'The fables of witchcraft have taken so fast hold and deepe root in the heart of man, that few or none can indure with patience the hand and correction of God.' Reginald Scot, whose words these are, published his remarkable book The Discoverie of Witchcraft in 1584. England's first major work of demonology, witchcraft and the occult, the book was unashamedly sceptical. It is said that so outraged was King James VI of Scotland by the disbelieving nature of Scot's work that, on James' accession to the English throne in 1603, he ordered every copy to be destroyed. Yet for all the anger directed at Scot, and his scorn for Stuart orthodoxy about wiches, the paradox was that his detailed account of sorcery helped strengthen the hold of European demonologies in England while also inspiring the distinctively English tradition of secular magic and conjuring. Scot's influence was considerable. Shakespeare drew on The Discoverie of Witchcraft for his depiction of the witches in Macbeth. So too did fellow-playwright Thomas Middleton in his tragi-comedy The Witch. Recognising Scot's central importance in the history of ideas, Philip Almond places his subject in the febrile context of his age, examines the chief themes of his work and shows why his writings became a sourcebook for aspiring magicians and conjurors for several hundred years. England's First Demonologist makes a notable contribution to a fascinating but unjustly neglected topic in the study of Early Modern England and European intellectual history.

How do we write about magic? Responding to a renewed interest in the history of the occult, this volume examines the role of magic in a series of methodological controversies in the humanities. In case studies ranging from the 'necromancy' of historiography to the strident rationalism of the 'New Atheism,' Magical Thinking sets out the surprising ways in which scholars and critics have imagined the occult. The volume argues that thinking and writing about magic has engendered multiple epistemological crises, profoundly unsettling the understanding of history and knowledge in Western culture. By examining how scholarly writing has contended and conspired with discourses of enchantment, the book reveals the implications of magic - and its scholarship - for intellectual history.

A Community of Witches explores the beliefs and practices of Neo-Paganism and Witchcraft-generally known to scholars and practitioners as Wicca. While the words ""magic,"" ""witchcraft,"" and ""paganism"" evoke images of the distant past and remote cultures, this book shows that Wicca has emerged as part of a new religious movement that reflects the era in which it developed. Imported to the United States in the later 1960s from the United Kingdom, the religion absorbed into its basic fabric the social concerns of the time: feminism, environmentalism, self-development, alternative spirituality, and mistrust of authority. Helen A. Berger's ten-year participant observation study of Neo-Pagans and Witches on the Eastern Seaboard of the United States and her collaboration on a national survey of Neo-Pagans form the basis for exploring the practices, structures, and transformation of this nascent religion. Responding to scholars who suggest that Neo-Paganism is merely a pseudo religion or a cultural movement because it lacks central authority and clear boundaries, Berger contends that Neo-Paganism has many of the characteristics that one would expect of a religion born in late modernity: the appropriation of rituals from other cultures, a view of the universe as a cosmic whole, an emphasis on creating and re-creating the self, an intertwining of the personal and the political, and a certain playfulness. Aided by the Internet, self-published journals, and festivals and other gatherings, today's Neo-Pagans communicate with one another about social issues as well as ritual practices and magical rites. This community of interest-along with the aging of the original participants and the growing number of children born to Neo-Pagan families-is resulting in Neo-Paganism developing some of the marks of a mature and established religion.

Witchcraft has proven an important, if difficult, historical subject to investigate and interpret over the last four decades or so. Modern historical research into witchcraft began as an attempt to tease out the worldview of ordinary people in 16th- and 17th-century England, but it quickly expanded to encompass the history of witchcraft in most cultures and societies that have existed with scholarly studies now extending back to the time of earliest law code that punished sorcery, the Babylonian Code of Hammurabi (1792-1750 B.C.E.), and forward to the last witchcraft cases in England, those of Helen Duncan and Jane Yorke, tried in 1944. There has also been a significant amount of interest in the development of the modern religion of witchcraft, or Wicca, as various forms of neo-paganism continue to attract adherents. The second edition of Historical Dictionary of Witchcraft covers the history of the Witchcraft from 1750 B.C.E. though the modern day. This is done through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on witch hunts, witchcraft trials, and related practices around the world. This book is an excellent access point for students, researchers, and anyone wanting to know more about the history of witchcraft.

The books in this bite-sized new series contain no complicated techniques or tricky materials, making them ideal for the busy, the time-pressured or the merely curious. First Steps in Witchcraft is a short, simple and to-the-point guide to the works of Witchcraft. In just 96 pages, the reader will learn all about the God and Goddess, the Wiccan Rede and much more. Ideal for the busy, the time-pressured or the merely curious, First Steps in Witchcraft is a quick, no-effort way to break into this fascinating topic. discover the god and goddess learn the power of the four elements join a coven perform magic celebrate wiccan festivals

A popular new image of Witches has arisen in recent years, due largely to movies like ""The Craft"", ""Practical Magic"", and ""Simply Irresistible"" and television shows such as ""Buffy the Vampire Slayer"", ""Sabrina the Teenage Witch"", and ""Charmed"". Here, young sexy Witches use magic and Witchcraft to gain control over their lives and fight evil. Then there is the depiction in the ""Harry Potter"" books: Witchcraft is a gift that unenlightened Muggles (everyday people) lack. In both types of portrayals, being a Witch is akin to being a superhero. At the other end of the spectrum, wary adults assume that Witches engage in evil practices that are misguided at best and dangerous at worst. Yet, as Helen A. Berger and Douglas Ezzy show in this in-depth look into the lives of teenage Witches, the reality of their practices, beliefs, values, and motivations is very different from the sensational depictions we see in popular culture. Drawing on extensive research across three countries - the United States, England, and Australia - and interviews with young people from diverse backgrounds, what they find are highly spiritual and self-reflective young men and women attempting to make sense of a postmodern world via a religion that celebrates the earth and emphasizes self-development. The authors trace the development of Neo-Paganism (an umbrella term used to distinguish earth-based religions from the pagan religions of ancient cultures) from its start in England during the 1940s, through its growing popularity in the decades that followed, up through its contemporary presence on the Internet. Though dispersed and disorganized, Neo-Pagan communities, virtual and real, are shown to be an important part of religious identity particularly for those seeking affirmation during the difficult years between childhood and adulthood.

The Path of the Devil is organized around three fundamental theories: witch hunts as functional sacrificial ceremonies, realistic conflict and strategic persecution, and scapegoat phenomena. All conjectures point to the role of epidemic disease, war, and climactic and economic hardships as considerable factors. However, such crises have to be differentiated: when war is measured as a quantitative characteristic it is found to inhibit witch hunts, while epidemic disease and economic hardship encourages them. The book integrates the sociologies of collective behavior, contentious conflict, and deviance with cross-disciplinary theory and research. The final chapters examine the Salem witch trials as "a perfect storm," and illustrate the general patterns found for early modern witch hunts and "modern witch hunts," which exhibit similarities that are found to be more than metaphorical.

'One of the most remarkable works of academic investigation I have ever had in my hands;it is not too much to say that Professor Cohn has revolutionized the study of the subject... it is a brilliant book.' Bernard Levin, THE OBSERVER In this pioneering book Norman Cohn traces popular beliefs about witches to their origins, and shows how the great witch-hunt erupted, when thousands of innocent people were tortured and burned alive. 'It is no exaggeration to describe EUROPE'S INNER DREAMS as the most important book yet written on European witchcraft.' Max Marwick, SOCIOLOGY This is a book of real stature which I hope will have wide impact. Only if we begin to understand the horrifying recesses of the human imagination can we prevent the recurrence of those dreadful, irrational persecutions which have so disfigured human history.' Anthony Storr

A unique collection of materials, including works of literature as well as historical documents, Witchcraft and Society in England and America, 1550 1750 provides a broad view of how witches and magicians were represented in print and manuscript over three centuries. It combines newly annotated selections from famous texts, such as Macbeth, Doctor Faustus, and The Faerie Queene with unjustly obscure ones: portrayals of witchcraft and magic from private papers, court records, and little-known works of fiction. In this rich, broad context, Marion Gibson presents the voices of "witches," accusers, ministers, physicians, poets, dramatists, magistrates, and witchfinders from both sides of the Atlantic. Each text is introduced with a short essay and fully annotated to explain unfamiliar words and concepts, give biographical details of participants and/or authors, and explore the context in which the text was produced."

The figure of the witch still has the ability to exert a powerful fascination on the modern mind. The vision of the elderly crone begging for charity at the crossroads, an object of fear and revulsion for her local community, has combined with the memory of prolonged judicial persecution and oppression to inspire contemporary movements as far removed from each other as Wiccans and women's liberation. In tackling such an emotive issue, where misogyny and violence combine with superstition and the basest of human instincts, Scarre and Callow chart a clear and refreshingly level-headed approach to the subject. Distinguishing between fact and fiction, they set the witch trials firnly back within the context of their own times and, without seeking to exonerate those responsible, demonstrate how it was possible for judiciaries and social elites to believe wholeheartedly in the reality and efficacy of witchcraft as a valid system of belief and as a dangerous threat to the fabric of society in which they lived. This new edition has been comprehensively updated to take account of the vast expansion in interest and scholarly research that has taken place in the field since the publication of the first edition. This work provides a provocative thesis for those seeking to understand the basis for the politics of persecution and a firm interpretative basis around which further exploratory research may be conducted.

Different conceptions of the world and of reality have made witchcraft possible in some societies and impossible in others. How did the people of early modern Europe experience it, what was it, and what was its place in their culture? The news essays in this collection illustrate the latest trends in witchcraft research and in cultural history in general. After three decades in which the social analysis of witchcraft accusations has dominated the subject, they turn instead to its significance and meaning as a cultural phenomenon—to the "languages" of witchcraft, rather than its causes. As a result, witchcraft seems less startling than it once was, yet more revealing of the world in which it occurred.

In her analysis of the cultural construction of gender in early America, Elizabeth Reis explores the intersection of Puritan theology, Puritan evaluations of womanhood, and the Salem witchcraft episodes. She finds in those intersections the basis for understanding why women were accused of witchcraft more often than men, why they confessed more often, and why they frequently accused other women of being witches. In negotiating their beliefs about the devil's powers, both women and men embedded womanhood in the discourse of depravity.Puritan ministers insisted that women and men were equal in the sight of God, with both sexes equally capable of cleaving to Christ or to the devil. Nevertheless, Reis explains, womanhood and evil were inextricably linked in the minds and hearts of seventeenth-century New England Puritans. Women and men feared hell equally but Puritan culture encouraged women to believe it was their vile natures that would take them there rather than the particular sins they might have committed.Following the Salem witchcraft trials, Reis argues, Puritans' understanding of sin and the devil changed. Ministers and laity conceived of a Satan who tempted sinners and presided physically over hell, rather than one who possessed souls in the living world. Women and men became increasingly confident of their redemption, although women more than men continued to imagine themselves as essentially corrupt, even after the Great Awakening.

"Shaman of Oberstdorf " tells the fascinating story of a sixteenth-century mountain village caught in a panic of its own making. Four hundred years ago the Bavarian alpine town of Oberstdorf, surrounded by the towering peaks of the Vorarlberg, was awash in legends and rumors of prophets and healers, of spirits and specters, of witches and soothsayers. The book focuses on the life of a horse wrangler named Chonrad Stoeckhlin 1549-1587], whose extraordinary visions of the afterlife and enthusiastic practice of the occult eventually led to his death--and to the death of a number of village women--for crimes of witchcraft.

In addition to recounting Stoeckhlin's tale, this book examines the larger world of alpine myths concerning ghosts and other spirits of the night, documenting how these myths have been abused by German political movements over the years. As an introduction to modern German witchcraft research, as a study of the local impact of the Counter Reformation, and as a historical investigation into popular culture, Behringer's book has the advantage of telling a compelling individual story amidst larger discussions of peasant raptures, magical healing, and unfamiliar alpine notions such as the "furious army," the "wild hunt," popular bonfire festivals, and eerie echoes of pagan Wotan.

Wolfgang Behringer is one of the premier historians of German witchcraft, not only because of his mastery of the subject at the regional level, but because he also writes movingly, forcefully, and with an eye for the telling anecdote. Reminiscent of such classics as "The Cheese and the Worms" and "The Return of Martin Guerre," "Shaman of Oberstdorf" is an unforgettable look at early modern German folklore and culture.

In her analysis of the cultural construction of gender in early America, Elizabeth Reis explores the intersection of Puritan theology, Puritan evaluations of womanhood, and the Salem witchcraft episodes. She finds in those intersections the basis for understanding why women were accused of witchcraft more often than men, why they confessed more often, and why they frequently accused other women of being witches. In negotiating their beliefs about the devil's powers, both women and men embedded womanhood in the discourse of depravity.Puritan ministers insisted that women and men were equal in the sight of God, with both sexes equally capable of cleaving to Christ or to the devil. Nevertheless, Reis explains, womanhood and evil were inextricably linked in the minds and hearts of seventeenth-century New England Puritans. Women and men feared hell equally but Puritan culture encouraged women to believe it was their vile natures that would take them there rather than the particular sins they might have committed.Following the Salem witchcraft trials, Reis argues, Puritans' understanding of sin and the devil changed. Ministers and laity conceived of a Satan who tempted sinners and presided physically over hell, rather than one who possessed souls in the living world. Women and men became increasingly confident of their redemption, although women more than men continued to imagine themselves as essentially corrupt, even after the Great Awakening.

For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the occult. The three greatest playwrights of the period devoted major plays (The Tempest, Doctor Faustus, The Alchemist) to magic, Francis Bacon often referred to it, and it was ever-present in the visual arts. In "Renaissance Magic and the Return of the Golden Age" John S. Mebane reevaluates the significance of occult philosophy in Renaissance thought and literature, constructing the most detailed historical context for his subject yet attempted.

To find out why reasonable people are drawn to the seemingly bizarre practices of magic and witchcraft, Tanya Luhrmann immersed herself in the secret lives of Londoners who call themselves magicians. She came to know them as friends and equals and was initiated into various covens and magical groups. She explains the process through which once-skeptical individuals--educated, middle-class people, frequently of high intelligence--become committed to the ideas behind witchcraft and find magical ritual so compellingly persuasive. This intriguing book draws some disturbing conclusions about the ambivalence of belief within modern urban society.

Even today witchcraft is found in many socities, and ancient Mesopotamia was no exception. To the ancient Assyrians and Babylonians witchcraft was the cause of otherwise inexplicable diseases and misfortunes, and elaborate means of protection against and cure from the consequences of witchcraft were developed. This study examines Mesopotamian anti-witchcraft literature, focusing on the extant descriptions of witches and sorceresses, their methods, the symptoms of the bewitched and the rituals and remedies used to combat witchcraft.

In early modern England, the practice of ritual or ceremonial magic - the attempted communication with angels and demons - both reinforced and subverted existing concepts of gender. The majority of male magicians acted from a position of control and command commensurate with their social position in a patriarchal society; other men, however, used the notion of magic to subvert gender ideals while still aiming to attain hegemony. Whilst women who claimed to perform magic were usually more submissive in their attempted dealings with the spirit world, some female practitioners employed magic to undermine the patriarchal culture and further their own agenda. Frances Timbers studies the practice of ritual magic in the sixteenth and seventeenth centuries focusing especially on gender and sexual perspectives. Using the examples of well-known individuals who set themselves up as magicians (including John Dee, Simon Forman and William Lilly), as well as unpublished diaries and journals, literature and legal records, this book provides a unique analysis of early modern ceremonial magic from a gender perspective.