Why were the Victorians so passionate about "History"?
How did this passion relate to another Victorian obsession the
"woman question"? In a brilliant and provocative study, Christina
Crosby investigates the links between the Victorians fascination
with "history" and with the nature of "women."
Discussing both key novels and non-literary texts Daniel Deronda
and Hegel s Philosophy of History; Henry Esmond and Macaulay s
History of England; Little Dorrit, Wilkie Collins The Frozen Deep,
and Mayhew s survey of "labour and the poor"; Villette, Patrick
Fairburn s The Typology of Scripture and Ruskin s Modern Painters
she argues that the construction of middle-class Victorian "man" as
the universal subject of history entailed the identification of
"women" as those who are before, beyond, above, or below history.
Crosby s analysis raises a crucial question for today s feminists
how can one read historically without replicating the problem of
nineteenth century "history"?
The book was first published in 1991.
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