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Books > Language & Literature > Literature: history & criticism > Literary theory
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Music, Subjectivity, and Schumann (Hardcover)
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Music, Subjectivity, and Schumann (Hardcover)
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The concept of subjectivity is one of the most popular in recent
scholarly accounts of music; it is also one of the obscurest and
most ill-defined. Multifaceted and hard to pin down, subjectivity
nevertheless serves an important, if not indispensable purpose,
underpinning various assertions made about music and its effect on
us. We may not be exactly sure what subjectivity is, but much of
the reception of Western music over the last two centuries is
premised upon it. Music, Subjectivity, and Schumann offers a
critical examination of the notion of musical subjectivity and the
first extended account of its applicability to one of the composers
with whom it is most closely associated. Adopting a fluid and
multivalent approach to a topic situated at the intersection of
musicology, philosophy, literature, and cultural history, it seeks
to provide a critical refinement of this idea and to elucidate both
its importance and limits.
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