendencies in Lactantius and in the monastic fathers. Finally he addresses the syntheses of the fifth century, especially that of Augustine, whose view of the Devil has been widely accepted in the entire Christian community ever since. Satan is both a revealing study of the compelling figure of the Devil and an imaginative and persuasive inquiry into the forces that shape a concept and ensure its survival.

In early modern England, the practice of ritual or ceremonial magic - the attempted communication with angels and demons - both reinforced and subverted existing concepts of gender. The majority of male magicians acted from a position of control and command commensurate with their social position in a patriarchal society; other men, however, used the notion of magic to subvert gender ideals while still aiming to attain hegemony. Whilst women who claimed to perform magic were usually more submissive in their attempted dealings with the spirit world, some female practitioners employed magic to undermine the patriarchal culture and further their own agenda. Frances Timbers studies the practice of ritual magic in the sixteenth and seventeenth centuries focusing especially on gender and sexual perspectives. Using the examples of well-known individuals who set themselves up as magicians (including John Dee, Simon Forman and William Lilly), as well as unpublished diaries and journals, literature and legal records, this book provides a unique analysis of early modern ceremonial magic from a gender perspective.

In the courtrooms of seventeenth-century Russia, the great majority of those accused of witchcraft were male, in sharp contrast to the profile of accused witches across Catholic and Protestant Europe in the same period. While European courts targeted and executed overwhelmingly female suspects, often on charges of compacting with the devil, the tsars' courts vigorously pursued men and some women accused of practicing more down-to-earth magic, using poetic spells and home-grown potions. Instead of Satanism or heresy, the primary concern in witchcraft testimony in Russia involved efforts to use magic to subvert, mitigate, or avenge the harsh conditions of patriarchy, serfdom, and social hierarchy.

Broadly comparative and richly illustrated with color plates, Desperate Magic places the trials of witches in the context of early modern Russian law, religion, and society. Piecing together evidence from trial records to illuminate some of the central puzzles of Muscovite history, Kivelson explores the interplay among the testimony of accusers, the leading questions of the interrogators, and the confessions of the accused. Assembled, they create a picture of a shared moral vision of the world that crossed social divides. Because of the routine use of torture in extracting and shaping confessions, Kivelson addresses methodological and ideological questions about the Muscovite courts' equation of pain and truth, questions with continuing resonance in the world today. Within a moral economy that paired unquestioned hierarchical inequities with expectations of reciprocity, magic and suspicions of magic emerged where those expectations were most egregiously violated.

Witchcraft in Russia surfaces as one of the ways that oppression was contested by ordinary people scrambling to survive in a fiercely inequitable world. Masters and slaves, husbands and wives, and officers and soldiers alike believed there should be limits to exploitation and saw magic deployed at the junctures where hierarchical order veered into violent excess.

The books in this bite-sized new series contain no complicated techniques or tricky materials, making them ideal for the busy, the time-pressured or the merely curious. First Steps in Witchcraft is a short, simple and to-the-point guide to the works of Witchcraft. In just 96 pages, the reader will learn all about the God and Goddess, the Wiccan Rede and much more. Ideal for the busy, the time-pressured or the merely curious, First Steps in Witchcraft is a quick, no-effort way to break into this fascinating topic. discover the god and goddess learn the power of the four elements join a coven perform magic celebrate wiccan festivals

Voices from the Pagan Census provides insight into the expanding but largely unstudied religious movement of Neo-Paganism in the United States. The authors present the findings of ""The Pagan Census"", which was created and distributed by Berger and Andras Corban Arthen of the Earthspirit Community. Analysing the most comprehensive and largest-scale survey of the Neo-Pagans to date, the authors offer a portrait of this emerging religious community, including an examination of Neo-Pagan political activism, educational achievements, family life, worship methods, experiences with the paranormal and beliefs about such issues as life after death. A collection of religious groups whose practices evolved from Great Britain's Wicca movement of the 1940s, Neo-Paganism spread to the US in the 1960s. While the number of people who identify themselves with the religion has continued to rise, quantitative study of Neo-Paganism has been difficult given the movement's lack of centralized leadership and doctrine and its development into scattered, independent groups and individuals. Endorsed by all major Neo-Pagan leaders, the results of this census provide in-depth information about the group.

A unique collection of materials, including works of literature as well as historical documents, Witchcraft and Society in England and America, 1550 1750 provides a broad view of how witches and magicians were represented in print and manuscript over three centuries. It combines newly annotated selections from famous texts, such as Macbeth, Doctor Faustus, and The Faerie Queene with unjustly obscure ones: portrayals of witchcraft and magic from private papers, court records, and little-known works of fiction. In this rich, broad context, Marion Gibson presents the voices of "witches," accusers, ministers, physicians, poets, dramatists, magistrates, and witchfinders from both sides of the Atlantic. Each text is introduced with a short essay and fully annotated to explain unfamiliar words and concepts, give biographical details of participants and/or authors, and explore the context in which the text was produced."

A landmark contribution to women's history that sheds new light on the Salem witch trials and one of its most crucial participants, Tituba of The Crucible In this important book, Elaine Breslaw claims to have rediscovered Tituba, the elusive, mysterious, and often mythologized Indian woman accused of witchcraft in Salem in 1692 and immortalized in Arthur Miller's The Crucible. Reconstructing the life of the slave woman at the center of the notorious Salem witch trials, the book follows Tituba from her likely origins in South America to Barbados, forcefully dispelling the commonly-held belief that Tituba was African. The uniquely multicultural nature of life on a seventeenth-century Barbadan sugar plantation—defined by a mixture of English, American Indian, and African ways and folklore—indelibly shaped the young Tituba's world and the mental images she brought with her to Massachusetts. Breslaw divides Tituba’s story into two parts. The first focuses on Tituba's roots in Barbados, the second on her life in the New World. The author emphasizes the inextricably linked worlds of the Caribbean and the North American colonies, illustrating how the Puritan worldview was influenced by its perception of possessed Indians. Breslaw argues that Tituba’s confession to practicing witchcraft clearly reveals her savvy and determined efforts to protect herself by actively manipulating Puritan fears. This confession, perceived as evidence of a diabolical conspiracy, was the central agent in the cataclysmic series of events that saw 19 people executed and over 150 imprisoned, including a young girl of 5. A landmark contribution to women's history and early American history, Tituba, Reluctant Witch of Salem sheds new light on one of the most painful episodes in American history, through the eyes of its most crucial participant.

For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the occult. The three greatest playwrights of the period devoted major plays (The Tempest, Doctor Faustus, The Alchemist) to magic, Francis Bacon often referred to it, and it was ever-present in the visual arts. In "Renaissance Magic and the Return of the Golden Age" John S. Mebane reevaluates the significance of occult philosophy in Renaissance thought and literature, constructing the most detailed historical context for his subject yet attempted.

This is the first book to consider the general course and significance of the European witch craze of the sixteenth and seventeenth centuries since H.R. Trevor-Roper's classic and pioneering study appeared some fifteen years ago. Drawing upon the advances in historical and social-science scholarship of the past decade and a half, Joseph Klaits integrates the recent appreciations of witchcraft in regional studies, the history of popular culture, anthropology, sociology, and psychology to better illuminate the place of witch hunting in the context of social, political, economic and religious change.

"In all, Klaits has done a good job. Avoiding the scandalous and sensational, he has maintained throughout, with sensitivity and economy, an awareness of the uniqueness of the theories and persecutions that have fascinated scholars now for two decades and are unlikely to lose their appeal in the foreseeable future." American Historical Review

"This is a commendable synthesis whose time has come.... fascinating... " The Sixteenth Century Journal

..". comprehensive and clearly written... An excellent book... " Choice

"Impeccable research and interpretation stand behind this scholarly but not stultifying account... " Booklist

"A good, solid, general treatment... " Erik Midelfort

"Servants of Satan is a well written, easy to read book, and the bibliography is a good source of secondary materials for further reading." Journal of American Folklore"

Dictionary of Witchcraft is a must-have resource for anyone interested in witchcraft, pagan religions, and the occult. This historical dictionary was the first reference work to seriously document superstitions, manifestations, magic, and superstitions. The author s interest was to compile a vast amount of matter that would interest, entertain and instruct others. This dictionary was consulted by some of the greatest Romantic writers, notably by Hugo. Collin de Plancy followed the tradition of many previous demonologists of cataloguing demons by name and title of nobility, as it happened with grimoires like Pseudomonarchia Daemonum and The Lesser Key of Solomon among others. It is considered a major work documenting beings, characters, books, deeds, and causes which pertain to the manifestations and magic of trafficking with Hell; divinations, occult sciences, grimoires, marvels, errors, prejudices, traditions, folktales, the various superstitions, and generally all manner of marvelous, surprising, mysterious, and supernatural beliefs. This edition was translated and introduced by occultist Wade Baskin. Collin de Plancy (1794 1881) was a French occultist, demonologist, author, and translator. His best-known work, Dictionary of Witchcraft (Dictionnaire Infernal), was published in 1818 but didn t receive wide acclaim until 1863 when a set of 69 illustrations by Louis Breton were added. Later in life, de Plancy converted to Catholicism and focused his studies on Catholic histories and mysticisms.