"Masters of the Drum," comprising eight essays and two
interviews, examines both celebrated and insufficiently explored
Caribbean, African, and African-American lit/orature that asserts
the interface between the scribal and the spoken/gestural in Black
word art. This triple play--engagement with the three principal
regions of the Black world--reflects the author's interest in Black
comparative studies, wherein the expressions and emphases of the
Black Atlantic tradition (Africa and its diasporas) are deeply
exposed and revealingly juxtaposed. The book's apparent eclecticism
is intended to help flex the boundaries of Black literary and
cultural studies in response to the dangers of a narrow
construction of the newly canonical and of an overly particularist
critical stance.
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