We all dream; we all share these strange experiences that infuse
our nights. But we only know of those nightly adventures when we
decide to represent them. In the long history of coming to terms
with dreams there seem to be two different ways of delineating our
forays into the world of the unconscious: One is the attempt of
interpreting, of unveiling the hidden meaning of dreams. The other
one is not so much concerned with the relation of dream and
meaning, of dream and reality, it rather concentrates on trying to
find means of representation for this extremely productive force
that determines our sleep. The essays collected in this book
explore both attempts. They follow debates in philosophy and
psychoanalysis and they study literature, theatre, dance, film, and
photography.
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