Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
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Interpreting Chopin: Analysis and Performance (Hardcover, New Ed)
Loot Price: R4,176
Discovery Miles 41 760
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Interpreting Chopin: Analysis and Performance (Hardcover, New Ed)
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Music theory is often seen as independent from - even antithetical
to - performance. While music theory is an intellectual enterprise,
performance requires an intuitive response to the music. But this
binary opposition is a false one, which serves neither the theorist
nor the performer. In Interpreting Chopin Alison Hood brings her
experience as a performer to bear on contemporary analytical
models. She combines significant aspects of current analytical
approaches and applies that unique synthetic method to selected
works by Chopin, casting new light on the composer's preludes,
nocturnes and barcarolle. An extension of Schenkerian analysis, the
specific combination of five aspects distinguishes Hood's method
from previous analytical approaches. These five methods are:
attention to the rhythms created by pitch events on all structural
levels; a detailed accounting of the musical surface; 'strict use'
of analytical notation, following guidelines offered by Steve
Larson; a continual concern with what have been called 'strategies'
or 'premises'; and an exploration of how recorded performances
might be viewed in terms of analytical decisions, or might even
shape those decisions. Building on the work of such authors as
William Rothstein, Carl Schachter and John Rink, Hood's approach to
Chopin's oeuvre raises interpretive questions of central interest
to performers.
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