Proposing a fresh theoretical approach to the study of cinematic
portrayals of the Middle Ages, this book uses both semiotics and
historiography to demonstrate how contemporary filmmakers have
attempted to recreate the past in a way that, while largely
imagined, is also logical, meaningful, and as truthful as possible.
Carrying out this critical approach, the author analyzes a wide
range of films depicting the Middle Ages, arguing that most of
these films either reflect the past through a series of visual
signs (a concept he has called "iconic recreation") or by comparing
the past to a modern equivalent (called "paradigmatic
representation").
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