Brian Attebery's "strategy of fantasy" include not only the
writer's strategies for inventing believable impossibiltes, but
also the reader s strategies for enjoying, challenging, and
conspiring with the text. Drawing on a number of current literary
theories (but avoiding most of their jargon), Attebery makes a case
for fantasy as a significant movement within postmodern literature
rather than as a simple exercise of nostalgia. Attebury examines
recent and classic fantasies by Ursula K. Le Guin, John Crowley,
J.R.R. Tolkien, Diana Wynne Jones, and Gene Wolfe, among others. In
both its popular and postmodern incarnations, fantasic fiction
exhibits a remarkable capacity for reinventing narrative
concentions. Attebery shows how plots, characters, settings,
storytelling frameworks, gender divisions, and references to
cultural texts such as history and science are all called into
question the moment the marvelous is admited into a story."
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