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Framing Law and Crime - An Interdisciplinary Anthology (Hardcover)
Loot Price: R4,058
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Framing Law and Crime - An Interdisciplinary Anthology (Hardcover)
Series: The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
Expected to ship within 10 - 15 working days
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This cutting-edge edited collection brings together 17 scholarly
essays on two of cinema and television's most enduring and powerful
themes: law and crime. With contributions by many of the most
prominent scholars in law, sociology, criminology, and film,
Framing Law and Crime offers a critical survey of a variety of
genres and media, integrating descriptions of technique with
critical analysis, and incorporating historical and socio-political
critique. The first set of essays brings together accounts of the
history of the Law and Cinema Movement; the groundbreaking genre of
"post-apocalyptic fiction;" and the policy-setting genesis of a
Canadian documentary. The second section of the book turns to the
examination of a range of international or global films, with an
eye to assessing the strengths, frailties, and possible functions
of law, as depicted in fictional cinema. After an international
focus in the second section, the third section focuses on law and
crime in American film and television, inclusive of both fictional
and documentary modes of narration. This section's expansion beyond
film narratives to include television series attempts to broaden
the scope of the edited collection, in terms of media discussed; it
is also a nod to how the big screen, although still a dominant
force in American popular culture, now has to compete, to some
extent, with the small screen, for influence over the collective
American popular cultural imaginary. The fourth section, titled
brings together various chapters that attempt to instantiate how a
"Gothic Criminology" could be useful, as an interpretative
framework in analyzing depictions of law and crime in film and
television. The fifth and final section covers issues of pedagogy,
epistemology, and ethics in relation to moving images of law and
crime. Merging wide-ranging analyses with nuanced scholarly
interpretations, Framing Law and Crime examines key concepts and
showcases original research reflecting the latest interdisciplinary
trends in the scholarship of the moving image. It addresses, not
only scholars, but also fans, and will heighten the appreciation of
connoisseurs and newcomers to these topics alike.
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