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Museum Highlights - The Writings of Andrea Fraser (Paperback)
Loot Price: R1,946
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Museum Highlights - The Writings of Andrea Fraser (Paperback)
Series: Writing Art
Expected to ship within 10 - 15 working days
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Essays, criticism, and performance scripts written between 1985 and
2003 by an artist whose artistic practice investigates and reveals
the social structures of art and its institutions. Andrea Fraser's
work, writes Pierre Bourdieu in his foreword to Museum Highlights,
is able to "trigger a social mechanism, a sort of machine infernale
whose operation causes the hidden truth of social reality to reveal
itself." It often does this by incorporating and inhabiting the
social role it sets out to critique-as in a performance piece in
which she leads a tour as a museum docent and describes the men's
room in the same elevated language that she uses to describe
seventeenth-century Dutch paintings. Influenced by the
interdisciplinarity of postmodernism, Fraser's interventionist art
draws on four primary artistic and intellectual
frameworks-institutional critique, with its site-specific
examination of cultural context; performance; feminism, with its
investigation of identity formation; and Bourdieu's reflexive
sociology. Fraser's writings form an integral part of her artistic
practice, and this collection of texts written between 1985 and
2003-including the performance script for the docent's tour that
gives the book its title-both documents and represents her work.
The writings in Museum Highlights are arranged to reflect different
aspects of Fraser's artistic practice. They include essays that
trace the development of critical "artistic practice" as cultural
resistance; performance scripts that explore art institutions and
the public sphere; and texts that explore the ambivalent
relationship of art to the economic and political interests of its
time. The final piece, "Isn't This a Wonderful Place? (A Tour of a
Tour of the Guggenheim Bilbao)," reflects on the role of museums in
an era of globalization. Among the book's 30 illustrations are
stills from performance pieces, some never before published.
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