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Mutating Idylls - Uses and Misuses of the Locus Amoenus in European Literature, 1850-1930 (Hardcover, New edition)
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Mutating Idylls - Uses and Misuses of the Locus Amoenus in European Literature, 1850-1930 (Hardcover, New edition)
Series: Studies on Themes and Motifs in Literature, 139
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Mutating Idylls examines the surprising presence of the antique
literary topos of the idyllic landscape, the locus amoenus, in
European literature from the latter half of the nineteenth century.
The book sets out to identify how this topos, which generally has
no place in politically and socially realistic and naturalist
literature, actually does have a role to play. Chapters on central
nineteenth-century authors such as Flaubert, Zola, Fontane, Verga,
Hamsun, Austen, Eliot, Wilde, Jimenez, Cernuda, and Galdos
demonstrate both the presence and the multiple refunctionalizations
of the locus amoenus. The theoretical aim of Mutating Idylls is to
rehabilitate the notion of literary topos. This feature is present
in the introduction as a possibility in literary studies today. The
chapters all argue in the direction of a notion of topos, which is
more flexible than the one Curtius defines along the lines of
formula or cliche. In this way, the book intervenes in at least
three major fields of study: nineteenth-century studies, classical
philology, and literary theory. Through empirical analyses covering
diverse authors who all, more or less unconsciously, use the locus
amoenus, Mutating Idylls offers a new understanding of the culture
of writing in the nineteenth century and contributes to literary
theory a rehabilitation of the important notion of the topos.
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