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Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)

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Four-Handed Monsters - Four-Hand Piano Playing and Nineteenth-Century Culture (Hardcover) Loot Price: R1,434
Discovery Miles 14 340
Four-Handed Monsters - Four-Hand Piano Playing and Nineteenth-Century Culture (Hardcover): Adrian Daub

Four-Handed Monsters - Four-Hand Piano Playing and Nineteenth-Century Culture (Hardcover)

Adrian Daub

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Loot Price R1,434 Discovery Miles 14 340 | Repayment Terms: R134 pm x 12*

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In the course of the nineteenth century, four-hand piano playing emerged across Europe as a popular pastime of the well-heeled classes and of those looking to join them. Nary a canonic work of classical music that was not set for piano duo, nary a house that could afford not to invest in them. Duets echoed from the student bedsit to the Buckingham Palace, resounded in schools and in hundreds of thousands of bourgeois parlors. Like no other musical phenomenon it could cross national, social and economic boundaries, bringing together poor students with the daughters of the bourgeoisie, crowned heads with penniless virtuosi, and the nineteenth century often regarded it with extreme suspicion for that very reason. Four-hand piano playing was often understood as a socially acceptable way of flirting, a flurry of hands that made touching, often of men and women, not just acceptable but necessary. But it also became something far more serious than that, a central institution of the home, mediating between inside and outside, family and society, labor and leisure, nature and nurture. And writers, composers, musicians, philosophers, journalists, pamphleteers and painters took note: in the art, literature and philosophy of the age, four-hand playing emerged as a common motif, something that allowed them to interrogate the very nature of the self, the family, the community and the state. In the four hands rushing up and down the same keyboard the nineteenth century espied, or thought espy, an astonishing array of things. Four-Handed Monsters tells the story of that practice, but also the story of the astonishing array of things the nineteenth century read into it.

General

Imprint: Oxford UniversityPress
Country of origin: United States
Release date: May 2014
First published: June 2014
Authors: Adrian Daub (Assistant Professor of German)
Dimensions: 237 x 162 x 25mm (L x W x T)
Format: Hardcover
Pages: 256
ISBN-13: 978-0-19-998177-9
Categories: Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles > Keyboard instruments
Books > Music > Musical instruments & instrumental ensembles > Keyboard instruments
Books > Music > Theory of music & musicology > General
Books > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
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LSN: 0-19-998177-9
Barcode: 9780199981779

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