The films of Fritz Lang depict an entrapping, claustrophobic
world in which people are controlled by larger forces. His
overriding theme is the struggle against fate and against the
traits of human nature that doom us.
His life and work spanned six decades of film history-from the
silent era through the golden age of German Expressionism of the
1920s and the classic studio system in Hollywood to the rise of the
international co-production. In Hollywood he worked for every major
studio except Disney. He made blockbusters, modest B movies, and
everything in between. Among his films are classics of German
cinema-including "Metropolis" and "M." In America he made some of
the most notable crime movies ("Fury"), noir films ("The Big
Heat"), and Westerns ("The Return of Frank James") of the studio
era. Despite the different time periods, nations, and genres in
which he worked, his films remain stylistically consistent.
Lang (1890-1976), a notoriously difficult interviewee, granted
relatively few interviews apart from short publicity exchanges in
the promotion of his films. Fully aware of his public persona, he
was a canny self-promoter who carefully constructed half-truths and
myths about himself.
This fascinating collection covers his conversations about his
life and his works over a period of forty years. They reveal how
cinema for Lang was an intensely personal art. "For me," he said,
"cinema is a vice. I love it intimately. I've often written that it
is the art form of our century."
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