Philosopher and art historian Georges Didi-Huberman is one of the
most innovative and influential critical thinkers writing today.
This book is the first English-language study of his writing on
images. An image is a form of representation, but what are the
philosophical frameworks supporting it? The book considers how
Didi-Huberman takes up this question repeatedly over the course of
his career. Placing his project in relation to major historical and
intellectual contexts, it shows not only how he modifies dominant
disciplinary traditions, but also how the study of images is
central to a new way of thinking about poststructuralist-inspired
art history. -- .
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