This book provides a major study of the drawings, paintings and
carvings of the crucifixion from tenth- and eleventh-century
England, placing these works of art within the context of the
tenth-century monastic revival. The drawings and paintings of the
crucifixion are discussed in relation to the literature, theology,
liturgy and devotional practices of the late Anglo-Saxon period in
order to reveal the richness and subtlety of religious belief at
this time. Late Anglo-Saxon religious art is shown to have played a
central role in the monastic life; it called to mind the gospel
events and set out their theological significance; it demonstrated
the truth of the gospel message; it moved men's hearts, allowing
them to experience the presence of Christ and to respond as though
they had actually been present at His death.
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