Dominic Rainsford examines ways in which literary texts may seem to
comment on their authors' ethical status. Its argument develops
through readings of Blake, Dickens, and Joyce, three authors who
find especially vivid ways of casting doubt on their own moral
authority, at the same time as they expose wider social ills. The
book combines its interest in ethics with post-structuralist
scepticism, and thus develops a type of radical humanism with
applications far beyond the three authors immediately discussed.
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