The work of the influential Jesuit theologian Hans Urs von
Balthasar (1905-1988) has become a common point of reference in
discussing the relationship of theology and the arts. However, the
full significance of his theological aesthetics for both the
emerging field of theology and the arts, as well as for
interdisciplinary conversation with contemporary art and theory,
remains to be unfolded. This book explores the ways in which
Balthasar's theo-aesthetics, when taken together with his
theological dramatics and theo-logic, yield a theologically
informed phenomenology of the work of art with rich implications
for contemporary theologies of art. By investigating the nature and
disclosure of beauty and being through art, Balthasar's theological
re-reading of Heidegger, his theo-dramatic relation of all forms to
Christ, and his phenomenology of truth, Balthasar's philosophical
and theological insights into the nature of art are presented as a
resource for a constructive theology of art which "springs" from
the depths of his theological aesthetics.
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