"Unsettled Remains: Canadian Literature and the Postcolonial
Gothic" examines how Canadian writers have combined a postcolonial
awareness with gothic metaphors of monstrosity and haunting in
their response to Canadian history. The essays gathered here range
from treatments of early postcolonial gothic expression in Canadian
literature to attempts to define a Canadian postcolonial gothic
mode. Many of these texts wrestle with Canada's colonial past and
with the voices and histories that were repressed in the push for
national consolidation but emerge now as uncanny reminders of that
contentious history. The haunting effect can be unsettling and
enabling at the same time.
In recent years, many Canadian authors have turned to the
gothic to challenge dominant literary, political, and social
narratives. In Canadian literature, the "postcolonial gothic" has
been put to multiple uses, above all to figure experiences of
ambivalence that have emerged from a colonial context and persisted
into the present. As these essays demonstrate, formulations of a
Canadian postcolonial gothic differ radically from one another,
depending on the social and cultural positioning of who is positing
it. Given the preponderance, in colonial discourse, of accounts
that demonize otherness, it is not surprising that many minority
writers have avoided gothic metaphors. In recent years, however,
minority authors have shown an interest in the gothic, signalling
an emerging critical discourse. This "spectral turn" sees minority
writers reversing long-standing characterizations of their identity
as "monstrous" or invisible in order to show their connections to
and disconnection from stories of the nation.
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