One of Max Weber's contemporaries described him as 'a child of the
Enlightenment born too late' whose work is a 'vitriolic attack on
religion'. Subsequent Weber scholarship has largely affirmed this
valuation of Weber and characterized his scholarship as a
manifestation of the very disenchantment that Weber describes. In
The Postmodern Significance of Max Weber's Legacy , Basit Koshul
challenges this idea by showing Weber to be a postmodern thinker
far ahead of his time.
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