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Meyer Schapiro’s Critical Debates - Art Through a Modern American Mind (Paperback)
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Meyer Schapiro’s Critical Debates - Art Through a Modern American Mind (Paperback)
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Described in the New York Times as the greatest art historian
America ever produced, Meyer Schapiro was both a close friend to
many of the famous artists of his generation and a scholar who
engaged in public debate with some of the major intellectuals of
his time. This volume synthesizes his prolific career for the first
time, demonstrating how Schapiro worked from the nexus of artistic
and intellectual practice to confront some of the twentieth
century’s most abiding questions. Schapiro was renowned for
pioneering interdisciplinary approaches to interpreting visual art.
His lengthy formal analyses in the 1920s, Marxist interpretations
in the 1930s, psychoanalytic critiques in the 1950s and 1960s, and
semiotic explorations in the 1970s all helped open new avenues for
inquiry. Based on archival research, C. Oliver O’Donnell’s
study is structured chronologically around eight defining debates
in which Schapiro participated, including his dispute with Isaiah
Berlin over the life and writing of Bernard Berenson, Schapiro’s
critique of Martin Heidegger’s ekphrastic commentary on Van Gogh,
and his confrontation with Claude Lévi-Strauss over the
applicability of mathematics to the interpretation of visual art.
O’Donnell’s thoughtful analysis of these intellectual exchanges
not only traces Schapiro’s philosophical evolution but also
relates them to the development of art history as a discipline, to
central tensions of artistic modernism, and to modern intellectual
history as a whole. Comprehensive and thought-provoking, this study
of Schapiro’s career pieces together the separate strands of his
work into one cohesive picture. In doing so, it reveals
Schapiro’s substantial impact on the field of art history and on
twentieth-century modernism.
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