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Music and the French Enlightenment - Rameau and the Philosophes in Dialogue (Paperback, 2nd Revised edition)
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Music and the French Enlightenment - Rameau and the Philosophes in Dialogue (Paperback, 2nd Revised edition)
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Around the middle of the eighteenth century, the leading figures of
the French Enlightenment engaged in a philosophical debate about
the nature of music. The principal participants-Rousseau, Diderot,
and d'Alembert-were responding to the views of the
composer-theorist Jean-Philippe Rameau, who was both a participant
and increasingly a subject of controversy. The discussion centered
upon three different events occurring roughly simultaneously. The
first was Rameau's formulation of the principle of the fundamental
bass, which explained the structure of chords and their
progression. The second was the writing of the Encyclopedie, edited
by Diderot and d'Alembert, with articles on music by Rousseau. The
third was the "Querelle des Bouffons," over the relative merits of
Italian comic opera and French tragic opera. The philosophes, in
the typical manner of Enlightenment thinkers, were able to move
freely from the broad issues of philosophy and criticism, to the
more technical questions of music theory, considering music as both
art and science. Their dialogue was one of extraordinary depth and
richness and dealt with some of the most fundamental issues of the
French Enlightenment. In the newly revised edition of Music and the
French Enlightenment, Cynthia Verba updates this fascinating story
with the prolific scholarship that has emerged since the book was
first published. Stressing the importance of seeing the
philosophes' writings in context of a dynamic dialogue, Verba
carefully reconstructs the chain of arguments and rebuttals across
which Rousseau, D'Alembert, and Diderot formulated their own
evolving positions. A section of key passages in translation
presents several texts in English for the first time, recapturing
the tenor and tone of the dialogue at hand. In a new epilogue,
Verba discusses important trends in new scholarship, tracing how
scholars continue to grapple with many of the same fundamental
oppositions and competing ideas that were debated by the
philosophes in the French Enlightenment.
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