In this pioneering book, Christopher Whitehead provides an
overview and critique of art interpretation practices in museums
and galleries. Covering the philosophy and sociology of art,
traditions in art history and art display, the psychology of the
aesthetic experience and ideas about learning and communication,
Whitehead advances major theoretical frameworks for understanding
interpretation from curators and visitors perspectives. Although
not a manual, the book is deeply practical. It presents extensively
researched European and North American case studies involving
interviews with professionals engaged in significant cutting-edge
interpretation projects. Finally, it sets out the ethical and
political responsibilities of institutions and professionals
engaged in art interpretation.
Exploring the theoretical and practical dimensions of art
interpretation in accessible language, this book covers:
- The construction of art by museums and galleries, in the form
of collections, displays, exhibition and discourse;
- The historical and political dimensions of art
interpretation;
- The functioning of narrative, categories and chronologies in
art displays;
- Practices, discourses and problems surrounding the
interpretation of historical and contemporary art;
- Visitor experiences and questions of authorship and
accessibility;
- The role of exhibition texts, new interpretive technologies and
live interpretation in art museum and gallery contexts.
Thoroughly researched with immediately practical applications,
Interpreting Art in Museums and Galleries will inform the practices
of art curators and those studying the subject.
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