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British Modernism and Chinoiserie (Hardcover)
Loot Price: R2,578
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British Modernism and Chinoiserie (Hardcover)
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This book explores Chinese artistic and stylistic influences on
Modernist practice in early twentieth century Britain. This volume
examines the ways in which an intellectual vogue for a mythic China
was a constituent element of British modernism. Traditionally
defined as a decorative style that conjured a fanciful and
idealized notion of China, chinoiserie was revived in in London's
avant garde circles, the Bloomsbury group, the Vorticists and
others, who like their eighteenth century forebears, turned to
China as a cultural and aesthetic utopia. As part of Modernism's
challenge to the 'universality' of so called Western values and
aesthetics, the turn to China would contribute much more than has
been acknowledged to Modernist thinking. As these 10 new chapters
demonstrate, China as an intellectual and aesthetic utopia dazzled
intellectuals and aesthetes. At the same time the consumption of
Chinese exoticism became commercialized. The essays show that from
cutting edge Modernist chic to mass culture and consumer products,
the vogue for chinoiserie style and motifs permeated the art and
design of the period. The 10 original chapters from leading
international figures in the field, including Elizabeth Chang,
David Porter and Patricia Laurence. It includes 28 figures (10 in
colour) to illustrate the text. It offers a coverage of literature,
painting and poetry, as well as performance and visual media,
theatre, fashion, film and dance, interior and garden design, Ideal
Home and international exhibitions.
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